Transcript
WEBVTT
1
00:00:00.240 --> 00:00:03.919
In this episode of pop Culture Weekly, it's all about the brand new Disney
2
00:00:04.000 --> 00:00:07.559
Junior series Arial. I talk with
Tay Diggs, Lynn Sutherland, Michael,
3
00:00:07.599 --> 00:00:14.000
Michelle Harris and more. Let's go
Welcome to pop Culture Weekly with Kyle McMahon
4
00:00:14.000 --> 00:00:20.480
from iHeartRadio your pop culture news,
views, reviews and celebrity interviews on all
5
00:00:20.559 --> 00:00:25.199
the movies, TV, music,
and pop culture u Crabe Weekly. Here's
6
00:00:25.359 --> 00:00:30.559
Kyle McMahon, nay Na Na,
Hello, and welcome to the pop Culture
7
00:00:30.559 --> 00:00:34.600
Weekly with Kyle McMahon. I of
course am Kyle McMahon, and I can't
8
00:00:34.600 --> 00:00:40.200
thank you enough for hanging out with
me for another episode of pop Culture Weekly.
9
00:00:41.119 --> 00:00:47.719
This episode is all about the brand
new Disney Junior series Ariel. Disney
10
00:00:47.799 --> 00:00:52.640
Junior's Arial is a brand new animated
musical series. It's aimed towards preschoolers and
11
00:00:52.719 --> 00:00:57.799
of course, it's inspired by the
Little Mermaid. It follows eight year old
12
00:00:57.840 --> 00:01:03.520
mermaid Princess Ariel as she and her
friends embark on fun filled, action packed
13
00:01:03.600 --> 00:01:11.760
underwater adventures throughout their Caribbean inspired fairy
tale Kingdom of Atlantica and beyond. It's
14
00:01:11.760 --> 00:01:15.400
got, of course, fan favorite
characters like King Triton, who was played
15
00:01:15.439 --> 00:01:21.760
by Tay Diggs. Love Tay Diggs, Ursula played by the amazing Amber Riley,
16
00:01:22.079 --> 00:01:26.400
and Ariel herself is played by Michael
Michelle Harris. Who is She is
17
00:01:26.400 --> 00:01:32.439
so adorable and so talented. She's
perfect as Ariel. Of course, it's
18
00:01:32.480 --> 00:01:38.159
also got Sebastian and Flounder, and
some exciting new friends, mer children,
19
00:01:38.400 --> 00:01:42.560
Lucia and Fernie, and of course
all kinds of adorable sea creatures. So
20
00:01:42.640 --> 00:01:48.560
it's executive produced by Lynn Sutherland,
who I talk with. Lynn is one
21
00:01:48.599 --> 00:01:55.959
of the most prominent black female producer
directors in the business. She directed Mulan
22
00:01:56.079 --> 00:02:01.200
iiO as well as produced Happily ever
After on HBO and produced the classic animated
23
00:02:01.200 --> 00:02:07.799
film Babas Kids. And she is
the executive producer on Disney Junior's Ariel.
24
00:02:07.879 --> 00:02:10.840
So I can't wait to talk to
her. I also talk with Tay Diggs,
25
00:02:12.520 --> 00:02:16.879
Love Love Love Tay, and Michael
Michelle Harris. So first up my
26
00:02:17.080 --> 00:02:23.439
interview with Lynn Sutherland. Lynn,
as I stated, is a pioneer in
27
00:02:23.520 --> 00:02:30.719
the business, first black female to
ever direct a Disney film with Mulan two.
28
00:02:30.479 --> 00:02:36.960
She is a prominent producer who's worked
on such classics as Sister act two,
29
00:02:37.039 --> 00:02:39.080
one of my favorite all time movies, The Naked Gun Throw Mama from
30
00:02:39.080 --> 00:02:46.039
the Train, Beabays Kids Happily ever
After on HBO, extremely goofy movie.
31
00:02:46.280 --> 00:02:50.199
Another one of my childhood classics,
and so much more. So let's get
32
00:02:50.319 --> 00:02:53.319
right into my interview with the one
and only Lynn Sutherland. So, first
33
00:02:53.360 --> 00:02:59.120
of all, congratulations on Ariel.
It really is a cool uh project in
34
00:02:59.199 --> 00:03:01.879
the world of the Little Mermaid.
I think it's really enjoyable. People are
35
00:03:01.879 --> 00:03:08.400
gonna love it. What was the
what drew you to to telling these stories
36
00:03:08.439 --> 00:03:17.520
in this world? I just thought
it was a great opportunity to uh discover
37
00:03:22.159 --> 00:03:29.280
the richness of who Ariel is.
The nature of making the movies is it's
38
00:03:29.319 --> 00:03:34.800
a very contained kind of story.
This is a chance to see Ariel in
39
00:03:34.919 --> 00:03:42.280
lots of different parts of her life, different stories that let us see her
40
00:03:42.599 --> 00:03:52.439
as you know, warm hearted,
friendly, adventurous and an experimenter. These
41
00:03:52.479 --> 00:03:57.360
are all things that we might have
had hints of in the movies. But
42
00:03:57.599 --> 00:04:01.039
here's a chance to really get inside
of her. And so that felt like
43
00:04:01.280 --> 00:04:04.759
a meaty opportunity. Yeah. I
love that, and I love how it's
44
00:04:04.840 --> 00:04:12.879
kind of your everyday aerial, Like
you know, there's not this huge world
45
00:04:13.319 --> 00:04:17.720
potentially world shaking thing that's happening.
It could be something that we run into
46
00:04:17.759 --> 00:04:25.120
every day. That's right exactly.
She's just a girl living her life and
47
00:04:26.480 --> 00:04:31.279
discovering who she is. And yeah, I like the grounding of that versus
48
00:04:31.759 --> 00:04:35.879
that that there's a you know,
there's there's We don't point a lot to
49
00:04:36.199 --> 00:04:41.639
that she's a princess. She's just
Ariel and I like that. Yeah.
50
00:04:42.600 --> 00:04:47.920
Uh. The cast is absolutely incredible, Tay and Amber everybody. How how
51
00:04:47.959 --> 00:04:50.279
do you determine? I mean,
obviously, I know, you know,
52
00:04:50.920 --> 00:04:55.240
typically there's an audition process for for
some roles and that sort of thing.
53
00:04:55.279 --> 00:04:59.800
But how did you decide, you
know, with casting that this is Tay
54
00:05:00.319 --> 00:05:06.079
is Triton or you know whatever.
I always like to think of it a
55
00:05:06.120 --> 00:05:13.160
little bit like if it were an
opera. It doesn't apply in live action,
56
00:05:13.319 --> 00:05:19.680
but in animation, the voices help
us understand the room we're in,
57
00:05:19.839 --> 00:05:24.240
so to speak, you know,
and if everybody's voice sits in the same
58
00:05:24.360 --> 00:05:30.720
place, then I'm kind of gonna
fall asleep. So that's an element of
59
00:05:30.920 --> 00:05:35.600
the process in this show. That
aspect probably applies more to the kids.
60
00:05:35.680 --> 00:05:42.160
Making sure we have some variety in
that core group of kids, but in
61
00:05:42.680 --> 00:05:47.000
terms of the adults we're going for
in that voice, can we pick up
62
00:05:47.040 --> 00:05:53.199
the humanity of the character the way
we want that character to express. So
63
00:05:54.000 --> 00:06:00.720
Tay really when he came in and
we started actually work to shape the character,
64
00:06:02.560 --> 00:06:06.600
you know, I think it might
be one's natural instinct to think that
65
00:06:06.680 --> 00:06:13.000
he should be a king, and
it's no, He's a dad and Tay
66
00:06:13.160 --> 00:06:15.720
is a dad, So it meant
it was easy for him to grab on
67
00:06:15.879 --> 00:06:18.879
to what we were looking for.
I mean, he has a great voice
68
00:06:19.199 --> 00:06:24.720
whatever, you know, So then
it's just how do we have him craft
69
00:06:24.759 --> 00:06:28.920
his voice to work for this character. And the same with Amber. I
70
00:06:28.959 --> 00:06:34.800
mean just she's almost like you just
go, yeah, perfect Ursula because we
71
00:06:34.879 --> 00:06:42.240
wanted her to have big energy,
big heart, and you really feel a
72
00:06:42.279 --> 00:06:46.839
lot of joy when you hear her
voice, and I think Amber just captures
73
00:06:46.879 --> 00:06:53.560
all that and yeah, her fabulous
singing voice. Of course. Yes for
74
00:06:54.000 --> 00:06:57.560
you, you know you did Mulan
too. That was the first film that
75
00:06:57.800 --> 00:07:02.600
you were the first black woman to
direct a animated film. You know,
76
00:07:02.800 --> 00:07:09.879
you are continuing the legacy set by
the you know, the recent Little Mermaid
77
00:07:09.920 --> 00:07:15.399
film in bringing people of color to
characters that are beloved for generations. Is
78
00:07:15.480 --> 00:07:19.199
that for you? You know,
is that something that you are like,
79
00:07:19.959 --> 00:07:26.240
I want kids that see this to
be reflected. I loved The Little Mermaid
80
00:07:26.240 --> 00:07:29.199
when I was a kid, but
it was, you know, it didn't
81
00:07:29.240 --> 00:07:32.240
necessarily reflect my friend group. You
know, I had a lot of black
82
00:07:32.279 --> 00:07:36.560
friends and people of all color,
and it was, you know, not
83
00:07:36.759 --> 00:07:41.879
as diverse as my life. Was
that something consciously as you're doing this,
84
00:07:42.079 --> 00:07:46.399
that we want, you know,
a series to reflect our viewership. Yes,
85
00:07:46.639 --> 00:07:54.000
to reflect the viewership, and also
to reflect that that we are ready
86
00:07:54.120 --> 00:07:59.240
for that now, like the energy
we have, we have moved ourselves to
87
00:07:59.319 --> 00:08:07.000
a place where we see the deficiency
in limiting the actors that we either see
88
00:08:07.120 --> 00:08:15.120
or hear. So it's a great
nexus of the moment. It's a desire
89
00:08:15.279 --> 00:08:22.959
I've always had, and I've gotten
to work on many projects that had diverse
90
00:08:22.120 --> 00:08:31.040
cast, but this was the first
time I was doing it with a character
91
00:08:31.319 --> 00:08:39.399
that had another identity at another time. So it's just wonderful to have had
92
00:08:39.440 --> 00:08:48.399
the opportunity to move her into a
broader sense and for everyone to remember that
93
00:08:48.960 --> 00:08:56.879
you can you know, aerieal you
know, why couldn't in another iteration in
94
00:08:56.080 --> 00:09:01.720
whatever in twenty years that somebody says, you know Atlantica. Actually she's not
95
00:09:01.799 --> 00:09:07.840
in Atlantica, she's in Pacifica.
And now we're gonna tell it this way.
96
00:09:07.960 --> 00:09:09.519
You know, it's like it was
a fairy tale. We can do
97
00:09:09.759 --> 00:09:15.240
whatever we want with them, exactly. I love that. Thank you for
98
00:09:15.360 --> 00:09:18.480
what you're doing, Thank you for
speaking with me. Thank you. And
99
00:09:18.559 --> 00:09:22.159
I can't wait for everybody to see
Ariel, me too, have a great
100
00:09:22.240 --> 00:09:28.679
day, me too. Lynn's southern
Lynn, what an icon and pioneer in
101
00:09:28.200 --> 00:09:31.720
the business. And she's from Philly, so I didn't realize that. So
102
00:09:31.799 --> 00:09:37.000
next time you are back in town, Lynn, let's get a sub or
103
00:09:37.399 --> 00:09:43.759
a cheese steak at Gino's and talk
shop. All right. Next up The
104
00:09:43.919 --> 00:09:48.519
Adorable and Such a Powerhouse Michael.
Michelle Harris Is. She plays Ariel in
105
00:09:50.440 --> 00:09:56.120
Disney Junior's Ariel Mermaid Tales, and
she is an Emmy winner. She won
106
00:09:56.159 --> 00:09:58.840
the twenty twenty three Emmy in the
category of Best Younger Performer and a Pre
107
00:10:00.039 --> 00:10:03.720
School, Children's or a Young Teen
Program for her role as Alice Baxter in
108
00:10:03.879 --> 00:10:09.480
Raven's Home. She was also in
Cheaper by the Dozen and You Can Look
109
00:10:09.559 --> 00:10:15.399
at UH where I interviewed that cast
last year on from Disney Plus. And
110
00:10:15.480 --> 00:10:20.519
she stars in Mixed Dish, which
she is hysterical in. She's also been
111
00:10:20.519 --> 00:10:24.519
in Big Little Lives on HBO and
so much more. So let's get right
112
00:10:24.600 --> 00:10:30.960
in to my interview with the Emmy
winning Michael Michelle Harris. Thank you,
113
00:10:31.080 --> 00:10:35.159
Michael Michelle for speaking with me.
I appreciate it absolutely, Thank you,
114
00:10:35.039 --> 00:10:39.759
of course. So first of all, congratulations on Ariel. It's such a
115
00:10:39.759 --> 00:10:43.519
great project and you do so wonderful
in it, so I want to congratulate
116
00:10:43.559 --> 00:10:46.840
you on that. Thank you so
much, of course. So what is
117
00:10:46.879 --> 00:10:50.000
it like, I mean Ariel,
Like, what is it like to play
118
00:10:50.039 --> 00:10:58.360
Ariel Vierial? Right? I am
so so so excited to be playing Ariel
119
00:10:58.399 --> 00:11:05.840
as a person who like always grew
up on watching all of the Disney princesses
120
00:11:05.639 --> 00:11:09.399
and wish they could be a Disney
princess when I grow up. I being
121
00:11:09.519 --> 00:11:16.440
and now actually being a Disney princess
is like a dream come true. I
122
00:11:16.519 --> 00:11:22.120
am so excited. I am this
is like such a fulfilling role for me.
123
00:11:22.600 --> 00:11:26.559
I'm just oh, it's it's so
amazing and I love that and you
124
00:11:26.559 --> 00:11:31.840
do such a great job with it. And of course, and you have
125
00:11:31.919 --> 00:11:35.559
such great talent around you, Tay
Diggs, Amber Riley, you know,
126
00:11:35.600 --> 00:11:41.559
you have such great you know,
these these big talented people, and you
127
00:11:41.639 --> 00:11:45.159
are holding your own with all your
talent with them. What's it like to
128
00:11:45.200 --> 00:11:50.159
work with with talent like that?
Unfortunately I didn't get to be in the
129
00:11:50.200 --> 00:11:54.039
studio with them, but I did
get to see the first and second episode
130
00:11:54.120 --> 00:11:58.480
and hearing their voices and all that
emotion that they put into the character,
131
00:11:58.919 --> 00:12:05.799
mixed with the beautiful scenery of Atlantica
and the incredible songs, just it brings
132
00:12:05.879 --> 00:12:11.960
the whole show together in this beautiful
culmination of all of all of the talent.
133
00:12:13.799 --> 00:12:16.840
Yes, and and you're totally totally
right. It is a culmination of
134
00:12:18.320 --> 00:12:22.679
so many awesome things, from the
music and the score and the animation and
135
00:12:22.840 --> 00:12:26.320
all of you guys. It's such
a great project. What you know,
136
00:12:26.919 --> 00:12:31.960
when you are obviously you know,
successful actor, when you get a project
137
00:12:33.000 --> 00:12:37.360
like this that is something that has
a history before you know, there's a
138
00:12:37.559 --> 00:12:41.320
there's a couple of films, there
was a series at one point. Do
139
00:12:41.399 --> 00:12:46.440
you feel pressure at all or are
you like, I'm gonna do my own
140
00:12:46.559 --> 00:12:50.519
take on aerial or can you like
block out the other actors that have played
141
00:12:50.519 --> 00:12:52.759
her before? How do you do? How does that work for you?
142
00:12:54.440 --> 00:12:58.679
That's actually all of those things are
are what I feel home. So of
143
00:12:58.720 --> 00:13:03.399
course there is a pressure because have
been so many different people that have played
144
00:13:03.399 --> 00:13:07.919
this role and that have knocked it
out of the ballpark, and I,
145
00:13:09.000 --> 00:13:11.320
you know, I feel like I
have to come in with this you know,
146
00:13:11.559 --> 00:13:15.200
new take on things and you know, be up there with them and
147
00:13:15.200 --> 00:13:20.200
stuff like that. But I feel
like it is a good feeling that I
148
00:13:20.279 --> 00:13:24.159
know that I can put my own
spin on things, put my own take
149
00:13:24.240 --> 00:13:28.960
on things. But also I did
a bit of character resource research. You
150
00:13:30.000 --> 00:13:35.720
know, I watched the aerial feature
films again. I studied what I felt
151
00:13:35.759 --> 00:13:39.120
like they or what I felt like
she would sound like when she was eight
152
00:13:39.240 --> 00:13:43.080
years old, because we have not
seen arios so young, and so I
153
00:13:43.200 --> 00:13:46.720
had to you know, kind of
come up with like a backstory ish like
154
00:13:48.000 --> 00:13:52.919
you know, her aerialisms. So
of course I was helped out by the
155
00:13:52.960 --> 00:13:56.919
writers and the executive producers and the
director, but you know, so the
156
00:13:56.960 --> 00:14:01.360
tiny details I have to sprinkling myself
sometimes And where did that come from?
157
00:14:01.399 --> 00:14:05.360
For you? Those those little details. Is it just your personally personality coming
158
00:14:05.399 --> 00:14:09.000
out, or is it you know, is it in things that you've learned,
159
00:14:09.240 --> 00:14:13.039
or where does that come from?
I think overall, when I like
160
00:14:13.200 --> 00:14:18.159
drop into the character and fully take
on the character, it really just comes
161
00:14:18.200 --> 00:14:22.440
from a place where I think it
would the character right. And so I
162
00:14:22.480 --> 00:14:26.240
feel like when I'm doing like the
aerial I don't really have to modify my
163
00:14:26.320 --> 00:14:31.559
voice that much. But when I
do kind of like the aerial voice,
164
00:14:31.639 --> 00:14:37.399
I really think about the different how
she would sound natural, you know,
165
00:14:37.480 --> 00:14:41.840
and I just it just comes out
right, like sometimes I put a giggle
166
00:14:41.840 --> 00:14:46.120
on the end of a line,
or or like I do like an extra
167
00:14:46.200 --> 00:14:50.159
big smile on this line, so
that it comes through my voice. And
168
00:14:50.240 --> 00:14:52.960
I feel like that really just comes
from a place of knowing the character and
169
00:14:54.039 --> 00:14:58.759
knowing how she would react to certain
things. I love that. And finally,
170
00:14:58.840 --> 00:15:01.799
what is most excite for you?
You know? In this project?
171
00:15:01.840 --> 00:15:05.759
You know, there's so many cool
things, as we've discussed many of them.
172
00:15:05.879 --> 00:15:13.080
What is your favorite part of being
aerial in Ariel? Right, I
173
00:15:13.200 --> 00:15:18.559
think one of my absolute favorite parts
is all the diversity that is included in
174
00:15:18.600 --> 00:15:24.360
this show. There are so many
different merph folks that you can see in
175
00:15:24.440 --> 00:15:28.799
this in Disney Juniors Aerial and you
can basically put yourself in their shoes.
176
00:15:31.399 --> 00:15:35.039
And I would say that all of
this diversity and stuff like this is really
177
00:15:35.480 --> 00:15:41.440
good to include in a preschool show
because it's great to show this type of
178
00:15:43.519 --> 00:15:50.200
this type of of what is the
word this type of diversity yeah, oh
179
00:15:50.240 --> 00:15:54.159
oh yeah, gotcha, this type
of diversity to young children, so that
180
00:15:54.360 --> 00:15:58.200
they know that they're not alone in
whatever they may be going through. They're
181
00:15:58.200 --> 00:16:00.879
not alone, and it's okay to
be themselves. It's okay to you know,
182
00:16:02.200 --> 00:16:06.240
like what they like, do what
they do, and that all comes
183
00:16:06.279 --> 00:16:11.720
through in the diversity in Disney Junior's
Ariel. But as an artist and an
184
00:16:11.840 --> 00:16:17.639
art junkie myself, I also love
the imagery of the mystical underwater land of
185
00:16:17.639 --> 00:16:22.639
Atlantica. Yes, it is beautiful
and and to your point with the diversity,
186
00:16:22.679 --> 00:16:27.679
I think it's amazing too. People
get to see themselves represented all throughout
187
00:16:27.679 --> 00:16:34.159
Atlantica and Ariel, And of course
that is with huge kudos to you with
188
00:16:34.279 --> 00:16:40.039
all of this and making Aerial Ariel. So thank you so much for speaking
189
00:16:40.080 --> 00:16:44.080
with me. I can't wait for
everybody to see Ariel. Thank you.
190
00:16:44.320 --> 00:16:49.440
I appreciate it. Michael Michelle Harris. I can't wait for to continue to
191
00:16:49.440 --> 00:16:53.919
watch her career just explode. How
are you an Emmy winner at twelve years
192
00:16:53.919 --> 00:16:57.879
old? Like I woke up with
a burrito in my pocket this morning,
193
00:16:59.120 --> 00:17:03.680
and this twelve year old has an
Emmy. She's incredible and love speaking with
194
00:17:03.720 --> 00:17:08.240
her. She's so delightful, so
smart and talented. And as I said,
195
00:17:08.240 --> 00:17:12.839
I can't wait to continue to watch
her career explode. All right.
196
00:17:14.039 --> 00:17:19.880
Next up, I love this man. Tay Diggs plays King Triton, Ariel's
197
00:17:21.000 --> 00:17:26.319
father in The Little Mermaid. Tay
originated the role of the landlord Benny in
198
00:17:26.559 --> 00:17:33.960
the Tony and Pulitzer Prize winning musical
Rent. He continued to work on Broadway,
199
00:17:33.079 --> 00:17:37.880
including the revival of Chicago in two
thousand and two. End was in
200
00:17:38.160 --> 00:17:44.160
the Broadway musical Wicked. He got
from the stage to TV in the soap
201
00:17:44.200 --> 00:17:48.640
opera Guiding Light, then made his
film debut and How Stella Got her groove
202
00:17:48.799 --> 00:17:52.480
back then he just went ham.
He was in the Wood with Omar Epps.
203
00:17:52.759 --> 00:17:56.359
He was in the Best Man where
he was the best Man House on
204
00:17:56.440 --> 00:18:00.240
Haunted Hill. And you know,
I love My Horror. He replied his
205
00:18:00.359 --> 00:18:03.119
role as Benny for the Rent film. He reprised his role as the band
206
00:18:03.200 --> 00:18:11.000
leader in the film adaptation of Chicago
and played opposite Christian Bale in Equilibrium.
207
00:18:11.400 --> 00:18:15.599
And that's just scratching the surface.
Oh and by the way, he is
208
00:18:15.640 --> 00:18:21.440
the only two time winner on Lip
Sync Battle, which love that show.
209
00:18:22.400 --> 00:18:27.359
So without further ado, let's jump
into my interview with King Triton himself.
210
00:18:27.880 --> 00:18:32.440
Tay Diggs, what's up to say? How you doing man? How are
211
00:18:32.480 --> 00:18:34.640
you, Kyle? Good to see
it? Good to see you. So
212
00:18:36.079 --> 00:18:42.240
this new project it is I love
it because it is a just another kind
213
00:18:42.279 --> 00:18:48.200
of chapter in the universe of the
Little Mermaid and King Triton. For me
214
00:18:48.359 --> 00:18:52.799
anyway, King Triton has been such
always, such an iconic character which you
215
00:18:52.839 --> 00:18:59.039
are now playing. What is that
like for you? It's it's so many
216
00:18:59.119 --> 00:19:06.279
things. Because I grew up on
Disney and and always uh dreamt about being
217
00:19:06.319 --> 00:19:11.880
in a Disney movie. Finally getting
that opportunity is amazing. Uh. And
218
00:19:11.920 --> 00:19:15.599
then when I think about the project
that I'm working on, a Little Mermaid,
219
00:19:15.680 --> 00:19:22.720
and and how a solid and you
know, ever living that this tale
220
00:19:22.759 --> 00:19:27.680
is that's amazing. And then when
I think of the perspective in which you
221
00:19:27.680 --> 00:19:36.000
know, they're they're they're coming at
these characters kind of dealing in everyday problems,
222
00:19:36.160 --> 00:19:41.039
very realistic, very down to earth
situations. That's it's it's excellent.
223
00:19:41.519 --> 00:19:47.240
You know, it's you know,
I'm I'm. I consider myself very lucky.
224
00:19:48.160 --> 00:19:49.759
And for you, as you know, as an actor, do you
225
00:19:51.000 --> 00:19:56.319
find so in other words, obviously
there's been other actors that have played this
226
00:19:56.880 --> 00:20:02.839
character before. Do you find it
hard to kind of differentiate and find your
227
00:20:02.920 --> 00:20:07.799
own take on it or are you
able to like block those out or how
228
00:20:07.799 --> 00:20:11.279
do you approach that? Oh,
that's a good question. I do neither.
229
00:20:11.799 --> 00:20:18.359
I just since the writing is so
good, I just follow the writing.
230
00:20:18.720 --> 00:20:21.720
I don't think about who came before
me, who's going to come after
231
00:20:21.799 --> 00:20:26.240
me. I don't care about my
performance after I've made it. I find
232
00:20:26.279 --> 00:20:30.559
it's it's it's healthier for me to
just be in the moment and uh and
233
00:20:30.599 --> 00:20:38.000
do what I do and uh and
not put much extra on it. Okay,
234
00:20:38.480 --> 00:20:44.920
and acting, you know, voice
acting obviously it is just as challenging,
235
00:20:44.920 --> 00:20:48.599
I would assume, as as being
on camera and that sort of thing.
236
00:20:48.920 --> 00:20:56.039
Do you find that there are additional
challenges as an actor when doing voice
237
00:20:56.079 --> 00:21:03.799
work over being on camera. Oh, I hate when people say things like
238
00:21:03.839 --> 00:21:07.200
this, but I don't. I
don't think of it as a challenge.
239
00:21:07.680 --> 00:21:17.079
Uhh. It's different and it's always
great to be exposed to different things,
240
00:21:17.680 --> 00:21:23.319
you know, and in a lot
of ways, it's it's more difficult than
241
00:21:25.359 --> 00:21:32.440
acting, as you know it because
you don't have your body or your gestures
242
00:21:32.559 --> 00:21:37.920
or your facial expressions to lean on. All you have is your voice.
243
00:21:38.000 --> 00:21:45.599
So that's that's really really cool to
uh experiment with. Yeah, and I
244
00:21:45.640 --> 00:21:52.519
love the fact that that that I'm
still learning, you know, this job
245
00:21:52.599 --> 00:21:56.599
won't get boring because I'm still learning
learning about it. So I love that.
246
00:21:57.640 --> 00:22:04.640
And when when you filmed Ariel or
I guess not filmed when you worked
247
00:22:04.640 --> 00:22:10.319
on Ariels recorded? Yeah, recorded
Aeriel? Were you was this like solo
248
00:22:10.720 --> 00:22:15.960
or or you know you're you're doing
Triton's parts by yourself or are you like,
249
00:22:17.000 --> 00:22:19.279
how does that work with this project? Yes, that's a good question.
250
00:22:21.440 --> 00:22:23.759
I personally, I don't know how
the other actors work, but personally
251
00:22:23.839 --> 00:22:30.279
I am by myself in a studio, and then there are the overseers,
252
00:22:30.839 --> 00:22:34.839
you know, through a glass window, the engineers and whatnot, and it's
253
00:22:34.920 --> 00:22:41.519
just me. Normally you might hear
someone complaining about not being in the same
254
00:22:41.599 --> 00:22:48.559
room as their fellow actors, but
the other actors in this project are so
255
00:22:48.799 --> 00:22:53.079
talented that when I hear them through
my earphones, it's as if they're they're
256
00:22:53.200 --> 00:22:59.640
standing right there. So I can't
even complain about that. It's a it's
257
00:22:59.680 --> 00:23:02.440
a great gig, you know.
I can come in and house shoes in
258
00:23:02.480 --> 00:23:07.519
a wardrobe as long, and a
robe as long as your as long as
259
00:23:07.519 --> 00:23:11.359
your voices are warm, you can
get down. I love that. And
260
00:23:11.599 --> 00:23:18.519
uh, will we be seeing further
adventures uh with with King Triton. Absolutely,
261
00:23:21.359 --> 00:23:23.559
I can't wait. Thank you so
much today. I really appreciate your
262
00:23:23.599 --> 00:23:29.079
time and I'm such a great project. Yeah, great, great, great
263
00:23:29.200 --> 00:23:32.559
questions, my man. Thank you. Have a good day you too,
264
00:23:32.599 --> 00:23:37.039
sir Ty Diggs. I love him. We followed each other on Twitter for
265
00:23:37.359 --> 00:23:41.680
years and you know, would send
messages here and there, back and forth,
266
00:23:41.720 --> 00:23:45.599
but I've never interviewed him. So
here's my first official interview with mister
267
00:23:45.680 --> 00:23:52.039
Tate Diggs. So there you have
it. The my interviews with the team
268
00:23:52.480 --> 00:23:57.839
behind Disney Junior's Ariel Mermaid Tales.
You can watch Ariel on Disney Plus and
269
00:23:59.079 --> 00:24:03.440
Disney Junior beginning today. If you're
listening, I guess today No matter when
270
00:24:03.440 --> 00:24:08.680
you're listening, June twenty first,
today is when At debuts. So it's
271
00:24:08.720 --> 00:24:12.440
really a great series for the little
ones and there's a lot to enjoy for
272
00:24:12.599 --> 00:24:17.519
us big ones too. So that's
it for this episode. I've got some
273
00:24:17.680 --> 00:24:22.240
exciting things coming up for the next
few episodes, including who knows, maybe
274
00:24:22.240 --> 00:24:27.240
we'll have a return of the rotating
panel of guest hosts and start getting back
275
00:24:27.240 --> 00:24:32.720
to those fun conversations that we haven't
had in a long time. So until
276
00:24:32.839 --> 00:24:36.559
then, hit me up on socials
at KMAC music. On most places,
277
00:24:36.559 --> 00:24:40.319
we're at real Kyle McMahon, we're
at pop Culture Weekly. Just find me,
278
00:24:40.400 --> 00:24:45.079
search me, continue to reach out
to me. Please continue to review
279
00:24:45.160 --> 00:24:48.119
if you haven't on Apple Podcasts.
It really does help us and helps the
280
00:24:48.160 --> 00:24:52.480
show continue to grow each and every
week. And that is all because of
281
00:24:52.559 --> 00:24:56.079
you and your love for this and
I do it for my love for you.
282
00:24:56.680 --> 00:25:00.440
Thank you. I'll see you next
week. Thank you for listening to
283
00:25:00.519 --> 00:25:10.759
pop Culture Weekly. Here all the
latest at popculturewekly dot com. I don't
284
00:25:10.759 --> 00:25:12.119
want to be where the people are.