June 28, 2024
Fancy Dance: Lily Gladstone & Cast on Native American Stories in Cinema
In this episode of http://podcast.popcultureweekly.com Erica Tremblay, a powerhouse Native American storyteller, joins https://www.kylemcmahon.me to discuss her groundbreaking film...
In this episode of Pop Culture Weekly, Erica Tremblay, a powerhouse Native American storyteller, joins Kyle McMahon to discuss her groundbreaking film "Fancy Dance" on Apple TV Plus. Tremblay opens up about her creative journey and the deep-rooted inspiration behind her latest work, which centers on a Native American hustler navigating harsh realities to protect her family. She also shares rich insights into her collaboration with the extraordinary talents of Lily Gladstone and newcomer Isabel DeRoy-Olson, emphasizing the significance of portraying the human struggles and resilience of Native characters. Their conversation uncovers the meaningful themes highlighted in the film, such as the Indian Child Welfare Act and the broader challenges faced by Indigenous families.
We also have the privilege of hearing from the film's stars, Lily Gladstone and Isabel DeRoy-Olson. Gladstone provides a heartfelt reflection on her personal connection to the film’s narrative and the transformative impact of authentic representation on screen. Meanwhile, DeRoy-Olson's impressive debut is celebrated, shining a light on the lived experiences of Native and Indigenous people in America. This episode is a compelling exploration of the power of cinema to bridge cultural divides and foster greater understanding, offering hope for a future where stories of marginalized communities are told with genuine empathy and respect.
Kyle McMahon's Death, Grief & Other Sh*t We Don't Discuss is now streaming: https://www.deathandgrief.show/Chapter-One-The-Diagnosis-AKA-WTF/
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Transcript
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In this episode of pop Culture Weekly, I talk with the Academy Award nominated
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Lily Gladstone and the cast of the
new Apple TV Plus movie Fancy Dance.
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Let's go Welcome to pop Culture Weekly
with Kyle McMahon from my Heart Radio,
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your pop culture news, views,
reviews and celebrity interviews on all the movies,
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TV, music and pop culture u
CRABE Weekly. Here's Kyle McMahon net
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Nana nut Net, Hello and welcome
the pop Culture Weekly with Kyle McMahon.
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I of course am Kyle McMahon,
and I can't thank you enough for once
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again hanging out with me to discuss
pop culture, movies, music, TV
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news, streaming technology, whatever it
is you know, we cover it here
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today. It is all about the
brand new film Fancy Dance, which is
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in select theaters across the country and
debuting and exclusively on Apple TV Plus.
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Fancy Dance is it's a really incredible
film that you have to see. It
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really is just that good. So
it's directed and written by Erica Tremblay and
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the byeline is following her sister's disappearance, a Native American hustler kidnaps her niece
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from the child's white grandparents and sets
out for the state powwow in hopes of
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keeping what is left of their family
intact. It is. It stars Lily
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Gladstone and Isabelle Deroy Olsen, who
I talk to both of those as well.
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It is really, really, incredibly
powerful. It's a great film that
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you know, opened my eyes to
Natives, Native Americans, indigenous people to
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the land of America and North America. And wow, it is really good.
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It is touching, it is powerful, It is sweet in moments,
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it is shocking in moments. It
is incredible. I highly suggest that you
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watch Fancy Dance exclusively on Apple TV
Plus, or if you're lucky enough to
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be in one of the major markets
to go see it in the theater.
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Do that because it's, you know, always the best if you can to
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see it in the theater. So
I speak with director, writer Erica Tremblay
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as well as the amazing Lily Gladstone
and Isabelle Deroy Olson all about Fancy Dance.
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So Erica Tremblay will start with her. She is a Native herself.
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She was a producer on Reservation Dog
on FX, which I absolutely loved.
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She also was a director there.
She did a short film in twenty twenty
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called Little Chief, which also starred
Lily Gladstone, and that is really amazing
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as well. Well, let's just
get into my conversation my interview with Erica
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Chremblay. Thank you so much,
Erica for speaking with me. I really
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appreciate it. So, first of
all, congratulations on an incredibly beautiful and
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powerful film. It is stunning in
so many ways. This is your first
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feature length film. Why was it
important for you to tell this story as
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your first feature Yeah, you know, as a Native woman who grew up
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in my community, I really was
just inspired to tell a story about like
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the women in Queer folks who have
made me who I am, and I
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wanted to, you know, tell
a love story back to these incredible women
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who work so hard to educate our
kids, keep our kids safe. And
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Jax is this amalgamation of so many
people in my life and my co writer,
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Michiana's life, and you know,
Jax is trying so hard and doing
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so much to keep her niece safe. And I'm just really inspired people who
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may not have a lot but can
do a lot. And that is certainly
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a character that I want to write
for and was so grateful that Lily so
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beautifully brought to life. Did you
you had worked with Lily previously? Correct?
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Did you know as you were,
you know, putting the film together,
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like I like Lily, this is
going to be Lily. Yeah.
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Right after the success of our short
film Little Chief, I said, hey,
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do you want to do a feature
together? And so as Michiana and
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I were writing, we were sharing
drafts with Lily, and Lily was really
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instrumental in helping build Jack's as a
character. And just to be able to
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like imagine Lily as we as we
were writing was was so helpful. Uh.
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And and you know, Lily's want
incredible. Lily is Lily Gladstone.
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And what a wonderful experience to have
gotten to work with with them twice now
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and then of course to find Isabelle. And two of them have so much
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chemistry in real life and on screen, it's like as a director, it's
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like I just would sit there and
be like, okay, I do your
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thing and cut, Okay, We've
got it, because they're both just so
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incredibly wonderfully talented and so refreshing,
you know, to see on screen.
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What do you hope that people particularly
like me people that are not Native or
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Indigenous, which, by the way, that's one of the reasons I love
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film is that, you know,
it is able to show me slices of
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life that otherwise I would be ignorant
to and really opens my eyes to these
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worlds that are right next door to
me. What do you what do you
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hope the viewer takes from from watching
Fancy Dance? Yeah? You know,
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we really tried to construct a narrative
that doesn't beat you over the head with
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like a procedural of like we're going
to teach you this lesson. And I
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think by way of Frank and Nancy, who are these non native characters in
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our film who really, in their
hearts are trying to do the best thing.
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I'm hoping that people will see the
humanity in Jackson Rokie and what they're
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traversing and what they're going through.
And my hope is that non native folks
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will watch this and be like,
WHOA, what's happening next door to me?
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And they will they'll recognize their role
potentially in some of these oppressive systems
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and and want to be a better
citizen to their native neighbors. And I
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feel exactly the same like art can
build bridges between us, and hopefully this
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film will will have the ability,
uh to do just that. Like that's
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that's the hope and the dream.
Yeah, I think you've absolutely aced that.
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It is such an incredible film.
I can't wait for everybody to see
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Fancy Dance exclusively on Apple TV Plus
and actually a theatrical release first, but
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then exclusively on Apple TV Plus.
Thank you so much, Erica, Thank
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you, Erica Tremblay. Love her, She's incredible. I can't wait to
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I can't wait for everybody to see
Fancy Dance. But I can't wait to
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see what Erica does next. All
right. Next up Isabelle de roy Olsen.
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So she plays Rokie in the film
in Fancy Dance, and she is
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awesome as well. She was in
Three Pines this series and now stars as
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Rokie in Fancy Dance. Lily Gladstone
plays Jacks in Fancy Dance. Lily is
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just a powerhouse. She's from Montana, was raised on the black Feet Indian
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Reservation, went to University of Montana
where she got a bachelor's in acting and
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directing and a minor in Native American
studies. So she has come up.
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I mean she's put in all of
the work, but she has really come
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up in the last couple of years. She played Molly Burkhardt in Killers of
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the Flower Moon, which of course
landed her a Oscar nam for Best Actress
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for the twenty twenty four Academy Awards
the Oscars. With that, Lily became
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the first ever Native American actress to
be nominated for an Oscar, which is
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insane, literally insane, but it
is well deserved. And she's amazing,
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and she's amazing in fancy dance.
I mean, Lily is just a powerhouse
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and she's such a nice person.
I can't wait for you to hear this
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interview. So let's jump right in
to my interview with the one and only
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Lily Gladstone and Isabelle Deroy Olson.
Thank you both so much for joining me.
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I really appreciate it. Thank you
of course. So first of all,
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congratulations in the film. It is
powerful cinema. It is beautiful and
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heartbreaking and incredible all at once.
I wonder, as a viewer, what
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is it that drew you to tell
the story? What really drew me towards
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it was how real it felt,
you know, upon first reading the script,
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you know, my mom and I
sat down at breakfast and just started
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crying because we were so moved by
it and we really saw ourselves in it.
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You know, I grew up without
a lot of representation and without being
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able to look at a film and
say, oh, that's me. But
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the fact that I get to be
a part of something that can do that
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for my younger cousins and my younger
sibling who's thirteen, you know, they
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can really relate to it, and
I'm really grateful that they can look at
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me and see themselves. I was
on board no matter what the project was
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going to be because I'd done a
short film with Erica Tremblay in twenty eighteen.
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It premiered at sun Dance in twenty
twenty, right before the Pandemic,
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that one she had developed in the
dance labs. Sterlin Harjoe was her mentor,
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and Sterlin and I have been friends
for a long time. So I
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got a text from Sterlin out of
nowhere one day saying, hey, and
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my mentee at Sundance, Erica Tremblay
has a short film she wants you to
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look at. So I'm like,
great, send it over. And meanwhile,
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on the other end, Eric is
like, oh my god, you're
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not. I'm not going to get
Lily Gladstone because she loves Kelly Reichert and
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was obsessed with certain women. And
Sterlin said, yeah, just just dreamcast
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your short film and she wanted me, so it was It's so funny now
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that she was blown away that that
actually happened, that Sterlin just texted me,
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because on the other end, I'm
sitting there looking for my next project
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that's going to really excite me.
And then her beautiful script comes in and
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seven pages feels like a full feature, like every single beat that she wrote
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in Little Chief spoke to this immense
larger picture with these very small, insular,
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intimate moments between these two characters.
It's a quiet film, but it
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spoke multitudes, and there are so
few filmmakers who were able to just do
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that. That's one of the powerful
things about cinema is just the language of
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film and being confident that you have
something to say. So I loved that
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Erica as a filmmaker, lets things
sit. She doesn't shove anything down in
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anyone's throat. It's their space to
create character and to have beats and to
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have those lived in moments. So
I was hoping that she was she had
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a feature in her because she's the
kind of artist that I wanted to keep
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working with and lo and behold.
By the time we wrapped, she said,
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I would really love to write a
feature for you. Haven't I have
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a character in mind. I don't
know what it's going to be yet,
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So I'm like, great, whatever
you want, I'm there for it.
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So I was just waiting for basically
Erica to call one day and be like,
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I have the feature. And then
I found out in COVID Lockdown summer
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she had connected with me Shianolese also
through Sundance, and co wrote what became
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Anti Dance. So when I read
it, I always knew that the character
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of Jacks, even though I didn't
know that would be her name, I
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knew that Jack's was going to be
an Anti. I knew that she was
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going to live in that same sort
of resourceful you know, bending the rules
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or breaking the law to feed the
community, to take care of people like.
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I knew she would exist in that
same pocket that Sharon did in Little
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Chief. But when I read the
script, suddenly it was like, oh,
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this is genre, this is like
this is an elevated story outside of
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it's still very grounded in reality and
feels so lived in. But it's like
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I would put it on the shelf
between Thelma and Louise and Paper Moon.
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It's just like it was the kind
of narrative I as an actor could really
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immerse in in a very natural way, but could also have some fun with
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in a narrative way. And I
was just so gut punched by how effective
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the conversations of the Indian Child Welfare
Act, removal of Indian kids from Native
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families and missing murdered Indigenous relatives was
had. Because both Michian and Erica come
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from families and from communities that are
do have people who directly addressed those things,
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they grew up knowing how to create
a world where those conversations could just
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exist where it wasn't being shoved down
anyone's throat, where the audience fell in
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love with these two characters and their
family and got invested and learns through the
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obstacles the characters face, what the
obstacles are that Indigenous people face, and
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finding and protecting our own and holding
on to our kids and our families,
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and like having access to you know, wealth, just the inequities in society
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that we that we remain in spite
of. So yeah, I was all
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there. I was already on board, and I was just so thrilled when
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I've read the first draft and was
just that was one hundred percent in.
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I love it, and I love
how it opens a world to Native and
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Indigenous people of America, to somebody
like me who wouldn't know otherwise. And
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you know this exists. You know
these people are living and in our society
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and the fabric of our society.
And to me, that's what great cinema
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does, you know, So thank
you both for sharing your gifts through Fancy
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Dance. I can't wait for everybody
to see it. You muyl Isabelle de
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Roy, I'll sin what a promising
talent. I can't wait to see what
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she does next. And she is
amazing in Fancy Dance. And Lily Gladstone
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such an amazing actor, such an
amazing person, such an amazing film.
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Fancy Dance is so good. Please
go. If you're in a major market
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that's playing it in the theaters,
go see it. If not, watch
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it at home the comfort of your
own home, exclusively on Apple TV Plus
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as you know, I'm a huge
Apple TV plus fan. They are prestige
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movies, prestige television. They just
do work that is just above the rest.
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So Fancy Dance is no exception,
and to me it's an perfect example
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of why you know they are cut
above the rest. All right, that's
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the episode for now. Well,
no, that's the episode. That's this
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episode forever. But that's the end
of the episode. I guess hit me
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up on socials, let's talk fancy
dance or whatever, you know, whatever
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you want to talk about in pop
culture. Some of your hate mail,
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some of your love mail. I'm
on all the socials. Head on over
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to podcast dot popculturewekly dot com.
You can get all the behind the scenes
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stuff or get the blog posts at
popcultureweekly dot com. All right, I'll
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see you next week. I love
you well. Thank you for listening to
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pop Culture Weekly. Here all the
latest at popcultureweekly dot com. Dancing Fancy
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Heat Dancing, Fancy Heat Dancing No
Nine Long Yet, Fancy Dance, Fancy
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Fancy Dance, Fancy Dancing All night
Long Yet
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In this episode of pop Culture Weekly, I talk with the Academy Award nominated
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Lily Gladstone and the cast of the
new Apple TV Plus movie Fancy Dance.
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Let's go Welcome to pop Culture Weekly
with Kyle McMahon from my Heart Radio,
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00:00:14.759 --> 00:00:20.519
your pop culture news, views,
reviews and celebrity interviews on all the movies,
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00:00:20.600 --> 00:00:28.280
TV, music and pop culture u
CRABE Weekly. Here's Kyle McMahon net
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00:00:28.839 --> 00:00:33.960
Nana nut Net, Hello and welcome
the pop Culture Weekly with Kyle McMahon.
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I of course am Kyle McMahon,
and I can't thank you enough for once
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00:00:38.960 --> 00:00:44.280
again hanging out with me to discuss
pop culture, movies, music, TV
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00:00:44.719 --> 00:00:49.159
news, streaming technology, whatever it
is you know, we cover it here
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00:00:49.600 --> 00:00:54.920
today. It is all about the
brand new film Fancy Dance, which is
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in select theaters across the country and
debuting and exclusively on Apple TV Plus.
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Fancy Dance is it's a really incredible
film that you have to see. It
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really is just that good. So
it's directed and written by Erica Tremblay and
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the byeline is following her sister's disappearance, a Native American hustler kidnaps her niece
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from the child's white grandparents and sets
out for the state powwow in hopes of
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keeping what is left of their family
intact. It is. It stars Lily
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Gladstone and Isabelle Deroy Olsen, who
I talk to both of those as well.
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It is really, really, incredibly
powerful. It's a great film that
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you know, opened my eyes to
Natives, Native Americans, indigenous people to
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the land of America and North America. And wow, it is really good.
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It is touching, it is powerful, It is sweet in moments,
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it is shocking in moments. It
is incredible. I highly suggest that you
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watch Fancy Dance exclusively on Apple TV
Plus, or if you're lucky enough to
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be in one of the major markets
to go see it in the theater.
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Do that because it's, you know, always the best if you can to
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see it in the theater. So
I speak with director, writer Erica Tremblay
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as well as the amazing Lily Gladstone
and Isabelle Deroy Olson all about Fancy Dance.
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So Erica Tremblay will start with her. She is a Native herself.
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She was a producer on Reservation Dog
on FX, which I absolutely loved.
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She also was a director there.
She did a short film in twenty twenty
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called Little Chief, which also starred
Lily Gladstone, and that is really amazing
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as well. Well, let's just
get into my conversation my interview with Erica
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Chremblay. Thank you so much,
Erica for speaking with me. I really
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appreciate it. So, first of
all, congratulations on an incredibly beautiful and
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powerful film. It is stunning in
so many ways. This is your first
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feature length film. Why was it
important for you to tell this story as
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your first feature Yeah, you know, as a Native woman who grew up
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in my community, I really was
just inspired to tell a story about like
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the women in Queer folks who have
made me who I am, and I
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wanted to, you know, tell
a love story back to these incredible women
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who work so hard to educate our
kids, keep our kids safe. And
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Jax is this amalgamation of so many
people in my life and my co writer,
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Michiana's life, and you know,
Jax is trying so hard and doing
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so much to keep her niece safe. And I'm just really inspired people who
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may not have a lot but can
do a lot. And that is certainly
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a character that I want to write
for and was so grateful that Lily so
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beautifully brought to life. Did you
you had worked with Lily previously? Correct?
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Did you know as you were,
you know, putting the film together,
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like I like Lily, this is
going to be Lily. Yeah.
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Right after the success of our short
film Little Chief, I said, hey,
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do you want to do a feature
together? And so as Michiana and
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I were writing, we were sharing
drafts with Lily, and Lily was really
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instrumental in helping build Jack's as a
character. And just to be able to
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like imagine Lily as we as we
were writing was was so helpful. Uh.
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And and you know, Lily's want
incredible. Lily is Lily Gladstone.
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And what a wonderful experience to have
gotten to work with with them twice now
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and then of course to find Isabelle. And two of them have so much
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chemistry in real life and on screen, it's like as a director, it's
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like I just would sit there and
be like, okay, I do your
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thing and cut, Okay, We've
got it, because they're both just so
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incredibly wonderfully talented and so refreshing,
you know, to see on screen.
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What do you hope that people particularly
like me people that are not Native or
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Indigenous, which, by the way, that's one of the reasons I love
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film is that, you know,
it is able to show me slices of
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life that otherwise I would be ignorant
to and really opens my eyes to these
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worlds that are right next door to
me. What do you what do you
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hope the viewer takes from from watching
Fancy Dance? Yeah? You know,
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we really tried to construct a narrative
that doesn't beat you over the head with
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like a procedural of like we're going
to teach you this lesson. And I
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think by way of Frank and Nancy, who are these non native characters in
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our film who really, in their
hearts are trying to do the best thing.
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I'm hoping that people will see the
humanity in Jackson Rokie and what they're
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traversing and what they're going through.
And my hope is that non native folks
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will watch this and be like,
WHOA, what's happening next door to me?
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And they will they'll recognize their role
potentially in some of these oppressive systems
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and and want to be a better
citizen to their native neighbors. And I
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feel exactly the same like art can
build bridges between us, and hopefully this
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film will will have the ability,
uh to do just that. Like that's
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that's the hope and the dream.
Yeah, I think you've absolutely aced that.
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It is such an incredible film.
I can't wait for everybody to see
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Fancy Dance exclusively on Apple TV Plus
and actually a theatrical release first, but
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then exclusively on Apple TV Plus.
Thank you so much, Erica, Thank
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you, Erica Tremblay. Love her, She's incredible. I can't wait to
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I can't wait for everybody to see
Fancy Dance. But I can't wait to
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see what Erica does next. All
right. Next up Isabelle de roy Olsen.
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So she plays Rokie in the film
in Fancy Dance, and she is
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awesome as well. She was in
Three Pines this series and now stars as
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Rokie in Fancy Dance. Lily Gladstone
plays Jacks in Fancy Dance. Lily is
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just a powerhouse. She's from Montana, was raised on the black Feet Indian
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Reservation, went to University of Montana
where she got a bachelor's in acting and
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directing and a minor in Native American
studies. So she has come up.
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I mean she's put in all of
the work, but she has really come
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up in the last couple of years. She played Molly Burkhardt in Killers of
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the Flower Moon, which of course
landed her a Oscar nam for Best Actress
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for the twenty twenty four Academy Awards
the Oscars. With that, Lily became
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the first ever Native American actress to
be nominated for an Oscar, which is
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insane, literally insane, but it
is well deserved. And she's amazing,
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and she's amazing in fancy dance.
I mean, Lily is just a powerhouse
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and she's such a nice person.
I can't wait for you to hear this
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interview. So let's jump right in
to my interview with the one and only
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Lily Gladstone and Isabelle Deroy Olson.
Thank you both so much for joining me.
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I really appreciate it. Thank you
of course. So first of all,
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congratulations in the film. It is
powerful cinema. It is beautiful and
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heartbreaking and incredible all at once.
I wonder, as a viewer, what
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is it that drew you to tell
the story? What really drew me towards
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it was how real it felt,
you know, upon first reading the script,
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you know, my mom and I
sat down at breakfast and just started
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crying because we were so moved by
it and we really saw ourselves in it.
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You know, I grew up without
a lot of representation and without being
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able to look at a film and
say, oh, that's me. But
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the fact that I get to be
a part of something that can do that
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for my younger cousins and my younger
sibling who's thirteen, you know, they
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can really relate to it, and
I'm really grateful that they can look at
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me and see themselves. I was
on board no matter what the project was
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going to be because I'd done a
short film with Erica Tremblay in twenty eighteen.
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It premiered at sun Dance in twenty
twenty, right before the Pandemic,
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that one she had developed in the
dance labs. Sterlin Harjoe was her mentor,
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and Sterlin and I have been friends
for a long time. So I
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got a text from Sterlin out of
nowhere one day saying, hey, and
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my mentee at Sundance, Erica Tremblay
has a short film she wants you to
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look at. So I'm like,
great, send it over. And meanwhile,
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on the other end, Eric is
like, oh my god, you're
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not. I'm not going to get
Lily Gladstone because she loves Kelly Reichert and
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was obsessed with certain women. And
Sterlin said, yeah, just just dreamcast
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your short film and she wanted me, so it was It's so funny now
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that she was blown away that that
actually happened, that Sterlin just texted me,
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because on the other end, I'm
sitting there looking for my next project
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that's going to really excite me.
And then her beautiful script comes in and
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seven pages feels like a full feature, like every single beat that she wrote
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in Little Chief spoke to this immense
larger picture with these very small, insular,
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intimate moments between these two characters.
It's a quiet film, but it
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spoke multitudes, and there are so
few filmmakers who were able to just do
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that. That's one of the powerful
things about cinema is just the language of
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film and being confident that you have
something to say. So I loved that
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Erica as a filmmaker, lets things
sit. She doesn't shove anything down in
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anyone's throat. It's their space to
create character and to have beats and to
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have those lived in moments. So
I was hoping that she was she had
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a feature in her because she's the
kind of artist that I wanted to keep
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working with and lo and behold.
By the time we wrapped, she said,
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I would really love to write a
feature for you. Haven't I have
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a character in mind. I don't
know what it's going to be yet,
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So I'm like, great, whatever
you want, I'm there for it.
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So I was just waiting for basically
Erica to call one day and be like,
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I have the feature. And then
I found out in COVID Lockdown summer
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she had connected with me Shianolese also
through Sundance, and co wrote what became
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Anti Dance. So when I read
it, I always knew that the character
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of Jacks, even though I didn't
know that would be her name, I
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knew that Jack's was going to be
an Anti. I knew that she was
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going to live in that same sort
of resourceful you know, bending the rules
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or breaking the law to feed the
community, to take care of people like.
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I knew she would exist in that
same pocket that Sharon did in Little
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Chief. But when I read the
script, suddenly it was like, oh,
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this is genre, this is like
this is an elevated story outside of
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it's still very grounded in reality and
feels so lived in. But it's like
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I would put it on the shelf
between Thelma and Louise and Paper Moon.
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It's just like it was the kind
of narrative I as an actor could really
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immerse in in a very natural way, but could also have some fun with
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in a narrative way. And I
was just so gut punched by how effective
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the conversations of the Indian Child Welfare
Act, removal of Indian kids from Native
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families and missing murdered Indigenous relatives was
had. Because both Michian and Erica come
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from families and from communities that are
do have people who directly addressed those things,
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they grew up knowing how to create
a world where those conversations could just
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exist where it wasn't being shoved down
anyone's throat, where the audience fell in
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love with these two characters and their
family and got invested and learns through the
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obstacles the characters face, what the
obstacles are that Indigenous people face, and
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finding and protecting our own and holding
on to our kids and our families,
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and like having access to you know, wealth, just the inequities in society
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that we that we remain in spite
of. So yeah, I was all
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there. I was already on board, and I was just so thrilled when
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I've read the first draft and was
just that was one hundred percent in.
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I love it, and I love
how it opens a world to Native and
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Indigenous people of America, to somebody
like me who wouldn't know otherwise. And
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you know this exists. You know
these people are living and in our society
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and the fabric of our society.
And to me, that's what great cinema
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does, you know, So thank
you both for sharing your gifts through Fancy
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Dance. I can't wait for everybody
to see it. You muyl Isabelle de
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Roy, I'll sin what a promising
talent. I can't wait to see what
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she does next. And she is
amazing in Fancy Dance. And Lily Gladstone
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such an amazing actor, such an
amazing person, such an amazing film.
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Fancy Dance is so good. Please
go. If you're in a major market
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that's playing it in the theaters,
go see it. If not, watch
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it at home the comfort of your
own home, exclusively on Apple TV Plus
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as you know, I'm a huge
Apple TV plus fan. They are prestige
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movies, prestige television. They just
do work that is just above the rest.
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So Fancy Dance is no exception,
and to me it's an perfect example
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of why you know they are cut
above the rest. All right, that's
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the episode for now. Well,
no, that's the episode. That's this
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episode forever. But that's the end
of the episode. I guess hit me
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00:15:26.240 --> 00:15:28.720
up on socials, let's talk fancy
dance or whatever, you know, whatever
190
00:15:28.720 --> 00:15:31.200
you want to talk about in pop
culture. Some of your hate mail,
191
00:15:31.279 --> 00:15:35.360
some of your love mail. I'm
on all the socials. Head on over
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to podcast dot popculturewekly dot com.
You can get all the behind the scenes
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stuff or get the blog posts at
popcultureweekly dot com. All right, I'll
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see you next week. I love
you well. Thank you for listening to
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pop Culture Weekly. Here all the
latest at popcultureweekly dot com. Dancing Fancy
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Heat Dancing, Fancy Heat Dancing No
Nine Long Yet, Fancy Dance, Fancy
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Fancy Dance, Fancy Dancing All night
Long Yet
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