In this episode, discover the heartfelt journey from a New York Times article to the silver screen with "Little Wing," a Paramount Plus film that captures the essence of home and belonging.
In this episode, discover the heartfelt journey from a New York Times article to the silver screen with "Little Wing," a Paramount Plus film that captures the essence of home and belonging. Kyle McMahon is thrilled to bring you an exclusive behind-the-scenes glimpse into the making of this cinematic treasure. The talented Susan Orlean reveals the real-life stories that inspired her New York Times article and consequently the movie, while young stars Brooklyn Prince and Shay Tafari discuss how they breathed life into their roles. Join us for a fascinating conversation with scriptwriter John Gatins and director Dean Israelite, who shares a personal connection to the film's unique pigeon racing element and discusses the rich thematic layers of home that resonate throughout the story.
Get ready to be moved by the experiences of Shay Tafari and Brooklyn Prince as they uncover their personal connections to their characters and the notion of home that transcends a mere physical space. In a heartwarming discussion, they share the nuances of representing true-to-life experiences on screen and the meticulous research that shaped their portrayals, including Shay's preference for the depth of libraries over the fleeting nature of YouTube rabbit holes. Each scene, each line, carries the weight of authentic emotion, as the actors open up about family, memories, and the personal growth that defines what home truly means to them. This episode is not just an exploration of "Little Wing," but a reflection on the universal search for our place in the world.
Kyle McMahon's Death, Grief & Other Sh*t We Don't Discuss is now streaming: https://www.deathandgrief.show/Chapter-One-The-Diagnosis-AKA-WTF/
---------------
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WEBVTT
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In this episode of pop Culture Weekly, it's all about the brand new Paramount
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Plus film Little Wing. I talk
with the cast and creators. Let's go
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Welcome to pop Culture Weekly with Kyle
McMahon from iHeartRadio, your pop culture news,
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views, reviews, and celebrity interviews
on Fall, the Movies, TV
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music, and pomp Culture u Crabe
Weekly. Here's Kyle McMahon, n Nana
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no Net, Hello and welcome to
pop Culture Weekly with Kyle McMahon. I
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00:00:32.920 --> 00:00:37.479
of course am Kyle McMahon, and
I am so glad that you're here to
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hang out with us for another episode
of pop Culture Weekly. This week it
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00:00:43.320 --> 00:00:48.920
is all about the brand new film
on Paramount Plus called Little Wing, which
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you gotta watch. It's really a
great uplifting film based on a New York
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Times article a while back from Susan
Orlean who it's based on a true story.
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So I talk with Susan herself all
about you know how this came to
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be in the first place as a
story, you know, the original people
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that this happened to. She talks
to me. I talk with her about
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that as well as the new film. Along with Susan, I talk with
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Brooklyn Prince who's been on the show
before for her Apple TV Plus series Home
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Before Dark. She's always great and
co star Shae Tafari. They are really
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great. They just have this energy
and just so talented, so awesome and
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so amazing in Little Wing. Additionally, I talk with John Gaddins, who
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who wrote the film. He's written
some awesome stuff including Kongskull Island, one
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of my favorites ever, Power Rangers
Need for Speed Flight with the wonder Only
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Denzel Washington, Coach Carter and Moore, and I talk with director Israelite Deans,
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such a talented director who directed Are
You Afraid of the Dark, the
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reboot series directed Power Rangers Project Almanac, which is also so great Little Wing.
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It's based on this true story where
a girl starts acting out because her
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parents have divorced and she finds out
she's going to lose her childhood home because
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you know, one of the parents
just can't afford it. And then she
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figures out that racing pigeons can be
worth a lot of money, so she
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creates a plan to steal, borrow
some racing pigeons and get that childhood home
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back. It really is great.
Let's hop right into it. Let's start
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with the director, Dean Israelite.
Thank you so much for joining me,
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Dean, I really appreciate it.
Yeah, thanks for having me, of
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course. So you know, first
of all, I love I love all
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of your work. What drew you
to Little Wing? You know John Gaiden's
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who wrote Power Ranges. He and
I became close off that movie and he
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sent you know, he called me
up and he said, you want to
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read this weird little script I wrote
about pigeon racing. And I said,
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well, John, my father and
grandfather were some of the pre eminent pigeon
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races in Johannesburg, South Africa in
the sixties. I'd love to read the
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script. And I you know,
I came for the pigeons and state for
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the people because the characters and their
journeys are you know, so beautiful,
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I think, and those things really
resonated. So that's how I came to
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the project, and the moment I
read it, I loved it. And
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you know, we spent six years
trying to get it made and we finally
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did, and thankfully you did because
it's such a great film. I love
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the duality of it. You know, there's I'm trying to be spoiler free,
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but there's a for me an allegory
there about home and you know the
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pigeons that in the storyline. Is
that something that resonates for you, you
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know going into a project like this, Yeah, I mean to me,
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I always approach material through the theme. So to me, it's always what
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is the movie rarely about beyond just
the story, beyond just what the characters
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are going through. What is it
all dramatizing underneath all of that. And
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so yes, the theme of home, of finding home, of what that
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means both externally and also internally in
yourself, the ideas of belonging, that's
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all very much a part of this
movie. And you're right, the pigeons
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are a metaphor for all of that. And I think the pigeons to me
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are a metaphor for liberation in this
film and pushing through crisis and sort of
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finding liberation on the other side of
that. I love that. And you
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have worked on so many amazing projects
Project Almanac, Are You Afraid of the
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Dark? Which I love as well, Power Rangers. Doing something like Power
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Rangers where it has a big budget
and then you come and do a smaller
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budget film. Do they tick all
different boxes for you as a creator.
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Definitely, I mean something like Power
Rangers. It's really fun trying to figure
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out how to go about shooting things
that you know sort of feel impossible to
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achieve. And the amount of you
know, professionals that that you're working with
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that can bring these massive sort of
set pieces to life. The preparation that
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goes into that, the execution that
goes into that, that's really fun.
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And then something like this, I
was really excited to do something that feels
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more substantive in its themes and is
not it is getting out a lot of
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these personal emotional ideas, but without
having the trappings of a genre attached to
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it. So I wanted to do
something that felt more character driven and simpler
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in that way, where every scene
is just about the human interaction that's going
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on on screen. I love that. And finally, what does home mean
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to you? I mean, I've
moved a lot to different continents, and
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so to me, it's funny It's
like I don't associate home at all with
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a place, you know, I
just associate home with with like a feeling
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and where you feel your best.
I think where you feel comfortable, where
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you feel you know obviously loved,
and I'm a father of young children now
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and so like to me like home
is all about where my family is,
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and you know, we could be
anywhere. But but I don't know.
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I think it's just a feeling that
we all sort of know what that feeling
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is. That's great, Dean,
Thank you so much. Congratulations on the
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film. I can't wait for everybody
to see Little Wing exclusively on Paramount Plus.
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Thank you, glad you enjoyed it. Thanks Dean Israelite. Love hearing
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his insight on this film, what
drew him to it and more. Next
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up, let's get into the writers, John Gaddins and Susan Orlean. This
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is an interesting one and you're hearing
the writer of the original story, the
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article that spawned this film, and
the writer of the film itself. Here
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they are John Gaddens and Susan Orlean. Thank you both for joining me.
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I really appreciate it. Thank you. Oh it's our pleasure, of course.
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So first of all, if you
don't mind, Susan, I'll start
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with you. This Little Wing started
with a piece from you. I wanted
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to ask you to just speak on
that for a moment. How why that
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story that you were telling then spoke
to you. You know, I love
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writing about subcultures, I love writing
about girls. I love writing about anything
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that I don't know anything about.
It all came together very completely in this
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story. I was chatting with a
young girl when we were both out walking
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our dogs, and she mentioned to
me that she was raising racing pigeons,
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and I just my journalistic instincts kicked
in because I thought, this is the
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most unlikely thing I've ever heard,
a teenage girl doing a sport that I
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didn't think anyone did anymore. But
more importantly, I assumed it was mostly
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done by elderly men. I just
knew I wanted to write about it.
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And the poignancy of the instinct in
a homing pigeon, which is to go
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home no matter what it takes.
That to me was so evocative that I
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knew I could write a story around
that. I love that. And for
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you, John, you to this
story. Yeah. No. I had
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made a movie for DreamWorks, and
Steven Spielberg had optioned Susan's article the second
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that he read it, and he
sent it to me, and he and
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I met and we talked all about
it, and then I got the chance
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to sit with Susan and we talked
about it, and I then got to
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meet the girl that she profiled in
the story. I went to Boston,
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I met her and her mom,
and then I did more research and I
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had more questions for Susan, So
she and I kind of stayed in touch
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on it, and I kind of
took her story and kind of tried to
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extend it to make it this clear
kind of coming of age story for a
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young girl who pulls off a heist
and kind of goes toe to toe with
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this like older Vietnam vet and the
rest is movie magic, Yes, and
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it is magic. I love the
film. For me, Little Wing is
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very much a There's this duality to
it where the theme for me is home
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and what that means and for you
know, both for characters in the story
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and with the pigeons themselves, what
does home mean to both of you.
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That's a good question because I've actually
moved a lot more in my life than
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I ever expected to. So while
home is a place, really for me,
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home is family and wherever my family
is that is home. I'm fairly
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nude at LA and I moved.
I've lived in several other places. Before
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that. My husband moved thirteen times
growing up, so you know, we've
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got in our personal histories a lot
of homes. But really, when we're
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together, wherever that is, that's
home. Being with family is home.
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And how about for you, John, It's funny I haven't moved as much.
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Like my wife and I and our
kids have lived in the same house
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for twenty five years, and growing
up, I lived in the same house
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until I went to college, so
that I remember anyway, And I keep
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thinking about the fact that Dean kind
of embraced that same, you know,
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kind of theme in the movie,
and there's shots that he intentionally, like
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he intentionally looked for a house that
looked like kind of a bird cage,
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you know, so like that's you
know, that's Kat's home. And the
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fact that pigeons establish one home in
their life, and the fact that she's
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willing and trying things and pulling off
crimes to try to like maintain this balance
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of what she think is home and
family. So it's it's hopefully a theme
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that comes through in the movie.
Awesome, thank you both for speaking with
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me. I can't wait for everybody
to see Little Wing exclusively on Paramount Plus
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Thank you, Thank you, thank
you. Have a great day, you
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too, Thanks John Gadden's and susan
Ne Orlean. I love hearing you know
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what inspired the film in true to
life in that respect, as well as
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the creative liberties that you take when
you're making a film, and what changed
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from the reality to the film version. All right, we're gonna take a
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quick break sixty seconds to pay the
bills, hang out with me, listen
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to these sponsors because they allow me
to continue doing this show for you.
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Be back in sixty Thank you for
supporting our sponsors and supporting Pop Culture Weekly.
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I love you for it. I
love hanging out with you and talking
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all things movies and TV and you
know, streaming and technology and all of
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it. All. Right, last, but not least, I talk with
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the stars of Little Wing, Shae
Safari and Brooklyn Prince. Brooklyn has been
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on the show before for Apple TV
plus's Home Before Dark. Amazing actor.
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She of course was in The Florida
Project, which I love. The Florida
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Florida Project, marsh King's daughter.
She played d D and Cocaine Bear and
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The Turning and of course, as
I said, she played Mooney in the
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Florida project. Incredible actor and Shay
Tafari co stars along with Brooklyn. He's
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a great talent himself. He's been
in eight Bit, Christmas Daredevil as Marcus,
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and he's going to have a big
career in front of him. Let's
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get into it. Shae Safari and
Brooklyn Prince, thank you both for speaking
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with me. I really appreciate it. Thank you so much. Speak of
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course. So first of all,
congrats on Little Wing. I really love
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it. I think it's like a
genre bending film that really it's so layered
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and I just think you guys did
a great job with it. So congrats
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on that. Thank you, Thank
you so much. Yeah, thank you
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for certainly the movie yourselves. I
love the movie. I would watch it.
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Yeah, I'll watch it over again. Yeah, we will watch it
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over Yeah. Awesome. And for
both of you, you know what,
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and we can start with you,
Brooklyn. What drew you to this role,
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What drew me to the role was
that Caitlin was, in fact a
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typical thirteen year old girl. And
I think that's something that we do need
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to share in the industry. And
you know, I can't say it enough
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that normalizing thirteen year old girls and
their mental health and turning thirteen and what
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it's like to be thirteen. An
accurate depiction is something that just was so
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beautifully conveyed in the script and such
a character that I had never seen before,
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ever read before that I immediately was
like, oh, yeah, for
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sure, this is something that I
want to do. This is something that
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I want to at least auditions for. And just my name in the ring
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for that's nice and now here and
how about for you, you know,
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I mean, I definitely like I
love connecting with Adam. You know.
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Adam is kind of like me in
a way. You know, he's an
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enthusiast, you know, like like
whatever whatever like he's interested in, he
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will go at it and he will
learn every possible thing about it. And
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that's the same thing with me.
Whether it be like you know, in
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something in history, whether it be
something in music, or whether it be
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about like shower curtains, I'll learn
everything about it, you know. And
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I don't know shower curtains, how
they're made. I'll try to make one
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myself. I don't know. I
don't know. There are so many things
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that you know, I could be
interested in and just like go in researching
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everything about it, and you know, I feel like that, that's what
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you know, I share without him. Yeah, and you're talking about like
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the YouTube rabbit hole, right yeah, yeah, yeah, no, no,
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not no, not even not even
YouTube rabbit holes. ILL go to
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libraries and I will find books on
it, you know, go to Reddit
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when time he is on FaceTime.
I mean went down this whole Reddit rabbit
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hole and I just I went on
Pigeons within within five minutes. I was
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like, say, what what are
you doing? I get so enamored and
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just like just I go hard when
it goes to like researching stuff like that.
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Yeah, I love that, And
uh, you know, for me,
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the film very much has a duality
in story wise with the pigeons and
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with you both in regards to what
is home, you know, and can
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we always go back home? And
what is home and and all of that?
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What is home for both of you? You want to go first?
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Yeah, you know, I feel
like home is a lot of things.
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You know. Home can be physical, you know. I always like to
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tell people that there's a difference between
a house and a home. A house
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is is something physical, like,
but a home is where you know,
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you spend memories and you know,
you have family, you know you have,
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and you just have a connection with
the home. And I feel like
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the home it can be anything,
whether it be a house, whether it
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be whether it be a person,
whether it be a family, and whether
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it be yourself as well. You
know, there's always a home is a
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place where you feel comfortable and where
you have a connection. But also home
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is a place where you are comfortable
being uncomfortable, and I feel like that's
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that's a yeah. Yeah, home
for me would be anywhere with my parents
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and my family, including my dog, my dogs, because my parents and
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I and my brother, they really
we really have a special bond, especially
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in this industry of just like now, if I literally have anything, I'll
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be like, mom, I'm feeling
this, I'm feeling yeah, I'm feeling
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so overwhelmed, and they just literally
know me the best and they take care
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of me in a way that I
feel comfortable then with most people. And
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so I think home for me is
definitely my people, my parents and my
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brother who if I'm feeling sad and
said, you know, talking to me,
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He'll just come and give me the
sweetest little hug and it just it
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fixes a lot of stuff. So
anywhere with my family is home to me.
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That's amazing. Thank you both for
speaking with me. I can't wait
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for everybody to see Little Wing exclusively
Aramount Plus. Let's get it done.
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Have a great day, guys.
Thank you you two. Thanks Satafari and
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Brooklyn Prince. I love Little Wing. You will love Little Wing. It
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really is just one of those heartfelt
you know. It's drama and comedy and
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suspense. It's just a great film. It is streaming right now on Paramount
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Plus exclusively, So go check it
out. Let me know what you think,
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00:19:06.200 --> 00:19:08.759
and then hit me up on socials
or if you're using the iHeartRadio app
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00:19:08.799 --> 00:19:12.160
to listen, you can hit that
talk back button and it'll send me your
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00:19:12.240 --> 00:19:15.640
voicemail and uh am, I just
played on the show. You never know.
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00:19:17.119 --> 00:19:19.119
So all right, next week we
got some great stuff for you.
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I can't wait. Keep it up, keep in touch with me throughout the
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week. Is I love you.
I'll see you next week. We thank
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00:19:27.799 --> 00:19:33.640
you for listening to pop Culture Weekly. Here all the latest at pop cultureweekly
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00:19:33.960 --> 00:19:45.400
dot com. Little Wing, Little
Wing, Little Wing, Little Win,
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00:19:47.359 --> 00:20:00.039
Little Wing, Little Wing, Little
Wi, Little We He