Transcript
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In this episode of Pop Culture Weekly, Dominic Patton, senior editor of Deadline Hollywood
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comes on to talk about what the fuck is going on with Disney and Florida and Rachel
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Mick Adams and the cast of "Are You There, God, It's Me, Margaret, Including Judy, Mother
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Effendale, Let's Go!"
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Welcome to Pop Culture Weekly with Kyle McMahon from My Heart Radio.
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Your Pop Culture News, Views, Reviews and Celebrity Interviews on all the movies, TV,
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Music and Pop Culture You Crave Weekly.
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Here's Kyle McMahon.
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Welcome to Pop Culture Weekly with Kyle McMahon.
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I of course am Kyle McMahon and we have an awesome show this week.
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I'm really excited because we have interviews with Judy Bloom herself and the cast of "Are
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You There, God, It's Me, Margaret" and I have very special guest, Dominic Patton, senior
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editor at Deadline Hollywood.
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Oh my God, Kyle, thank you so much for having me.
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Of course, it is a pleasure and I love when I get to talk to other people in the industry
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about, especially about cool things that are, or I guess, sometimes not cool things that
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are going on.
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Give me a little bit if you don't mind.
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What do you do as senior editor at Deadline Hollywood?
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Well, I have to be honest without trying to blow my own trumpet too hard, it's kind of
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what I don't do.
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I've been at Deadline now for about 11 years when Nikki Fink or not long after she first
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started it and the way the site has evolved and has become the most powerful trade publication
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in the industry and one of the most recognized, of course.
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What I do is I'm in a really lucky position and I often compare myself to kind of like,
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I'm a floater in a sense.
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I guess in a way that works out best for me because what I'm able to do is take my background
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as a political reporter, as a music reporter, as a TV host and the TV producer and all these
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other things.
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I'm able to bring all that and take some of my own skills in terms of our legal coverage
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in terms of our political coverage, in terms of our labor coverage, in terms of our business
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and executive coverage because the fact of the matter is that's why they call it show
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business and not show friends.
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And I think that a lot of that is I'm able to bring that together and kind of take a full
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approach to the kind of stories we do.
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Deadline is a multi-headed beast and led by Mike Fleming and Nelly and Riva, our co-editors
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and chief, we've developed ways in which we are not only seen as the best and the most
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reliable in the industry, but in many ways the most innovative.
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We try to take approaches at stories that look at the, that appreciate the intelligence
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of our readership, appreciate the curiosity of our readership and remind ourselves
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always that our core readership is really those 25,000 people who are really the, the, the,
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the, the, the, you know, the deciders in the entertainment industry and the media industry.
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And, you know, we've been pretty good at it.
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Yeah, yeah, I'd say I was talking to last episode that, because somebody asked me, you
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know, where do you get your news?
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And I said, you know, friends in the industry and press releases, as you know, we get eight
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billion of them a day and, you know, all kinds of different sources.
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One of my go to sources multiple times throughout the day is deadline.com.
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I mean, it is breaking news for the industry and it's 24/7.
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If something's breaking, deadline is on it with great in depth reporting and you know, it's
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just it is for me and for, you know, everybody in this industry, an industry Bible.
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God, I mean, I'll put my hand on that Bible, pal.
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You don't have a problem with that for me.
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Yeah, but we really appreciate that because you know, I mean, the thing is news is about flow
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nowadays.
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It's, you know, back in the day when you pick up the newspaper in the morning and read
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about what happened yesterday or even look on cable news and what have you, you know, what's
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remarkable in the digital era is the time lags between things happening and between things
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being reported and social media is obviously huge a part of this as it is for our coverage.
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Anyways, you know, that time lag is greatly shortened and compressed now.
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So we're, you know, for us, it's not about being first, though first is great.
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It's about being best and it's about making sure that our readers get reliable insight,
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insightful information on what is really happening on our industry.
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So that might be anything from, you know, company layoffs.
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We can actually get very specific and get quite granular about where that's happening
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to hires, to pilots, to new things, to deals and all that kind of stuff.
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And then all the other things that put our industry together from Wall Street, the main
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street to all the lawyers on the 35th floor of their skyscrapers.
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I mean, that's where that's where the media industry really gets made.
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That's where a lot of what happens really goes down and we make sure to have a spotlight
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on it each and every day.
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Absolutely.
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And it's done so well.
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It's, I mean, it was what 2006 that would, that's one deadline officially started.
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Yeah, 2006, 2007.
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I mean, Nikki Fink started it kind of as a, it was almost like a, a byproduct of a column
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she had in one of the LA freebie newspapers.
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But you know, she bought a website because, you know, it was like 10 bucks in 2006 or whatever.
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And just started that off.
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And then as, as she got, you know, Penske media got involved and then we got more staff
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and not too long afterwards.
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I and a couple other people came on.
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You know, we were a little kind of hard pirate crew of about six for a while.
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And now we've expanded and expanded and expanded and we have international teams.
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We have, you know, we're by coastal, obviously.
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You know, deadlines reach as far.
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And the great thing is in digital media, you can always keep the conversation going.
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And as since digital media is in some ways, it is the step sister, step brother of radio.
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Because the conversation never has to stop.
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It only stops if you want it to.
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And as you know, Kyle, in our business, that conversation never stops.
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Right.
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Yes.
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And the one that is that breaking news, I love it.
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Well, we appreciate that.
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We appreciate that, my friend.
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Of course.
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So today I have later, I'll be talking with Judy Bloom.
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We'll be presenting those interviews.
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Judy Bloom, Rachel McAdams, the cast of, are you there?
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God, it's me, Margaret.
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But I thought what was interesting, one of the things that I said to Judy Bloom is that
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I love 50 years later that this is now becoming a film because, you know, what I had said,
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there was much harder to ban a film, you know, for a local government to ban a film than
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it is a book because, you know, her book, many, many of her books, and in fact, many books
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in America today for some reason are getting banned.
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And then you, you know, that brings us to the broader point of this week today, in fact,
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depending on, you know, when they're listening.
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Disney is suing Governor Ron DeSantis in, you know, the governor of Florida.
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Give me that info, what you know so far.
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Well, look, I mean, what's going on in Florida has been a long brewing situation now between
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Disney and the Sunshine State governor who clearly has presidential ambitions.
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Whether that was successful or not, I mean, I can do math and the polls don't show they're
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going to be, but he feels like he's got himself, he feels like he's got himself a pretty steady
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target.
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He goes after Disney for basically this all started last year.
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When Bob Schaepack was the head of Disney, but not Bob Eiger who used to be and is now
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back, Bob Schaepack is, Bob Schaepack pretty conservative guy, you know, pretty conservative.
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And Ron Santos and the legislature in Florida, which is entirely Republican control, basically
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brought in a law that's called the Don't Say the Game Law.
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And it had to do with ways in which discussions of gender and identity could be discussed in
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the elementary school system and now kind of going up into other levels of education in
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the state.
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And a lot of people, and in my opinion, incredibly rightly so, looked at this and said, well,
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a, it's a blatant form of discrimination, b, it's a blatant form of political pandering
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to the mega base and see, it's just wrong on a moral level.
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And Disney, which has had, you know, they had the Disney pride parades and days and has a
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very, has had a very, I would say, organic and holistic attitude towards the gay and lesbian
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community for a number of years and one in which they are perfectly aware that members of
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that community are paying customers of theirs.
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And you know, as they say, the customer is always right.
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So you want to make sure that you don't lose money in doing, in doing these things.
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Disney were oddly silent about this law.
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And a number of people within Disney, as we wrote about it at the time, started to protest
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with Mr. Shepack and some of his high command at the time.
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And then what led to what was a series of basically political pratfalls with Disney kind
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of wrapping themselves in different contortions and proportions to say, well, we're against this,
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but we didn't want to bring it up.
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And now we are going to bring it up and so on and so on.
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And De Santos had a field day with this because this was a corporate face plan.
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So he knocked them around like a cat with a mouse or with a ball of kitty, sort of catnik.
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It was good for him.
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It was great for him.
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And then things changed a little bit in Disney.
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And Bob Iger came back.
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And Bob Iger, smooth operator.
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And that's just because I love to always quote a shut-down song if I can.
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So he comes in suddenly, Ron De Santos's bully tactics, but Iger pushes back a little
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bit.
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And then he comes back on De Santos, sort of kind of trying to wrap Disney in the flag of a
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woke corporation who aren't interested in true American values, et cetera, et cetera.
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And De Santos, let's be clear, Disney is the biggest private employer in the state of
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Florida.
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And they have had a massive economic presence in around Orlando for decades since Disney
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World opened in about 50 years ago.
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So this led to a conflict. And that conflict really came down to what's known as the tax
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district jurisdiction of Disney, which for a variety of reasons.
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And I won't go into this because I know listeners love nothing more than talking about tax
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codes.
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Basically, Disney had a kind of carve out zone where they kind of were in charge of themselves.
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They were like their own little fiefdom within the state of Florida.
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And I know people who've driven in Bindelville, to Orlando, as you drive towards Orlando, Florida
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does not have state tax.
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So, thingo, roads aren't so great in many places.
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But then you get close to Orlando.
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Roads are very nice.
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Boads are great.
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And a lot of the electrical outlets, not electrical outlets, the electrical towers suddenly
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take the shape of a certain mouse is silhouette.
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Very beautiful, great branding.
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That's part of the control that Disney had had over this jurisdiction for a number of
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years.
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And he says, no, no, no, no, no, no, no, no, your boards out.
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My boards in were in control.
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Igar push his back a little bit and he's like, I don't care what you guys say.
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And that all happens.
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And it looks like Rhonda Center, he's still living a knockout punched to Disney.
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He's put the mouse down.
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Not so fast.
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Then it turns out that in the dying hours of the previous boards regime, entirely following
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the laws that they were supposed to, with public notices in the Orlando Sentinel paper
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and notifications of this, that board had a meeting and that board made an agreement with
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Disney that essentially handed them all of the control back again.
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The Santos is new board.
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Not saying they're the sharpest tax in the shed, but I'm not saying they're not.
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Didn't seem to know this had happened until weeks later.
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And clearly the governor did not.
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And suddenly, old mentors in now political rivals like Donald Trump, they're knocking
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Rhonda Santos around like a cat with a mouse is the guy who got outplayed and outfoxed by
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the Walt Disney Corporation major embarrassment for this like so called tough talk in governor
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who obviously as we said and everybody else knows has his eye on a White House bid in
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2024 embarrassing for him.
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And then this continues and Bob Igar himself on earnings calls and other presentations.
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Let's talk about how he thinks that the governor Florida is anti business, which to
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a Republican and it's like a scarlet letter.
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And he has said that he thinks that it's anti free speech and that this is a silly way to
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handle this and he's always open to having a meeting and talking to the governor.
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But this is clearly not a way to conduct business with your biggest employer.
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Now, he also has said, hey, we're, by the way, we're not just sitting in Orlando.
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We're going to invest billions of dollars more in the future.
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So we are, we are not only an employer, but we are an innovator within that region.
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And listen, you go to Disney World and you see that for its animal kingdom that's Epcot,
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it's rides, you see the whole deal.
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It's the whole Shabbai.
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Right.
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So the board, DeSanto's is like, this will not stand.
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I will not let these people do this to me with their fancy ways.
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I eat smarter than me.
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Right.
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So the board suddenly come in and say, oh, that what happened before is null and boring
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and they voted out.
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And within minutes, Disney slapped DeSanto's in his board with a major lawsuit in federal
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court.
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And this major lawsuit is basically saying the Florida, the governor of Florida and his
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board are anti free speech.
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They're anti business and they are seeking to retaliate against a private company for
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disagreeing with his political point of view, which by the way is a common sentiment in
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the state of Florida right now, just as Judy Bloom.
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If you don't buy into platform DeSanto's or play with team DeSanto's, they come after you.
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That's the way he wants to run things.
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He wants to be as big a bully as Donald Trump, but show he's a little smarter because for
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all his folks in regular ways, he went to Harvard.
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So by close to the elite governor of San Jose, just saying.
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Yeah.
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So he comes in with that.
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They nail him with this lawsuit.
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And they're flummox.
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You can tell they're totally flummoxed by this yet again.
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They put out a release of like, this is not, you know, you can't defy the will of the
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voters of Florida.
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It's like, but we're not right.
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We're not the voters of Florida.
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The Florida never voted on this.
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Exactly.
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But in fast and loose with the laws and the fact that you have a Republican dominated legislature.
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So to show down, it's a big showdown that's going to happen.
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Disney are looking to have a judge.
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You give them a judicial ruling that says this was retaliation.
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This is unconstitutional and it will not stand.
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And I'm sure the state of Florida will be filing papers of their own fairly soon to fight
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back against it.
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But this is yet another what we're seeing of a new type of culture war that's happening
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in America.
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And it's a pop culture war.
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Now, maybe all culture wars have been pop culture wars to some degree because, you know,
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you clearly don't want to get into culture war about something no one cares about.
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You want to talk about it's called pop culture because it's popular.
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And in that sense, did I think a number of people saw Disney as a pretty easy target?
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But they didn't realize, of course, or forgot, is the Walt Disney company has been a major
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political force for a number of years.
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It is well established in both democratic and Republican circles.
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And they know how to play hardball.
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Just ask, you know, just ask unions, just ask people who they're been letting go in the
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past few weeks.
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They know how to play hardball when they need to get their stock up, when they need to
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get themselves in order.
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And clearly that happened.
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And let's remember, back in the middle of the pandemic, Disney got into a lot of
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a little bit of a scuffle with California governor Newsom because the laws in California
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and such lockdowns, the theme parks were basically closed.
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And the theme parks are a major revenue source for Disney.
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There are huge revenue source for them.
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And that was really hurting them.
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And they were, they felt they were trying to bend over backwards to meet him and they felt
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the state kept moving the goal post and making it harder and harder.
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And it became a real battle, you know, and this is like, you don't expect that.
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But that happened.
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Let's at least say it this way, Disney are an equal opportunist corporate survivor.
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Ron Santos has seemed to have put himself in some serious Mickey Mouse quicks sand.
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Or as we said in the story we did on this and on it on this, it looks like the house of
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mouse took the white gloves off and they wanted to show we're not playing around.
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But I think that this, we're going to see a lot more of this.
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This is presidential politics.
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This is playing to the base of who your base are on the left right or the center.
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Though many people don't seem to play to the center for some reason in America because it
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doesn't get you the headlines.
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Exactly.
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But they, you know, you're going to see a lot more of this happening.
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As for this particular lawsuit, I would not be surprised if this escalates.
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It escalates at a fairly quick pace for the American judicial system way up the top.
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Mm-hmm.
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Yeah.
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And that's actually what I was going to ask you.
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Now, there is, and you can maybe speak to this, if I recall incorrectly, copyright law
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was actually changed because of the Disney Corporation.
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Isn't that correct?
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Oh, yeah.
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Hey.
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So Mickey Mouse should have been in the public domain a long, long time ago.
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You know, Disney, yet again, using their lobbyists and great political influence, had Mickey
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Mouse's copyright status changed several times.
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Now, I feel like with the Republican-controlled House, House Representatives in Washington,
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Tennessee, and attempted another one, especially with the showdown with the Santos, is probably
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not going to happen.
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And it looks very likely that Mickey Mouse will go into the public domain sometime in 2024.
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Winnie the Pooh already has.
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Right.
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But that's not the Winnie the Pooh we know because it's interesting when we talk about copyright,
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which again, is as exciting as tax codes.
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That's very important, right?
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When we talk about that, you have to talk about the specifics.
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We saw this in some of the lawsuits that Warner Brothers were in at one point with the estates
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of the Superman creators as well as a Batman creators.
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And we saw some of this with Marvel/Disney, because Disney owned Marvel.
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And the state of Jack Kirby, who was one of the co-creators of many of Marvel's biggest
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and most well known heroes and titles, went you create and what we know are different.
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So I'll give you an example.
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The Mickey Mouse we know today with the bow tie and the white gloves and the suit and
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the little shoes and stuff like that.
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That's not the Mickey Mouse we're talking about.
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We're talking about the steam bill.
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We're talking about Willy, right?
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We're talking about Willy, Mickey Mouse.
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And that's a noticeable difference.
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The same thing with Winnie the Pooh and Winnie the Pooh went into the public domain.
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We're not talking to Winnie the Pooh with the red sweater because that Winnie the Pooh
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wasn't the Winnie the Pooh of the books.
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Winnie the Pooh of the books didn't have any clothing on.
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It was full bear, if you know what I mean.
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So that's a little different, right?
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And so, you know, same thing when there was some of these battles over Superman.
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Literally, there were arguments over, yeah, but the Superman you're talking about,
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doesn't fly because that didn't actually happen until like about a year after the after
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Superman was created.
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Right.
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He jumped over buildings a lot, but he didn't actually fly.
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So there's a whole lot of that coming into play and that's always going to be contentious
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because of course, we now live in a digitally connected world if nothing else.
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So we rules that we had for copyright here in the United States.
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That was pretty much all these companies cared about for the most part, right?
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But now with the European Union with other jurisdictions and then you have streamers that
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cross all those borders.
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Suddenly, you're having different licensing agreements and different availability.
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So for some of your listeners, if you know this, if you go just over the border to Canada,
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Toronto, Vancouver, Montreal, Calgary, wherever, and you put on Netflix, there's different
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stuff on Netflix in Canada than there is in America.
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And I'm not just talking Canadian content.
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There's like different agreements so they might have this action movie here, but not
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that action movie there.
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It's not necessarily Netflix originals, but stuff.
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They license.
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That's again, how these licensing and copyright deals work.
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And that is going to become a major part of this because while Disney might be able to,
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though I doubt it, but might be able to find some way to extend the copyright for Mickey
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Mouse in America, it might not be go down so well in Brussels with the European Union
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where they have many things of reach public domain far quicker than they have on this side
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of the Atlantic.
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Yeah, and they are, as you perfectly showed, they are well versed in the legal system.
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And so this is a small mom and pop shop that doesn't have the experience to literally take
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a Florida governor on.
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They are, they're used to doing it.
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We're telling a warning governor.
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Right.
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Well, because there are people who are going to paint this as democratic favoring Disney
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taking on Republicans.
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And I say just ask Gavin Newsom two and a half years ago because he would tell you, democratic
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Disney took on a democratic governor in California.
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Right.
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Yeah.
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And that is a great point.
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And it is something I myself, you know, forget as I'm speaking about it.
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They ultimately, you know, as most corporations do, are looking to protect themselves and their,
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their empire in their case.
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Do you think that this could spill over into other companies?
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And what I mean by that is, is this going to trigger, you know, other, let's say public
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figures, public representatives, government officials that are looking to kind of jump on
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this train in their own way with their own whatever anti-woke, you know, company they, they have
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a problem with.
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Well, I mean, maybe, I mean, you know, I live now in the world where I believe anything is
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possible.
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Yeah.
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Yeah.
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But I don't think it's the same.
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I think, you know, I think the Walt Disney company occupies a very unique place in our
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culture, both as a business and as a content provider and as an icon.
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You know, multi-generational in a way that almost no other company can say they are truly, right?
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And the reach of where they go.
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So there are the movies, there are the TV shows, there are the TV networks, there are the streamers,
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there is ESPN, there's ESPN plus, there's these, there's Hulu, and then there's like, cruise
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ships.
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And then there's theme parks in France, in China, in America.
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So they have a place that I think no one truly has that kind of reach.
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You know, you look at Comcast, who own NBC Universal, who own NBC, who own Universal Studios,
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who you know, that kind of similar, but not the same.
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You have corporations and companies in China that have massive assets as well, but again,
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it's not the same.
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Like, you put Mickey Mouse on a t-shirt and walk down the street anywhere in the world.
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And people know who you're wearing on your t-shirt.
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It's like if you had a picture of Muhammad Ali or the Beatles or maybe Marilyn Monroe.
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Everybody knows who that is and who those people are.
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And I would say that in terms of picking a fight with Disney, the other thing of course is,
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there's a very specific, as we talked about, a very specific jurisdictional element to this
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that Disney have in and around Orlando, Florida, that is very specific to who they are and
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very specific to where they run their company.
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Which has been a court.
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I'm sorry, which has been around for like that deal or whatever.
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That deal was created like 15 or 15 years or something.
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Yeah.
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Basically, Walt came along and developed land of, really wasn't going anywhere.
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Is on Swarthland or something.
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He turned it into a massive profit machine both for himself and his company and the state
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of Florida.
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So I think onto that end, you have Disney in a very unique position.
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People are always going to find someone if they want to jump on.
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You know, back in the early 90s, it was Skipper Gore and trying to put censorship on records.
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And what happened is they slapped on a parental advisory on records and a Stephen Tyler of
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Erasmus once said, help to sell another million records.
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Like because people thought we were cooler than we are.
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You know, there's always going to be that.
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00:24:10,480 --> 00:24:15,320
You know, back in them, Jordan Heston, when he was head of the NRA, I believe, came out against
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IST and his body count band saying they wanted to kill cops and Warner Brothers records or
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Warner Brothers or other label that was owned by Warner Brothers.
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They got very, very nervous and they were, they tried to drop it and get out of it and all
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sorts of stuff like that.
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Again, people will find any punching bag they want.
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Politicians on the other side of the political spectrum probably will take a swing and almost
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anything the Rupert Murdoch owns.
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But you're never going to have the kind of foil or enemy or foe that you can have in the
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Walt Disney corporation.
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And that's, it's just a different animal in all sense.
421
00:24:48,320 --> 00:24:51,120
Yeah, that's, that's a very good point.
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And, you know, I think what kind of scares me about it is it is very, it seems very, very
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personal here on the side of the governor.
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And what I mean by that is, you know, he was, he's now making it that, oh, a corporation
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shouldn't be able to do this.
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But the three and a half years prior of your term of that first term, it wasn't a problem
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at all.
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And now you're, you're kind of threatening with, oh, I might put a jail near, you know,
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right outside your hotel or I might raise hotel taxes or put a toll road going into Disney
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00:25:30,280 --> 00:25:39,120
that all seems very vindictive and personal, which is a bit scary from my end because it's
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very fascist, you know, I mean, I hate to say that, but it seems very, I mean, I think the
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people, I mean, I think to quote, you know, to quote myself from our Disney story, we all
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need to take the white gloves out about this.
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Like, you know, I don't think Bob Iger is wrong.
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When you have a governor or a state representative who is attacking a company in the way that
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that Ron Des Santos is attacking Disney, that is anti-business.
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00:26:06,280 --> 00:26:09,960
You can, now you can paint that mouse anyway you want, but it's still going to have the same
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color on it.
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00:26:10,960 --> 00:26:12,520
That color is not green.
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00:26:12,520 --> 00:26:15,000
It is a very distinctive, uh, mega red.
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I don't think that I think their governor Des Santos is a little bit more small time than
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he realizes, you know, he wants, he thinks this is the kind of thing that makes him a national
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player.
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He thinks this is the kind of thing that gets the base and the voters, especially primary
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voters, really galvanized and activated.
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But man, you don't want to be going to war with someone.
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00:26:39,840 --> 00:26:43,280
We're not only you're fighting Disney, but now Donald Trump's taken sweeps at you for
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being a chump.
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Like, that's like, that's the kiss of death in the Republican party, you know?
450
00:26:48,240 --> 00:26:51,800
Regardless of what you think about the former president and former celebrity apprentice
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00:26:51,800 --> 00:26:55,760
host, when he, you know, one thing about Donald Trump, he knows how to go for the jugular.
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00:26:55,760 --> 00:26:59,600
And Ron Des Santos, who thought he was a tough guy, I guess he kind of brought a knife to
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a gunfight and didn't realize that Disney and some of his rivals, they're packing
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heat.
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And so what happened here now is you find him in a defensive posture, which like maybe
456
00:27:10,080 --> 00:27:14,800
like, you know, a Wolverine or something, maybe lashes out defensively, but he's already
457
00:27:14,800 --> 00:27:17,640
got himself entangled in this thing.
458
00:27:17,640 --> 00:27:19,360
And you don't want to be entangled.
459
00:27:19,360 --> 00:27:21,360
You want to be proactive.
460
00:27:21,360 --> 00:27:22,360
You want to be the boss.
461
00:27:22,360 --> 00:27:25,160
You want to be the man who shows everyone who is boss.
462
00:27:25,160 --> 00:27:28,400
Now, I don't think that's that position, but I don't think that's a very winning position
463
00:27:28,400 --> 00:27:32,000
for things like, you know, you mentioned earlier, Judy Bloom and Judy Bloom.
464
00:27:32,000 --> 00:27:36,760
By the way, is a resident of the state of Florida has her books banned in Florida.
465
00:27:36,760 --> 00:27:39,280
You know, we are seeing bookbanging happening all over the place.
466
00:27:39,280 --> 00:27:41,360
We are seeing in the state of Montana.
467
00:27:41,360 --> 00:27:42,360
TikTok is now banned.
468
00:27:42,360 --> 00:27:47,240
Now, TikTok is not no longer allowed on government employee phones, many states as well as the
469
00:27:47,240 --> 00:27:51,520
federal government are considering some sort of action because of beliefs and concerns that
470
00:27:51,520 --> 00:27:57,000
this, that this social media device is actually used as a spine device by the Chinese government,
471
00:27:57,000 --> 00:28:00,640
not that other social media don't try to listen in on you, even though they say they don't.
472
00:28:00,640 --> 00:28:04,320
And what have you, that's a very specific, these are national security issues and they're
473
00:28:04,320 --> 00:28:07,880
legitimate issues that need to be discussed by our leaders on the national level.
474
00:28:07,880 --> 00:28:14,840
But this is part of this discussion, you know, like, you know, it's, it's, if there's one thing,
475
00:28:14,840 --> 00:28:21,000
I say this with full reservation, there are out of 100, there are 98 things, including
476
00:28:21,000 --> 00:28:28,000
racism, misogyny and a general, a general doofusness that I disagree with Donald Trump on.
477
00:28:28,000 --> 00:28:34,640
But I will say one thing here about like, these are, these are legitimate discussions within
478
00:28:34,640 --> 00:28:38,920
the context of a culture within a context of taking this culture seriously.
479
00:28:38,920 --> 00:28:41,160
Your show is called pop culture.
480
00:28:41,160 --> 00:28:43,760
I heart radio takes pop culture seriously.
481
00:28:43,760 --> 00:28:46,120
Deadline Hollywood takes pop culture seriously.
482
00:28:46,120 --> 00:28:48,320
It is what keeps the lights on around here for us.
483
00:28:48,320 --> 00:28:52,560
And it's also the thing that is a topic of conversation from anyone from your grandmother,
484
00:28:52,560 --> 00:28:57,200
to your five year old and everyone in between on various levels, very shows, they like,
485
00:28:57,200 --> 00:28:59,160
bands, they like, et cetera, et cetera, et cetera.
486
00:28:59,160 --> 00:29:00,560
So this is part of a national discourse.
487
00:29:00,560 --> 00:29:03,120
So you want to get a part of the national discourse.
488
00:29:03,120 --> 00:29:04,600
You jump into that river.
489
00:29:04,600 --> 00:29:08,680
The problem is is you can often find yourself without a paddle.
490
00:29:08,680 --> 00:29:11,040
My analogy is going up further here than I wanted it to.
491
00:29:11,040 --> 00:29:15,880
But I think you can find yourself in a situation where you're not in control of the direction
492
00:29:15,880 --> 00:29:16,880
things are going.
493
00:29:16,880 --> 00:29:18,840
And I think that's what we're seeing with the Santos.
494
00:29:18,840 --> 00:29:23,200
I think that's what we're seeing with book banning because what is happening is the backlash
495
00:29:23,200 --> 00:29:27,800
that is expected in these situations from the left and progressives and perhaps the
496
00:29:27,800 --> 00:29:29,200
personal company being attacked.
497
00:29:29,200 --> 00:29:32,920
You're now seeing other people who are saying, well, that's not a Republican value.
498
00:29:32,920 --> 00:29:34,960
That's not a conservative value.
499
00:29:34,960 --> 00:29:38,760
That's not, we're a free speech, but like you can't say, well, we're for free speech, but
500
00:29:38,760 --> 00:29:43,040
only for that guy, you know, I'm for absolute free speech.
501
00:29:43,040 --> 00:29:46,600
Except I don't think you should stand up at a movie theater and scream fire when there's
502
00:29:46,600 --> 00:29:47,600
no fire.
503
00:29:47,600 --> 00:29:50,040
I think free speech is an element of responsibility.
504
00:29:50,040 --> 00:29:54,000
I think the first amendment as a journalist is me great protection and gives me great solace
505
00:29:54,000 --> 00:29:57,240
as a person who lives in this country.
506
00:29:57,240 --> 00:30:00,800
But I think we need to also understand there's degrees of responsibility about this.
507
00:30:00,800 --> 00:30:03,600
And I think what's happening for some of these politicians is they thought they had an
508
00:30:03,600 --> 00:30:04,600
easy mark.
509
00:30:04,600 --> 00:30:06,920
They thought they had someone is like, boom, punch out.
510
00:30:06,920 --> 00:30:09,040
I'm going to get all the applause from the chief seats.
511
00:30:09,040 --> 00:30:14,400
It turns out, unless you land a total knockout, you're not going to get that applause.
512
00:30:14,400 --> 00:30:15,400
Yeah.
513
00:30:15,400 --> 00:30:25,840
And his legislative losses with many other things in his term have been numerous, you know,
514
00:30:25,840 --> 00:30:31,640
from their own. So it does give me a little bit of hope that, you know, this, this may turn
515
00:30:31,640 --> 00:30:38,640
out okay and our, and I know it seems dramatic to say this, but our, you know, United States
516
00:30:38,640 --> 00:30:45,640
in, in this regard is safe because for me, it is a bigger issue.
517
00:30:45,640 --> 00:30:49,280
If there is a government that is able to say, I don't like you.
518
00:30:49,280 --> 00:30:55,400
I'm going to drive you out of the state or, you know, do whatever.
519
00:30:55,400 --> 00:31:05,680
But I can use tax payer dollars to negatively impact you, whether that's a person or a company.
520
00:31:05,680 --> 00:31:11,640
I think that is very threatening to what the US stands for.
521
00:31:11,640 --> 00:31:18,080
So I would even say this cop, I would take it, I would say, yep, agree.
522
00:31:18,080 --> 00:31:19,080
Very high-falutin, but I agree.
523
00:31:19,080 --> 00:31:20,560
I bring it down a bit.
524
00:31:20,560 --> 00:31:25,280
If you're taking, if you're the state of Florida and you're using tax payer dollars to fight
525
00:31:25,280 --> 00:31:30,960
Disney or to sue Disney, you are literally using the money that Disney gave you because
526
00:31:30,960 --> 00:31:34,160
they are such a big employer in that state.
527
00:31:34,160 --> 00:31:38,960
So it seems so, so ludicrously counterproductive.
528
00:31:38,960 --> 00:31:45,000
It seems that it misses the point and to be honest, at this point, and I've spoken to people
529
00:31:45,000 --> 00:31:49,600
about this regularly, people are like, so how, what is this all about and why is he in a
530
00:31:49,600 --> 00:31:51,000
war with Disney?
531
00:31:51,000 --> 00:31:52,000
Right.
532
00:31:52,000 --> 00:31:54,680
What a Disney done, you know?
533
00:31:54,680 --> 00:32:02,000
How do you think, how long do you think that this could potentially take to resolve, you
534
00:32:02,000 --> 00:32:03,920
know, this whole thing?
535
00:32:03,920 --> 00:32:08,000
I think a lot of that has to do with how well Governor DeSanto's doesn't repel with
536
00:32:08,000 --> 00:32:09,000
him.
537
00:32:09,000 --> 00:32:11,240
And he's flying into some key battleground states.
538
00:32:11,240 --> 00:32:13,440
He wants to get his name out there.
539
00:32:13,440 --> 00:32:14,440
He's a pretty stiff guy.
540
00:32:14,440 --> 00:32:18,200
He's obviously got hired some people to help him kind of loosen up a little bit and have
541
00:32:18,200 --> 00:32:21,960
a little bit more of a back slapping type of way about him.
542
00:32:21,960 --> 00:32:28,320
But he seems to be thin skinned and he doesn't seem to gain this out.
543
00:32:28,320 --> 00:32:32,520
I'll just make a comparison, I think, spare is there's a difference between being a tactical
544
00:32:32,520 --> 00:32:35,520
thinker and being a strategic thinker.
545
00:32:35,520 --> 00:32:38,200
Actical thinker is you're going from A to B to C. Right.
546
00:32:38,200 --> 00:32:39,880
That's where you want to go to take it there.
547
00:32:39,880 --> 00:32:43,120
A strategic thinker is like, well, what's up with this whole ABC and alphabet thing and
548
00:32:43,120 --> 00:32:47,120
what does all this mean and how, what do I really, why am I wasting my time with 25 steps?
549
00:32:47,120 --> 00:32:49,960
Why should you take two steps and go from A to Z?
550
00:32:49,960 --> 00:32:53,920
You know, I always my time with the other stuff because my time's important.
551
00:32:53,920 --> 00:32:55,720
So I think that that's what we've hit here.
552
00:32:55,720 --> 00:33:00,200
I think DeSantis been very popular, fanning certain flames in the state of Florida.
553
00:33:00,200 --> 00:33:02,920
I remember this is a guy who barely got elected the first time.
554
00:33:02,920 --> 00:33:04,920
It's, yeah, Donald Trump got him over the line.
555
00:33:04,920 --> 00:33:10,640
That guy was like, it was like less than 20,000 votes got him over the Democratic competitor.
556
00:33:10,640 --> 00:33:13,240
But to win and take all system, you're the governor.
557
00:33:13,240 --> 00:33:16,600
But I think he thinks he's found a winning topic.
558
00:33:16,600 --> 00:33:22,040
And I think in a country where inflation is hitting people for the first time in decades,
559
00:33:22,040 --> 00:33:27,520
where there's still recovery from the pandemic, where there's a worry about divisions about
560
00:33:27,520 --> 00:33:31,520
the power of China, you know, obviously the war in Ukraine and what that could mean for
561
00:33:31,520 --> 00:33:33,440
a larger geopolitical system.
562
00:33:33,440 --> 00:33:36,520
And just like what's up with the schools and the roads, man, and where, like, where's
563
00:33:36,520 --> 00:33:37,520
that stuff being fixed?
564
00:33:37,520 --> 00:33:42,160
I don't think taking on Disney is going to really get too many people galvanized outside
565
00:33:42,160 --> 00:33:47,200
of very small bases of people who already support Ron DeSantis in the state of Florida.
566
00:33:47,200 --> 00:33:49,000
So what could happen?
567
00:33:49,000 --> 00:33:53,480
A judge could say, a judge could give the judicial order to Disney want.
568
00:33:53,480 --> 00:33:55,200
Probably not going to happen so fast.
569
00:33:55,200 --> 00:33:59,760
This could escalate Florida Supreme Court, but escalate to the Supreme Court depending
570
00:33:59,760 --> 00:34:01,760
on how it goes.
571
00:34:01,760 --> 00:34:05,480
But I think eventually, you know, state of Florida has a lot of money.
572
00:34:05,480 --> 00:34:08,720
Walt Disney company have a lot of money.
573
00:34:08,720 --> 00:34:12,640
And they've done that, you know, if you want to get in the lawsuit, they'll grind you, man,
574
00:34:12,640 --> 00:34:13,640
and they'll keep going.
575
00:34:13,640 --> 00:34:15,480
And, and this is a big thing.
576
00:34:15,480 --> 00:34:18,720
So it's not like, it's not like they're going to be like, yeah, you know, I'll be decided
577
00:34:18,720 --> 00:34:20,560
to settle this and fix it.
578
00:34:20,560 --> 00:34:23,800
No, they're, you know, they are going to stick to their guns on this one.
579
00:34:23,800 --> 00:34:27,480
And I think that it's going to be a long hard battle for the state of Florida and Governor
580
00:34:27,480 --> 00:34:28,680
DeSantis.
581
00:34:28,680 --> 00:34:32,440
And it might be a battle that might end up harming him in the larger battle that he hopes
582
00:34:32,440 --> 00:34:35,200
to be a winner in terms of presidential ambitions.
583
00:34:35,200 --> 00:34:36,200
Yeah, we will see.
584
00:34:36,200 --> 00:34:38,440
This is very, very interesting.
585
00:34:38,440 --> 00:34:45,520
I am, I'm on deadline.com all the time, jacking up for updates on what is going to happen next.
586
00:34:45,520 --> 00:34:47,720
So Dominic, where can we follow you?
587
00:34:47,720 --> 00:34:50,280
Well, of course, you can follow me on deadline.com.
588
00:34:50,280 --> 00:34:54,440
You can also follow my stories and those of my colleagues on deadline, social media platforms,
589
00:34:54,440 --> 00:34:57,240
both on Instagram and on Twitter and many others.
590
00:34:57,240 --> 00:34:58,240
Facebook at deadline.
591
00:34:58,240 --> 00:35:00,640
Pretty much common, not too hard to find.
592
00:35:00,640 --> 00:35:02,760
You can also follow me on Twitter.
593
00:35:02,760 --> 00:35:07,360
My Twitter account is at deadline Dominic, which you know is full of retweets mainly about
594
00:35:07,360 --> 00:35:11,040
soccer games and street art that I love, but also the occasional thing I write about so
595
00:35:11,040 --> 00:35:12,720
that that might be a good place to be.
596
00:35:12,720 --> 00:35:17,240
But the main place, as I said, you can follow us on deadline.com where you'll see all the
597
00:35:17,240 --> 00:35:20,880
breaking news you need to know about what's going on in the entertainment and media industries
598
00:35:20,880 --> 00:35:22,200
each and every day.
599
00:35:22,200 --> 00:35:23,200
Awesome.
600
00:35:23,200 --> 00:35:26,520
Thank you so much, Dominic, Patton, deadline, Hollywood.
601
00:35:26,520 --> 00:35:29,000
I look forward to speaking with you again very soon.
602
00:35:29,000 --> 00:35:30,000
Thank you, my friend.
603
00:35:30,000 --> 00:35:31,000
I do too.
604
00:35:31,000 --> 00:35:35,160
Make a break and then I am back with interviews.
605
00:35:35,160 --> 00:35:37,160
Dominic's awesome, isn't he?
606
00:35:37,160 --> 00:35:46,800
So next up, my interview with Judy Bloom, Rachel McAdams, the cast of, "Are you there, God?"
607
00:35:46,800 --> 00:35:53,400
It's me, Margaret, which is out in theaters today or now depending on when you're listening.
608
00:35:53,400 --> 00:35:54,880
All right, we're going to take a break.
609
00:35:54,880 --> 00:35:56,800
We'll be right back.
610
00:35:56,800 --> 00:36:01,280
All right, welcome back to Pop Culture weekly.
611
00:36:01,280 --> 00:36:05,640
So it is our interview time.
612
00:36:05,640 --> 00:36:08,120
I've got some awesome interviews.
613
00:36:08,120 --> 00:36:15,440
James L. Brooks, also known as Jim Brooks and Julie Anzel, who they are the producers behind.
614
00:36:15,440 --> 00:36:17,040
Are you there, God?
615
00:36:17,040 --> 00:36:18,040
It is me.
616
00:36:18,040 --> 00:36:19,040
It is me.
617
00:36:19,040 --> 00:36:20,040
Are you there, God?
618
00:36:20,040 --> 00:36:26,760
It's me, Margaret, which by the way is, if you have lived under Iraq for 50 years.
619
00:36:26,760 --> 00:36:34,520
This book is, geez, I would say one of the most well-known books of all time.
620
00:36:34,520 --> 00:36:36,840
It is multi-generational.
621
00:36:36,840 --> 00:36:44,880
And basically, Judy Bloom wrote this iconic novel where Margaret shares her secrets on and
622
00:36:44,880 --> 00:36:45,880
her spirituality.
623
00:36:45,880 --> 00:36:48,760
She has a parents that have different religions.
624
00:36:48,760 --> 00:36:55,280
She has grown up really non-religious, but she talks to God anyway.
625
00:36:55,280 --> 00:36:58,320
And she talks about sex and all kinds of stuff.
626
00:36:58,320 --> 00:37:03,960
Age appropriately, of course, from a young teenage girl's point of view.
627
00:37:03,960 --> 00:37:06,760
And it's very age-appropriate.
628
00:37:06,760 --> 00:37:07,760
It is iconic.
629
00:37:07,760 --> 00:37:09,200
It is classic.
630
00:37:09,200 --> 00:37:12,640
And there's a reason that it is as huge as it is.
631
00:37:12,640 --> 00:37:19,280
So the film is out today from Lionsgate, or now, depending on when you are listening.
632
00:37:19,280 --> 00:37:23,400
And it stars Abbey Rider Fortson, who plays Margaret.
633
00:37:23,400 --> 00:37:26,640
Rachel McAdams plays her mom Barbara.
634
00:37:26,640 --> 00:37:30,760
Kathy Bates plays The Grandmother, which is awesome.
635
00:37:30,760 --> 00:37:39,360
It is written and directed by Kelly Freeman Craig, who wrote and directed The Edge of 17,
636
00:37:39,360 --> 00:37:40,760
such a good movie.
637
00:37:40,760 --> 00:37:45,120
And produced, as I said, by James L. Brooks.
638
00:37:45,120 --> 00:37:49,320
And Julie Ansel, who, if you don't know, James L. Brooks.
639
00:37:49,320 --> 00:37:51,760
First of all, have you ever heard of The Simpsons?
640
00:37:51,760 --> 00:37:54,280
And of course, Julie Ansel.
641
00:37:54,280 --> 00:37:57,280
Big broadcast news, Jerry McGuire.
642
00:37:57,280 --> 00:38:02,480
As good as it gets, riding in cars with boys, spanglish, The Simpsons movie.
643
00:38:02,480 --> 00:38:05,080
I mean, like what?
644
00:38:05,080 --> 00:38:07,000
These guys are super producers.
645
00:38:07,000 --> 00:38:10,040
So let's start with them.
646
00:38:10,040 --> 00:38:14,560
Let's talk with James L. Brooks and Julie Ansel.
647
00:38:14,560 --> 00:38:15,800
Here we go.
648
00:38:15,800 --> 00:38:16,800
Here we go.
649
00:38:16,800 --> 00:38:17,800
Here we go.
650
00:38:17,800 --> 00:38:24,160
The first one, a fan of both of your works, a fan of the work of both of you.
651
00:38:24,160 --> 00:38:26,160
And this film is no different.
652
00:38:26,160 --> 00:38:31,400
I find it really interesting for me that it is coming out now, with all these book bannings
653
00:38:31,400 --> 00:38:33,280
and that sort of thing.
654
00:38:33,280 --> 00:38:39,160
You have been working on this since I believe 2018 or something like that.
655
00:38:39,160 --> 00:38:43,800
Why was now the time to get it out there?
656
00:38:43,800 --> 00:38:49,120
I think it has to do with a specific filmmaker, Kelly Freeman Craig, who did her first film.
657
00:38:49,120 --> 00:38:52,360
We all did it together, edge of 17.
658
00:38:52,360 --> 00:38:59,040
And then wrote Judy a letter saying, I'd love to adapt Margaret, which Judy had withheld
659
00:38:59,040 --> 00:39:02,400
from making for 50 years.
660
00:39:02,400 --> 00:39:05,160
We went in and saw her.
661
00:39:05,160 --> 00:39:09,360
And in that meeting, she decided to let us make the movie.
662
00:39:09,360 --> 00:39:16,160
And Julie, for you, it's a huge thing, in my opinion, for this to finally have become a movie
663
00:39:16,160 --> 00:39:18,480
after 50 years.
664
00:39:18,480 --> 00:39:25,160
What was it like for you as a creator to be part of this team that was able to make this
665
00:39:25,160 --> 00:39:26,160
happen?
666
00:39:26,160 --> 00:39:28,600
Oh, I mean, it was amazing.
667
00:39:28,600 --> 00:39:34,440
I mean, I read the book when I was 12 and it helped me get through puberty and to know
668
00:39:34,440 --> 00:39:39,960
that it's been doing that for 50 years for women and then to be able to hope that this movie
669
00:39:39,960 --> 00:39:47,400
will also do that in its way and help kids now kind of get through that time and relate
670
00:39:47,400 --> 00:39:49,080
to it and know they're not alone.
671
00:39:49,080 --> 00:39:54,280
I mean, it just, it was an amazing experience.
672
00:39:54,280 --> 00:39:57,000
Again, I love this movie.
673
00:39:57,000 --> 00:40:07,400
I also love that you didn't shy away in producing this from really anything in there.
674
00:40:07,400 --> 00:40:10,920
Obviously, I would assume that's a very purposeful choice.
675
00:40:10,920 --> 00:40:15,360
Was there anything that you were nervous about as you were tackling this?
676
00:40:15,360 --> 00:40:17,120
I remember Kelly.
677
00:40:17,120 --> 00:40:22,040
One of the girls gets her period first and there was a question of what's it like?
678
00:40:22,040 --> 00:40:23,040
What's it like?
679
00:40:23,040 --> 00:40:24,040
The other girls asked her.
680
00:40:24,040 --> 00:40:28,520
Kelly had gone around to all her friends and asked them what it was like and wasn't there
681
00:40:28,520 --> 00:40:29,520
a smell?
682
00:40:29,520 --> 00:40:30,800
Wasn't there a smell catcher?
683
00:40:30,800 --> 00:40:38,160
And she said, and one girl nailed it and she said, "Yeah, monkey bars."
684
00:40:38,160 --> 00:40:45,480
So, so it was just the research was so intimate and you know, women getting together and talking
685
00:40:45,480 --> 00:40:48,760
about it as part of making the movie.
686
00:40:48,760 --> 00:40:55,000
Was it important for you to have, you know, it seems Judy was extremely involved in this?
687
00:40:55,000 --> 00:40:58,440
Was it important for you to have that original voice there?
688
00:40:58,440 --> 00:41:00,840
It was, oh, you always felt blessed.
689
00:41:00,840 --> 00:41:07,600
I mean, when she came to the set maybe five times that each time was reassuring because
690
00:41:07,600 --> 00:41:12,680
we were so nervous about not doing right by her and letting her down in any way.
691
00:41:12,680 --> 00:41:20,320
So when it was she came and said, "Okay, it was like it made a real difference."
692
00:41:20,320 --> 00:41:21,320
I love it.
693
00:41:21,320 --> 00:41:22,720
Thank you both so much for your time.
694
00:41:22,720 --> 00:41:26,720
I can't wait for everybody to see this and you know, they can band books.
695
00:41:26,720 --> 00:41:28,880
They'll have a much, much harder time doing this.
696
00:41:28,880 --> 00:41:31,920
So people will get the message ultimately.
697
00:41:31,920 --> 00:41:32,920
Thank you both so much.
698
00:41:32,920 --> 00:41:33,920
Here here.
699
00:41:33,920 --> 00:41:34,920
Thanks.
700
00:41:34,920 --> 00:41:35,920
Thanks.
701
00:41:35,920 --> 00:41:36,920
Thank you.
702
00:41:36,920 --> 00:41:40,040
I am so like, I'm fanboying out.
703
00:41:40,040 --> 00:41:45,880
I just talked to Jim Brooks, James L. Brooks and Julie Ansel, super producers like Ahus Hu
704
00:41:45,880 --> 00:41:47,960
in, you know, show business.
705
00:41:47,960 --> 00:41:55,640
I love that I talk to them and I love that they have made this iconic book come to life.
706
00:41:55,640 --> 00:42:03,560
Next up, let's talk to the woman herself, the women themselves, writer director Kelly Freeman,
707
00:42:03,560 --> 00:42:07,040
Craig and Judy.
708
00:42:07,040 --> 00:42:08,360
Mother F and Bloom.
709
00:42:08,360 --> 00:42:10,280
Thank you so much both of you for joining me.
710
00:42:10,280 --> 00:42:11,640
I really appreciate it.
711
00:42:11,640 --> 00:42:12,640
Thank you.
712
00:42:12,640 --> 00:42:13,640
Thank you.
713
00:42:13,640 --> 00:42:19,320
Of course, Judy, I'd like to start with you for 50 years, you know, almost.
714
00:42:19,320 --> 00:42:26,400
You have declined, I guess you could say, to allow this film or I'm sorry, the book to
715
00:42:26,400 --> 00:42:27,760
become a film.
716
00:42:27,760 --> 00:42:31,560
Why was it now?
717
00:42:31,560 --> 00:42:32,560
Why was it now?
718
00:42:32,560 --> 00:42:43,560
It's now because the right team came to me at the right time and I said yes and I just
719
00:42:43,560 --> 00:42:47,880
knew that it was the right team and it was and it is.
720
00:42:47,880 --> 00:42:48,880
Yeah.
721
00:42:48,880 --> 00:42:54,040
Yeah, it's such an amazing film and Kelly, you, I mean, from the edge of 17 to this, all of
722
00:42:54,040 --> 00:42:56,560
your work, but I mean you were like me right person.
723
00:42:56,560 --> 00:43:02,320
I'm sorry, I don't mean to interrupt, but that is, that was in Kelly's initial letter to
724
00:43:02,320 --> 00:43:09,560
me and I had seen the edge of 17 and I'm like, wait, you wrote that and you directed that.
725
00:43:09,560 --> 00:43:11,400
I loved that movie.
726
00:43:11,400 --> 00:43:15,160
That was a credential that no one else has ever come to me with.
727
00:43:15,160 --> 00:43:18,240
I was so excited that Judy Bloom had seen that movie.
728
00:43:18,240 --> 00:43:20,800
I was like, why is that?
729
00:43:20,800 --> 00:43:26,000
And for you, Kelly, when you got that, yes, where you like, like I feel like that's a lot
730
00:43:26,000 --> 00:43:27,560
of weight on the shoulders.
731
00:43:27,560 --> 00:43:28,880
I'd be so nervous.
732
00:43:28,880 --> 00:43:36,080
Yeah, I mean, the real excited and yeah, an incredibly nerve wracking because, you know,
733
00:43:36,080 --> 00:43:44,120
yeah, I just felt a tremendous responsibility to get it right and to make Judy proud and
734
00:43:44,120 --> 00:43:50,920
to make the fans happy and feel like this was, this is the book come to life on film, you
735
00:43:50,920 --> 00:43:51,920
know.
736
00:43:51,920 --> 00:43:56,720
And most of all, just really wanted to deliver the spirit of the book.
737
00:43:56,720 --> 00:44:00,960
And she did all of that and more.
738
00:44:00,960 --> 00:44:04,200
So I'm very, very grateful.
739
00:44:04,200 --> 00:44:05,200
I love it.
740
00:44:05,200 --> 00:44:12,360
I think it's such an incredible film and Judy, for you, you, I believe I read that you said
741
00:44:12,360 --> 00:44:14,400
the film is better than the book.
742
00:44:14,400 --> 00:44:15,720
Did you say that?
743
00:44:15,720 --> 00:44:18,640
I did say that on national television.
744
00:44:18,640 --> 00:44:20,640
Yes, I did say that.
745
00:44:20,640 --> 00:44:27,280
And the reason is, is because you get to see not just a 12-year-old's point of view, but
746
00:44:27,280 --> 00:44:32,520
you get to see a rounded mother, a real mother.
747
00:44:32,520 --> 00:44:39,280
And Rachel McAdams is incredible in this role and a father and a grandmother.
748
00:44:39,280 --> 00:44:41,880
And you get to see the different generations.
749
00:44:41,880 --> 00:44:45,960
And I mean, that's very interesting for me, you know.
750
00:44:45,960 --> 00:44:50,600
So and I think it will be for everyone because you've got the, you've got the book.
751
00:44:50,600 --> 00:44:53,960
I promise you all, you've got the book.
752
00:44:53,960 --> 00:44:54,960
It's there.
753
00:44:54,960 --> 00:44:57,120
Plus, you've got more.
754
00:44:57,120 --> 00:44:59,200
Kelly, how does that feel to hear that?
755
00:44:59,200 --> 00:45:01,920
I, I, I mean, this is Judy freaking bloom.
756
00:45:01,920 --> 00:45:02,920
This is my language.
757
00:45:02,920 --> 00:45:07,400
I'm telling, I've been trying to process it since, since you first said it.
758
00:45:07,400 --> 00:45:12,800
It's, I mean, I, it's the most important thing to me was to make Judy happy.
759
00:45:12,800 --> 00:45:18,120
So I'm just so happy she's happy and relieved to know and all those things.
760
00:45:18,120 --> 00:45:20,120
I'm very happy.
761
00:45:20,120 --> 00:45:22,080
But I love it.
762
00:45:22,080 --> 00:45:25,240
And you know, it's kudos to, to both of you.
763
00:45:25,240 --> 00:45:29,000
I was talking earlier that with all these book bannings and all that stuff.
764
00:45:29,000 --> 00:45:34,680
I love that this movie is coming out now because so many more people will have access to it.
765
00:45:34,680 --> 00:45:40,400
Whether they're local, you know, politicians have decided that the book should be banned
766
00:45:40,400 --> 00:45:43,800
or not, they're going to have this story here anyway.
767
00:45:43,800 --> 00:45:44,800
Yes.
768
00:45:44,800 --> 00:45:50,000
And when we made it, we had no idea that we were going to wind up where we were in the
769
00:45:50,000 --> 00:45:53,040
80s plus plus plus plus plus plus.
770
00:45:53,040 --> 00:45:54,040
Yeah.
771
00:45:54,040 --> 00:45:55,040
Yeah.
772
00:45:55,040 --> 00:45:56,040
Thank you both so much.
773
00:45:56,040 --> 00:45:58,360
I can't wait for everybody to see this.
774
00:45:58,360 --> 00:45:59,600
Have a great day.
775
00:45:59,600 --> 00:46:00,600
Thank you.
776
00:46:00,600 --> 00:46:08,080
Guys, I just talked to Kelly Freeman Craig and Judy mother bloom.
777
00:46:08,080 --> 00:46:09,080
Okay.
778
00:46:09,080 --> 00:46:10,280
Judy bloom.
779
00:46:10,280 --> 00:46:12,040
She wrote blubber.
780
00:46:12,040 --> 00:46:14,800
She wrote tales of a fourth grade, nothing.
781
00:46:14,800 --> 00:46:16,600
She wrote Dini.
782
00:46:16,600 --> 00:46:22,320
She is named one of the most influential people in the world by Tom magazine, one of the
783
00:46:22,320 --> 00:46:27,080
100 most influential people in the world by time magazine.
784
00:46:27,080 --> 00:46:28,080
Like what?
785
00:46:28,080 --> 00:46:29,400
I icon.
786
00:46:29,400 --> 00:46:32,040
She's so, and how cool is she?
787
00:46:32,040 --> 00:46:33,280
She's so freaking awesome.
788
00:46:33,280 --> 00:46:38,640
And there's also a documentary out now called Judy bloom forever, which premiered at Sundance,
789
00:46:38,640 --> 00:46:41,480
which I haven't seen yet, but it looks really good.
790
00:46:41,480 --> 00:46:46,680
And it's basically a documentary centered around Judy mother bloom.
791
00:46:46,680 --> 00:46:47,680
Okay.
792
00:46:47,680 --> 00:46:51,960
So actually, it is on a prime video as now.
793
00:46:51,960 --> 00:46:53,480
I was just told by Justin.
794
00:46:53,480 --> 00:46:54,480
Thank you.
795
00:46:54,480 --> 00:46:55,800
Justin, best producer.
796
00:46:55,800 --> 00:46:56,800
So yes.
797
00:46:56,800 --> 00:46:59,000
All right.
798
00:46:59,000 --> 00:47:00,000
Next up.
799
00:47:00,000 --> 00:47:03,160
And finally, the stars of, are you there?
800
00:47:03,160 --> 00:47:08,880
God, it's me Margaret Abby, writer, Fortson and Rachel.
801
00:47:08,880 --> 00:47:09,880
Make Adam.
802
00:47:09,880 --> 00:47:10,880
Thank you for joining me.
803
00:47:10,880 --> 00:47:11,880
I really appreciate it.
804
00:47:11,880 --> 00:47:13,520
Thanks for having us.
805
00:47:13,520 --> 00:47:14,520
Of course.
806
00:47:14,520 --> 00:47:17,880
So film is absolutely amazing.
807
00:47:17,880 --> 00:47:20,760
You both do such a wonderful job in it.
808
00:47:20,760 --> 00:47:29,440
And I just talked to Judy about, you know, 50 years and now it is out here as a film.
809
00:47:29,440 --> 00:47:35,720
And for you, both of you as actors, you know, I feel like that would make me really nervous
810
00:47:35,720 --> 00:47:39,840
to know that, you know, okay, I'm going to be Margaret.
811
00:47:39,840 --> 00:47:47,040
You know, like, how is that for you knowing the history and cultural impact of this book?
812
00:47:47,040 --> 00:47:53,360
Honestly, I'm just so honored to be the one that was chosen to play Margaret and bring
813
00:47:53,360 --> 00:47:55,120
her to the big screen.
814
00:47:55,120 --> 00:47:59,440
And I'm so glad that Judy loved everything and signed off on it.
815
00:47:59,440 --> 00:48:03,520
I know while she was on set, we were all like anxiously waiting to see her reaction and
816
00:48:03,520 --> 00:48:06,120
be like, oh my God, is Judy gonna like approve this?
817
00:48:06,120 --> 00:48:08,440
Is Judy loving this?
818
00:48:08,440 --> 00:48:14,880
And yeah, I relate to Margaret on so many levels and I have gone through pretty much everything
819
00:48:14,880 --> 00:48:16,520
that she has.
820
00:48:16,520 --> 00:48:24,560
And I'm just so, so lucky that I was able to bring this iconic character to life.
821
00:48:24,560 --> 00:48:27,760
I love that and you do such an amazing job with it.
822
00:48:27,760 --> 00:48:29,280
How about for you, Rachel?
823
00:48:29,280 --> 00:48:33,720
Sorry, what was the question again?
824
00:48:33,720 --> 00:48:37,720
Just knowing the history power of this book.
825
00:48:37,720 --> 00:48:41,040
Yes, yes, I definitely felt pressure.
826
00:48:41,040 --> 00:48:46,960
Yeah, that's half a century that waiting to see what group of people would bring Margaret
827
00:48:46,960 --> 00:48:50,080
to the screen and to be a part of that, I was worried.
828
00:48:50,080 --> 00:48:56,760
I was not, I got the invitation, but it wasn't meant for me somehow.
829
00:48:56,760 --> 00:49:01,960
But yeah, just, I just, yeah, I really wanted Judy to be happy and I've heard that I think
830
00:49:01,960 --> 00:49:02,960
she is.
831
00:49:02,960 --> 00:49:04,280
And that's kind of all I care about.
832
00:49:04,280 --> 00:49:06,400
I'm like, I don't care if everybody hates it.
833
00:49:06,400 --> 00:49:08,840
Judy has to be happy, yes.
834
00:49:08,840 --> 00:49:12,000
Yeah, she told me that it's better than the book.
835
00:49:12,000 --> 00:49:13,000
I know.
836
00:49:13,000 --> 00:49:16,120
And that's a testament to how sweet Judy is.
837
00:49:16,120 --> 00:49:18,200
But yeah, yeah.
838
00:49:18,200 --> 00:49:25,420
And Abby, for you, did you, you know, you're talking about real issues that real girls and
839
00:49:25,420 --> 00:49:30,640
young women deal with as well as bigger issues that we all deal with, but were you nervous
840
00:49:30,640 --> 00:49:35,720
at all to kind of go out and put it all out there on the big screen?
841
00:49:35,720 --> 00:49:36,720
Not really.
842
00:49:36,720 --> 00:49:42,800
I mean, I've, yeah, like I've dealt with everything that Margaret has and I feel like Kelly was super
843
00:49:42,800 --> 00:49:50,280
duper respectful and I always felt safe on set to, you know, talk about all this stuff.
844
00:49:50,280 --> 00:49:59,080
And I think that honestly, we've kind of made this, these topics uncomfortable in society
845
00:49:59,080 --> 00:50:05,280
and along with not wanting to have, you know, the talk from your parents.
846
00:50:05,280 --> 00:50:11,400
And I think that it's so unnecessary because we need to talk about these things and having
847
00:50:11,400 --> 00:50:15,520
that barrier is just not helpful for anyone.
848
00:50:15,520 --> 00:50:20,120
And yeah, I always felt super comfortable on set and I was actually super happy that I was
849
00:50:20,120 --> 00:50:26,640
able to talk about all of these topics in such a unique way.
850
00:50:26,640 --> 00:50:32,760
I think storytelling and filmmaking is such an amazing way to talk about things that you
851
00:50:32,760 --> 00:50:36,560
might not want to have a sit down conversation with with your parents, you know.
852
00:50:36,560 --> 00:50:42,920
I think that the film can be a great opener for, you know, the sex talker, all that stuff.
853
00:50:42,920 --> 00:50:48,800
You can just show them the film, your parents can take the kids to go see the film and you
854
00:50:48,800 --> 00:50:54,280
can have a discussion about it without, you know, talking about yourself, but instead
855
00:50:54,280 --> 00:50:58,600
talking about the characters in the film being like, oh, what did you think about this?
856
00:50:58,600 --> 00:51:02,880
How is this relating to you, maybe?
857
00:51:02,880 --> 00:51:09,120
And I think it's a great way to just have these conversations without making them uncomfortable
858
00:51:09,120 --> 00:51:11,880
or awkward.
859
00:51:11,880 --> 00:51:12,880
I love that.
860
00:51:12,880 --> 00:51:14,520
Thank you both for speaking with me.
861
00:51:14,520 --> 00:51:17,360
I can't wait for everybody to go and see, are you there?
862
00:51:17,360 --> 00:51:18,760
God, it's me, Margaret.
863
00:51:18,760 --> 00:51:19,760
Thank you.
864
00:51:19,760 --> 00:51:20,760
Thank you.
865
00:51:20,760 --> 00:51:26,440
Happy writer, forced it in Rachel McGatham's.
866
00:51:26,440 --> 00:51:31,040
I'm so happy that this film has been made and it's out.
867
00:51:31,040 --> 00:51:32,680
It's a great film.
868
00:51:32,680 --> 00:51:33,680
You gotta show it.
869
00:51:33,680 --> 00:51:38,400
You know, as I said, it's one of those films that you, it's one of those projects that you
870
00:51:38,400 --> 00:51:39,400
know what?
871
00:51:39,400 --> 00:51:42,360
Really hard to ban this movie in Florida.
872
00:51:42,360 --> 00:51:49,960
It still actually ranks as one of the top 100 most frequently banned books.
873
00:51:49,960 --> 00:51:54,400
In America today, as in 2023.
874
00:51:54,400 --> 00:51:58,680
So in any event, that is our show for this week.
875
00:51:58,680 --> 00:52:04,200
Thank you once again, Dominic Patton from Deadline Hollywood.
876
00:52:04,200 --> 00:52:13,160
Links in the show notes and the cast and producers and director writer of, are you there?
877
00:52:13,160 --> 00:52:15,080
God, it's me, Margaret.
878
00:52:15,080 --> 00:52:20,520
And special shout out to Judy Mother Bloom.
879
00:52:20,520 --> 00:52:21,520
See you next week.
880
00:52:21,520 --> 00:52:22,520
I love you.
881
00:52:22,520 --> 00:52:25,680
Well, thank you for listening to Pop Culture Weekly.
882
00:52:25,680 --> 00:52:29,320
You're all the latest at popcultureweekly.com.
883
00:52:29,320 --> 00:52:39,320
I just talked to Judy Maaf in blue.
884
00:52:39,320 --> 00:52:44,320
I just talked to Judy.
885
00:52:44,320 --> 00:52:49,040
I just talked to Judy Maaf in blue.
886
00:52:49,040 --> 00:52:52,280
I just talked with Judy.