March 7, 2026
Kurt & Wyatt Russell discuss Monarch: Legacy of Monsters
The Monsterverse is getting even bigger - and more personal. Kurt and Wyatt Russell join to discuss Monarch: Legacy of Monsters.
In this episode of Pop Culture Weekly, Kyle McMahon goes inside Monarch: Legacy of Monsters season two with the people bringing the world of Titans to life. First, producer Tory Tunnell joins Kyle to break down how the series expands Legendary’s Monsterverse for television while still keeping the human story at the center. From dual timelines to emotional consequences, she explains why Monarch isn’t just about giant monsters.
Then Kyle sits down with stars Anna Sawai, Kiersey Clemons, and Joe Tippett to talk about stepping into a franchise filled with Godzilla-sized expectations and how the show balances spectacle with character.
Finally, Kyle is joined by Hollywood legend Kurt Russell and his son Wyatt Russell, who share what it’s like playing the same character across two timelines and why the Monsterverse still has new stories to tell.
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In this episode of pop Culture Weekly, It's all about Monarch.
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It's all about Monarch Legacy of Monsters with Wyatt Russell
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and Kurt Russell.
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Let's go Welcome to pop Culture Weekly with Kyle McMahon
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from my Heart Radio your pop culture news, views, reviews
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and celebrity interviews on all the movies, TV, music and
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pop culture u CRABE Weekly. Here's Kyle McMahon.
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Nerd No No Nerd Nerd, Hello and welcome to pop
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Culture Weekly with Kyle McMahon. I of course am Kyle McMahon,
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and today we are going inside the monster Verse. I've
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got Wyatt Russell and Kurt Russell joining me to talk
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about season two of Monarch Legacy of Monsters on Apple TV. Yes,
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actual Russell family chaos on screen, off screen, and possibly
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in between. We talk Lego, we talk giant monsters, we
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talk what it's like working together as father and son
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inside of franchise built on literal Godzilla sized mythology, and
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trust me, they don't disappoint. And not only am I
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talking with Kurt and Wyatt Russell, but I'm talking to
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producer Tory Tunnell and co stars Ana. So why Kirsey
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Clemens and Joe Tippett all about this universe, this monster verse,
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and why it works on TV. You know, we know
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it works on the big screen, look at the box
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office numbers. But this works as a series too, and
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I find that fascinating. I believe it's because it's more personal,
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you know, it's it can get deeper into the weeds
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if you will. So great episode today, quicker reminder. If
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you want extended interviews, deep dives, breakdowns, reviews that go
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way beyond what we do here, because you know, I
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don't want to take hours and hours of your time everyday,
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head on over to my YouTube channel, pop Culture Weekly.
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You've got full interviews, a ton of video exclusives, film
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and music analysis, and yes, occasionally me ranting about things
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Hollywood absolutely should have asked me about. First obviously, just
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search pop Culture Weekly on YouTube and hit subscribe. All right,
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so I want to zoom out for a minute, because
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giant cinematic universes don't just happen. They really are built
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carefully and strategically, and sometimes under intense pressure from you know,
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people like me, fanboys who will absolutely notice if a
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single timeline detail doesn't line up. So joining me now
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is Monarch Legacy of Monsters producer Tory Tunnel. Tory and
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I talk about expanding the monster verse for television, balancing
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human drama with you know, these giant blockbuster scale and
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how season two raises the stakes without losing the emotional
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core that made season one resonate with people. It really
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was so good. Yes, we love monsters, but if we
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don't care about the humans, it's just very expensive stomping,
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which you know isn't necessarily a bad thing, but that's
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not what Monarch does. So here she is. Tory Sunnel,
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thank you so much, Story for joining me. I appreciate it.
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Thank you.
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So tell me what drew you to Monarch. You know
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you're an executive producer. Why was this something that you
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were like, I want to do that series.
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I think what's been so exciting to us from the
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jump is that you get to have this collision in
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television of absolutely magnificent theatrical spectacle. But we also got
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to do a deep dive on these character driven stories,
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and I think that that's something that hadn't been done before.
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And when you're looking, we had such an incredible depth
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of cannon and so many wonderful movies from the Toho
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to the legendary films. You can't compete with them. They're amazing.
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And so what we got to do is how do
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we do it from the inside out? How do we
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tell these character driven stories in a world where monsters
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are real? And it's always fun for us to have
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those challenges and we you know, at Safe As Pictures,
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we've had a lot of experience in doing these big
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temple features and being able to channel that in a
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really character driven world was incredibly fun.
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I love that. And you know, you bring up a
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really great point that so many of the you know,
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these films are such big blockbuster you know, but in
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a two hour film, how much can you really get
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into the nitty gritty and you can on you know,
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a series. So the other thing that I think is
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really interesting is the dual kind of timeline thing. How
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did that come about?
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I love that, Thank you.
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We had a lot of fun with that, and part
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of it is being able to give the context, you know,
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the question you see in the later movies. You you know,
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everyone is outfit with monarch logos, monarch suitcases. You know,
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how did this organization become well funded?
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Who are they?
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Where did it all start, and we love the idea
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of being able to look back and imagine what that
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may have looked like, and also not doing it from
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just a historical perspective, but really thinking about the fact
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that humans are messy, humans have you know, interpersonal issues,
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and what does it look like to be the birth
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of an organization where you have real human emotions and
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different wants and needs and different you know, interpersonal dynamics,
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And to be able to then carry those same characters
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into our present day and be able to sort of
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see how does someone grow over time? And you know,
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if you've had a chance to see season one, we
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also get to see that you have a little bit
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of the Rip van Winkle experience with a couple of
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our characters who have been able to jump through time
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by by missing out through time dilation. That gives us
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all kinds of meaty storylines to be able to chase.
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That makes it incredibly fun and fresh.
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And finally, for you, you know, with season two, it
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really expands you know, everything even further. Were what were
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the beats that you wanted to like when you were like,
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we're doing season two, what was your kind of overall
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theme that you wanted to hit well.
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We talked a lot about the fact that audiences really
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responded to this story that you know, they came for Godzilla,
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they came for Kurt Russell, and they were delighted with
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what they got from those stories, but they also really
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responded to this idea of seeing this smaller, intimate story
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about this man who had two families and why did
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he have two families? And we felt like, let's let's
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continue to look at that. We have this title Legacy
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of Monsters, and we always talk about the fact that
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sometimes a monster in our show is three hundred feet tall.
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Sometimes it's a person saying next to you. And you know,
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with that two timeline, we're able to really look at
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choices that are made and what the consequences of those
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choices are, and how monsters in our own life are
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created and sometimes are we responsible for them? And sometimes
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are we the monster? And those are all sort of thematically.
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We look at hurt people, hurt people, and we look
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at that idea of who is the monster in our
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own life, and we all that's part of where we land.
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I love it and I think you've done that and
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more with season two. Thank you so much. To where
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I really appreciate it. Thank you, ton.
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My.
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Thanks to her for that behind the scenes insight. It's
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always fascinating I think to hear how something this massive
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comes together, you know what I mean, movies series, How
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do you translate that and make it good still and
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make people care? And I think Tory and the crew
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has really done a good job of that. Now, Monarch
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isn't just about secret agencies and legacy families. It's about
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the people caught in the blast radius of a world
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that suddenly includes these Titans, and in season two, those
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emotional consequences hit even so I speak with Anna Sohi,
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Kirsey Clemens, and Joe Tippett, who bring heart, vulnerability, and
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grounded intensity to a universe that could easily get lost.
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In Spectacle, we talk about stepping into you know, this
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already established monster verse that we've seen on the big screen,
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finding humanity inside large scale chaos, and what audiences can
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expect as their characters evolve this season, because surviving a
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monster attack is one thing, but living with it that
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is something else. Entirely here they are Annasahi, Karsey Clemens,
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and Joe Tippett.
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Thank you all for joining me. I really appreciate it. Hi, Hi,
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nice meeting you. So.
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First of all, congratulations on season two. I love that
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it continues to explore this world that I love being
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in so much. One of the reasons that I think
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I love Monarch so much is that it is it
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allows this chance to dive deeper into stories that we
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might not have been able to in the films. I
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wonder if that was what drew any of you to it.
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I think for me, I was looking to do something
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that was quite fun and where I could laugh on
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set because I had just come off a very serious
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show and so that was my introduction to it. But
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it's always nice doing TV because you do have so
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much time to explore the characters and to tell their stories.
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Especially coming back this season was like we knew each
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other like family, and then to you know, expand even more.
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That's always exciting.
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Yeah, totally.
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I feel like the show, as I've said, it's like
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a Goldilocks show for an actor, because the scenes are
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like there's meat on the bones. It's like there are
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real relationships and real character arts and stuff like that.
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But then you also get to do all the fun
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stuff like getting buried in sand, and jumping and getting thrown. Yeah,
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it's like a little a little bit of both.
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You get dessert and andre.
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I love that.
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How about for you here?
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What was the question again?
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Uh?
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What what was it? The diving?
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Oh yeah, the movie? Yeah, uh, I dove in to
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the world because of the show. The Uh that was I'm.
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Answering the question, right, Yeah was it you all didn't.
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Y'all gonna track a little bit?
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No?
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I was.
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I mean I had seen, Uh, I knew the world,
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but the show is what allowed me to really and
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there was a way to become a fan, I suppose,
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because it's not necessarily a genre for me to seek
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out on my own. What he doesn't believe I'm making
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it all up. I know im No, it's the truth.
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No, it's a human story that we get to really
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develop in the show.
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So it's but those those first like those first scripts
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were like really really good.
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I feel like reading those was like, oh, this is
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like it's something different, So like, yeah, I think from
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the jump it.
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Was like, oh this feels different.
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Yeah.
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Yeah. When I watched that the first episode of season one,
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I was like, holy crap, this is like something we
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haven't seen before. Because I don't really know of you know,
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another project that has had these big, huge, successful movies
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and then done a show taking place in the world
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that gives so much character development and it's just as
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big as the movies.
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You know.
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It's not like it's not like it's ignoring the Titans,
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you know, and I mean it really just goes there both,
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you know, in spectacle and story so.
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Ye and then Sean the FX guys and legendary and
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everybody get in mind the show of the Plant because
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it looks cinema like it's the same same Titans from
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from the movies.
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Yeah, for season two, as you all you know, you
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hear season two is coming and you start reading the
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screw did you is there like some fan bling that
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you get as you were like, oh, I can't wait
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to see what happens and you know that sort of thing,
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or are you like, Okay, no, this was you know,
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my next project and I'm going to like, how how
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does that work for the three of you for this show?
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In season two? When you were reading the script, oh,
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I don't know, I feel like I was just excited
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to see these guys like because of the like, uh,
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the camaraderie of the cast.
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I think, so it was just nice to be back
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like on set with everybody. But as far as you
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know how the thing is unfolding, sometimes it's like the
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we're not far enough ahead in the writing. So but
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so it's just like you're waiting for the scripts to
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come in. So yeah, there is a lot of anticipation
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of like, I can't wait to see what happens, but
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sometimes it takes longer than you wanted to.
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But I think when we were reading the scripts, I
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