Back To Black with Marisa Abela & Sam Taylor-Johnson
In this episode of Pop Culture Weekly, join the conversation with Kyle McMahon as we unravel the emotional and artistic journey behind the Amy Winehouse biopic, Back to Black, with guests Marisa Abela and director Sam Taylor-Johnson. Step into the...
In this episode of Pop Culture Weekly, join the conversation with Kyle McMahon as we unravel the emotional and artistic journey behind the Amy Winehouse biopic, Back to Black, with guests Marisa Abela and director Sam Taylor-Johnson. Step into the psyche of a music icon as Marisa reveals how she transcended beyond mere impersonation to capture the very soul of Amy Winehouse. With a focus on authenticity, she brings to life Amy's essence, while Sam discusses the weighty task of presenting Amy's multifaceted story through a lens of compassion and without judgment. This episode promises a heartfelt exploration of the creative processes that pay tribute to Winehouse's musical brilliance and the humanity of her narrative.
Witness a heartfelt dialogue that not only delves into the making of Back to Black but also celebrates the legacy of Amy Winehouse. From the rigor of preparation to the responsibility of representation, Marissa and Sam share their unique perspectives on storytelling and the inner workings of a film that seeks to resonate with the spirit of its subject. For fans of poignant dramas, transformative performances, and the enigmatic talent of Amy Winehouse, this episode offers an intimate look behind the scenes and is a testament to the potency of her enduring influence in music and beyond.
Kyle McMahon's Death, Grief & Other Sh*t We Don't Discuss is now streaming: https://www.deathandgrief.show/Chapter-One-The-Diagnosis-AKA-WTF/
---------------
Get all the Pop Culture Weekly podcast info you could want including extra content, uncut interviews, photos, videos & transcripts at: https://podcast.popcultureweekly.com
Watch celebrity interviews at: https://www.facebook.com/realkylemcmahon/videos
or Pop Culture Weekly YouTube at: https://www.youtube.com/@popcultureweekly
Read the latest at http://www.PopCultureWeekly.com
Follow Kyle on:
Twitter: http://www.twitter.com/kmacmusic
Facebook: http://www.facebook.com/realkylemcmahon
Instagram: http://www.instagram.com/kmacmusic
YouTube: http://www.youtube.com/officialkylemcmahon
Website: http://www.kylemcmahon.me
Pop Culture Weekly twitter: http://www.twitter.com/popculturepodca
1
00:00:00.640 --> 00:00:04.759
In this episode of pop Culture Weekly, it's all about the Amy Winehouse biopick
2
00:00:04.879 --> 00:00:08.720
Back to Black. I'd talk with
Marissa Abella and Sam Taylor Johnson. Let's
3
00:00:08.759 --> 00:00:15.279
go Welcome to pop Culture Weekly with
Kyle McMahon from my Heart Radio, your
4
00:00:15.359 --> 00:00:20.280
pop culture news, views, reviews, and celebrity interviews on Fall, the
5
00:00:20.399 --> 00:00:25.839
Movies, TV music, and Pomp
Culture U Crab Weekly. Here's Kyle McMahon.
6
00:00:27.079 --> 00:00:32.079
Nana no no, no no,
Hello, and welcome the pop Culture
7
00:00:32.079 --> 00:00:36.000
Weekly with Kyle McMahon. I of
course am Kyle McMahon, and I am
8
00:00:36.600 --> 00:00:41.679
so hyped that you are hanging out
with me for another episode of the show.
9
00:00:42.320 --> 00:00:49.399
Today is all about the Amy Winehouse
biopick Back to Black, which you've
10
00:00:49.479 --> 00:00:53.240
got to see. It's in theaters
now. If you're a fan of you
11
00:00:53.240 --> 00:01:00.119
know, biopicks or Amy Whitehouse or
you know compelling dramas. It really is
12
00:01:00.119 --> 00:01:04.560
is a great film. They you
can see my full review up on popcultureweekly
13
00:01:04.599 --> 00:01:08.920
dot com and I go into depth, in depth on you know, the
14
00:01:10.319 --> 00:01:15.719
film and the performances are absolutely incredible
and Marissa does all of her own singing,
15
00:01:15.799 --> 00:01:21.640
which is a big task when you're
you know, emulating a iconic voice.
16
00:01:21.719 --> 00:01:26.920
Like Amy Winehouse. So let's get
right into it. I talk with
17
00:01:26.319 --> 00:01:34.239
Marissa Abbeyo, who plays Amy Winehouse, and Sam Taylor Johnson, who directs
18
00:01:34.239 --> 00:01:38.200
it. Here we go. Hey, thank you both for speaking with me.
19
00:01:38.280 --> 00:01:41.560
I really appreciate it. I love
Back to Black. It's an amazing
20
00:01:41.640 --> 00:01:46.239
film. Thank you, of course. So this question is for both of
21
00:01:46.239 --> 00:01:49.319
you. But Marissa, I'll start
with you. Do you feel that there
22
00:01:49.560 --> 00:01:57.079
is a responsibility or pressure or something
like that when you're portraying, you know,
23
00:01:57.159 --> 00:02:01.640
a person who has lived you know, yeah, I mean definitely,
24
00:02:01.879 --> 00:02:07.519
you know, there's definitely, I
mean there's definitely a responsibility. I feel
25
00:02:07.560 --> 00:02:10.879
that the biggest responsibility you have is
to the person that you're playing, and
26
00:02:10.960 --> 00:02:16.199
to play them authentically and with a
hell of a lot of you know,
27
00:02:17.599 --> 00:02:23.439
awareness, And I think that that
comes from preparation. I think that you
28
00:02:23.479 --> 00:02:29.240
have to work as hard as you
can to get inside them, inside their
29
00:02:29.319 --> 00:02:34.879
skin. I think with someone like
Amy particularly, there's a lot of from
30
00:02:34.960 --> 00:02:38.680
the outside in with her. You
know, we've seen her story play out,
31
00:02:38.759 --> 00:02:42.960
but we've seen it play out sort
of from a more sort of voyeuristic
32
00:02:43.360 --> 00:02:46.280
point of view. So to be
the person that's inside her, I felt
33
00:02:46.319 --> 00:02:51.520
it was important that I was really
inhabiting her soul, you know that.
34
00:02:52.000 --> 00:02:55.759
Of course, the mannerisms are important, and the voice and the physicality and
35
00:02:57.199 --> 00:03:01.520
all of those things are necessary for
it to be a recognizable performance as Amy
36
00:03:01.520 --> 00:03:08.159
Winehouse. But most importantly, I
wanted there to be just the feeling of
37
00:03:08.199 --> 00:03:13.840
Amy, the essence of Amy just
being overpowering in this movie, because it
38
00:03:13.919 --> 00:03:19.759
was her soul as well as her
artistry that was what everyone made everyone fall
39
00:03:19.800 --> 00:03:23.800
in love with her in the first
place. I love that, Thank you,
40
00:03:23.840 --> 00:03:27.879
and Sam similarly for you, although
you know you obviously did Nowhere a
41
00:03:27.960 --> 00:03:30.599
Boy, which which has a bit
of that element to it obviously, but
42
00:03:30.639 --> 00:03:34.639
how about for you in general?
With that, Yeah, I mean I
43
00:03:34.680 --> 00:03:39.280
think that there's an enormous responsibility and
I really felt it with this particularly.
44
00:03:39.360 --> 00:03:43.159
I mean I felt it with you
know, Noah Boy and John Lennon,
45
00:03:44.159 --> 00:03:47.960
but with this it just felt very
different, and I felt like one of
46
00:03:49.000 --> 00:03:52.000
the most important things for me was
to come to it with no judgment,
47
00:03:52.479 --> 00:03:54.960
you know, to sort of just
come to it with absolute humanity and the
48
00:03:55.039 --> 00:03:59.520
hope that people would also respond to
that in a way and look at her
49
00:04:00.319 --> 00:04:04.479
life as complex as not just you
know, a victim of her tragedy,
50
00:04:04.560 --> 00:04:09.879
but you know, look at the
creative soul of who she was and just
51
00:04:09.919 --> 00:04:13.960
to really celebrate the music again and
to sort of keep everyone you know,
52
00:04:14.080 --> 00:04:16.480
on on track with the music and
that be the sort of north star of
53
00:04:16.480 --> 00:04:21.000
who she was. I love that. Thank you both so much. That's
54
00:04:21.040 --> 00:04:25.360
my time. I really appreciate it. I can't wait for everybody to see
55
00:04:25.399 --> 00:04:30.959
back to play Me too. Thank
you bye, Marissa Bella and Sam Taylor
56
00:04:30.120 --> 00:04:35.319
Johnson. I love their insight into
the filming of this movie. It's got
57
00:04:35.319 --> 00:04:41.360
to be really tough, I would
think when you're doing a biopic, especially
58
00:04:41.720 --> 00:04:47.480
one where you know that person lived
recently, you know. I mean I
59
00:04:47.560 --> 00:04:51.439
always wondered about that. If the
person is still with us, or you
60
00:04:51.480 --> 00:04:58.199
know, it's been relatively recent,
is there extra pressure or you know,
61
00:04:58.279 --> 00:05:00.839
is it easier if you're playing like
some historic figure that none of us were
62
00:05:00.879 --> 00:05:04.360
around for from a thousand years ago
or one hundred years ago or whatever.
63
00:05:04.680 --> 00:05:09.399
Is that easier? You know?
So it always intrigues me. Back to
64
00:05:09.600 --> 00:05:15.360
Black is in theaters right now.
I do recommend to watch. It's a
65
00:05:15.360 --> 00:05:19.399
great film, and like I said, the performances are incredible. Both the
66
00:05:19.720 --> 00:05:28.920
acting performances and the musical performances.
So huge props to the cast and crew
67
00:05:29.079 --> 00:05:32.040
of Back to Black for making that
happen. That's got to be a huge
68
00:05:32.160 --> 00:05:39.279
undertaking, especially with you know,
somebody with that iconic voice like like Amy
69
00:05:39.279 --> 00:05:43.040
Winehouse. So that is our show
for this week. Let me know what
70
00:05:43.199 --> 00:05:47.000
you think. Hit me up on
socials or if you're on the iHeartRadio app,
71
00:05:47.079 --> 00:05:51.800
use that talkback button and I might
just feature you on an episode of
72
00:05:51.800 --> 00:05:58.160
pop Culture Weekly. Make sure to
hit the reviews podcast dot popculturewekly dot com.
73
00:05:58.160 --> 00:06:01.480
We'll give you all of the info
that you need on the show and
74
00:06:01.519 --> 00:06:05.720
the guests and all of that stuff, and I will see you next week.
75
00:06:06.000 --> 00:06:10.639
I love you, We thank you
for listening to pop Culture Weekly.
76
00:06:11.160 --> 00:06:25.600
Here all the latest at popculturewekly dot
com and I go back to Blease








