Get ready for an exhilarating episode of Pop Culture Weekly as Kyle McMahon takes you with him to New York City for the Red Carpet premiere of the phenomenal Apple TV+ limited series, The Crowded Room! You won't want to miss his exclusive interviews...
Get ready for an exhilarating episode of Pop Culture Weekly as Kyle McMahon takes you with him to New York City for the Red Carpet premiere of the phenomenal Apple TV+ limited series, The Crowded Room! You won't want to miss his exclusive interviews with the superstar cast, including Henry Eikenberry, Zachary Gallenger and Emmy winner Amanda Seyfried. We dive deep into the heart of this dramatic, twisty psychological thriller set in the late 70s in Manhattan and explore the powerful message the series carries.
But wait, there's more! Kyle also had the pleasure of sitting down with the extraordinary cast of Amazon Prime Video's series With Love to discuss Season 2. Hear from Isis King, Desmond Chia, Constance Marie, Todd Grinnell, Benito Martinez, Mark Indelicato, Vincent Rodriguez III and Emeraude Toubia as they open up about the importance of authentic representation, the refreshing and unique aspects of the series, and how it shatters stereotypes. Discover how art imitates life in this heartwarming show that delves into the complexities of family, love, and life with joy, acceptance, and a healthy dose of reality. So, grab your headphones and let's celebrate together!
Kyle McMahon's Death, Grief & Other Sh*t We Don't Discuss is now streaming: https://www.deathandgrief.show/Chapter-One-The-Diagnosis-AKA-WTF/
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1 00:00:00,120 --> 00:00:03,359 In this week's episode of pop Culture Weekly, I am at the red carpet 2 00:00:03,359 --> 00:00:07,080 premiere in New York of the Crowded Room, and I talk with the cast 3 00:00:07,120 --> 00:00:13,160 of With Love. Let's go Welcome to pop Culture Weekly with Kyle McMahon from 4 00:00:13,160 --> 00:00:18,920 my Heart Radio, your pop culture news, views, reviews and celebrity interviews 5 00:00:19,000 --> 00:00:23,320 on all the movies, TV, music and pop culture yu Crebe Weekly. 6 00:00:23,800 --> 00:00:30,120 Here's Kyle McMahon, Nona, Hello, and welcome the pop Culture Weekly with 7 00:00:30,199 --> 00:00:33,960 Kyle McMahon. I of course am Kyle McMahon, and we have a packed 8 00:00:34,119 --> 00:00:41,159 show this week. I am here live in New York for the red carpet 9 00:00:41,200 --> 00:00:45,320 premiere of the brand new Apple TV Plus show The Crowded Room, which is 10 00:00:45,520 --> 00:00:51,520 so good. It stars Amanda Sifred and Tom Holland. And I talk with 11 00:00:51,560 --> 00:00:56,840 the cast on the red carpet and I talk with the cast for sit down 12 00:00:56,880 --> 00:01:03,840 interviews of With Love, which is season two is coming out exclusively on Prime 13 00:01:04,000 --> 00:01:11,079 Video June second, which is today or it was June second, depending on 14 00:01:11,120 --> 00:01:15,959 when you're listening to this. So we've got a great show lined up for 15 00:01:17,000 --> 00:01:22,799 you. Let's start with the red carpet interviews. I have a whole host 16 00:01:23,239 --> 00:01:30,879 of talent from the incredible Apple TV Plus series The Crowded Room. When I 17 00:01:30,920 --> 00:01:34,280 tell you how much I love this show, I can't really say much about 18 00:01:34,319 --> 00:01:41,599 it because it's so twisty and turny and just a really really great series. 19 00:01:41,680 --> 00:01:49,280 It's a drama takes place in the late seventies in Manhattan and a man is 20 00:01:49,359 --> 00:01:53,159 arrested for a crime. I don't really want to tell you what, but 21 00:01:53,319 --> 00:01:57,599 in any event, it very much plays out like a play in many ways. 22 00:01:57,680 --> 00:02:06,000 It is really really good, edge of your seat, dramatic, twisty 23 00:02:06,159 --> 00:02:10,680 like psychological thriller, I guess you could say. And it stars Tom Holland, 24 00:02:10,680 --> 00:02:15,479 who is incredible in this, Amanda Seyfrid, who is incredible in this. 25 00:02:15,599 --> 00:02:17,919 The whole cast is incredible. So let's see who shows up on the 26 00:02:17,960 --> 00:02:23,719 red carpet and let's just get right into it. Okay, Hey, what's 27 00:02:23,800 --> 00:02:28,960 up. It's Kyle McMahon, iHeartRadio's Pop culture weekly. I am here live 28 00:02:29,159 --> 00:02:34,360 in New York at the Museum of Modern Art for the premiere. The world 29 00:02:34,439 --> 00:02:40,159 premiere of Apple TV Plus is The Crowded Room. It's executive produced by Tom 30 00:02:40,240 --> 00:02:46,680 Holland. It stars Tom and Amanus seafried and an incredible cast. I did 31 00:02:46,719 --> 00:02:51,719 get to see a number of the episodes in it is an incredible, incredible 32 00:02:51,759 --> 00:02:57,520 series that you definitely don't want to miss. So I'm gonna have interviews with 33 00:02:57,560 --> 00:03:04,919 the cast and crew of the Crowded Room on Apple TV Plus. All right, 34 00:03:05,080 --> 00:03:08,439 so it looks like I'll be speaking with Henry. I can Barry first. 35 00:03:08,560 --> 00:03:12,680 Let's see what Henry has to say. So, first of all, 36 00:03:12,680 --> 00:03:17,680 congratulations. Of course I saw the series. It's absolutely incredible. I haven't 37 00:03:17,719 --> 00:03:20,960 seen it. Oh you haven't seen any one on me there? Yeah? 38 00:03:21,000 --> 00:03:23,879 All right, Well, well I was going to ask you, what is 39 00:03:23,919 --> 00:03:25,840 this moment like for you? You know, you worked on this project for 40 00:03:25,879 --> 00:03:30,479 a while. You know, it was what last year up until November or 41 00:03:30,520 --> 00:03:34,199 something, and then now it's here. You're at MoMA, you know, 42 00:03:34,280 --> 00:03:38,120 for the premiere. I've been here on so many school trips and never would 43 00:03:38,120 --> 00:03:42,439 I think I'd be here for a premiere a show that I'm in. It's 44 00:03:42,439 --> 00:03:45,800 a it's a dream come true. And to work with everyone on this cast, 45 00:03:46,240 --> 00:03:50,000 I'm so grateful. And what does the project mean to you? You 46 00:03:50,039 --> 00:03:53,879 know it really I'm trying to be a spoiler free as possible. It's really 47 00:03:53,879 --> 00:03:57,479 hard. I've I've read the whole thing. I feel like I can't speak 48 00:03:57,520 --> 00:04:00,120 on it without spoiling That's the last thing I want to do, exactly right. 49 00:04:00,919 --> 00:04:05,439 Yeah, but so I think, you know what I think. I 50 00:04:05,439 --> 00:04:10,039 think it brings a lot of attention to mental health and you know, check 51 00:04:10,120 --> 00:04:14,000 in on your peers or just you know, even if you're not the closest 52 00:04:14,159 --> 00:04:16,839 check in. Awesome. I love it, man, Enjoy enjoy this. 53 00:04:17,040 --> 00:04:25,279 Thank you, thank you, Thanks Henry Iikenberry. And let's say, next 54 00:04:25,439 --> 00:04:30,759 up on the carpet is Zachary Gallinger. Let's talk to Zachary. All right, 55 00:04:31,360 --> 00:04:35,160 So what's it like. You're here at the premiere of the Crowded Room 56 00:04:35,199 --> 00:04:39,680 in New York at MoMA. What's that moment like for you? Well, 57 00:04:39,680 --> 00:04:43,800 it's an amazing experience to be here. I wasn't expecting all of this to 58 00:04:43,839 --> 00:04:46,920 have and so quick. It was just amazing to get this role and to 59 00:04:46,000 --> 00:04:50,519 have this entire experience working with Emmy Rosson and plays my mom in the Crowded 60 00:04:50,600 --> 00:04:55,680 Room, and working with the Kiva Goldsman forrn Elman Drisco is my director in 61 00:04:55,759 --> 00:05:00,079 multiple episodes. It was just an amazing experience overall. And how about now 62 00:05:00,279 --> 00:05:03,800 now that you're here at the premiere, Like, you know, now that 63 00:05:03,959 --> 00:05:08,759 part of the work is over right, the acting part. Now you're like 64 00:05:08,920 --> 00:05:12,120 it's debuting to the world. What does that moment feel like for you? 65 00:05:12,480 --> 00:05:15,560 Well, it's fantastic, it's amazing. At the same time, it's sort 66 00:05:15,560 --> 00:05:18,720 of nerve racking. Well, yeah, you're doing a great job, buddy, 67 00:05:18,879 --> 00:05:23,560 and you did a great job in the series. Thank you, of 68 00:05:23,560 --> 00:05:32,720 course, Zachary Gallander. I see Amanda Seiford coming up, and who knows, 69 00:05:32,759 --> 00:05:35,519 maybe I'll have a sit down interview with her at some point too, 70 00:05:35,800 --> 00:05:40,839 maybe in the next week's episode. You never know. Let's talk with Amanda. 71 00:05:41,079 --> 00:05:43,759 What is this moment like for you? You're here at the premiere in 72 00:05:43,879 --> 00:05:49,160 New York City at MoMA yere ago we were shooting. It feels good. 73 00:05:49,920 --> 00:05:54,279 It's tricky to release, you know, because it's it's some tough subject matter 74 00:05:54,279 --> 00:05:58,720 and it's also as as entertaining as it is and as like twisty as it 75 00:05:58,839 --> 00:06:03,480 is. Um, it's got a it's got a real gut punch of an 76 00:06:03,480 --> 00:06:09,120 important message and just so people get it, I hope people come away with 77 00:06:09,199 --> 00:06:14,560 something more than just entertainment. Um, because we're telling we're telling real stories. 78 00:06:14,800 --> 00:06:18,399 This is not a drill. Yeah, congratulations on this. This is 79 00:06:18,439 --> 00:06:23,480 such a powerful series and uh and I can't wait for the world to see 80 00:06:23,519 --> 00:06:29,079 it. Yeah, Younger's crossed many thank you. I appreciate you. Amanda 81 00:06:29,199 --> 00:06:33,879 Seyfrid. Of course I talked to her, um about her Emmy winning turn 82 00:06:34,480 --> 00:06:41,920 in the Toronto's series The Dropout, and I talked to William H. Macy 83 00:06:42,000 --> 00:06:46,240 and all that. We'll put the links in the show notes. Um. 84 00:06:46,279 --> 00:06:51,160 All right, So that is our red carpet interviews. It's crazy because Tom 85 00:06:51,240 --> 00:06:58,759 Holland was right next to me waiting. He was being interviewed by the wonderful 86 00:06:58,920 --> 00:07:01,279 woman next to me, and then he finished with her and I was still 87 00:07:01,279 --> 00:07:05,439 talking to Amanda. So his awesome publicist was like, you know, obviously 88 00:07:05,480 --> 00:07:11,480 didn't want him standing there at his own premiere waiting around, you know, 89 00:07:11,560 --> 00:07:15,319 to talk to me. So so he went in to you know, go 90 00:07:15,439 --> 00:07:19,560 take a seat, and um, and I missed him. I missed Tom 91 00:07:19,639 --> 00:07:24,279 Holland. That's all right. The series is amazing, and who knows, 92 00:07:24,399 --> 00:07:27,879 maybe I'll talk to him, you know, mid season or something. But 93 00:07:28,000 --> 00:07:33,279 in any event, that is the red carpet coverage of Apple TV pluses red 94 00:07:33,279 --> 00:07:36,839 carpet live red carpet coverage at the Museum of Modern Art, New York City. 95 00:07:38,839 --> 00:07:43,480 Of Apple TV pluses the crowded room. It comes out on June ninth 96 00:07:44,120 --> 00:07:48,000 everywhere, and it is well worth your time to watch it. So all 97 00:07:48,079 --> 00:07:56,040 right, let's get into my sit down interviews with the cast of Amazon Prime 98 00:07:56,399 --> 00:08:03,759 Videos series With Love and Two begins airing everywhere around the world on today on 99 00:08:03,879 --> 00:08:11,000 Today Today, and we're going to start with Isis King and Todd Grinnelle. 100 00:08:11,319 --> 00:08:13,879 So, first of all, thank you both for joining me. I really 101 00:08:13,920 --> 00:08:20,800 appreciate it. And congratulations on season two. Thank you, thank you so 102 00:08:20,879 --> 00:08:24,759 much. Thanks of course, of course. So first of all, I 103 00:08:24,839 --> 00:08:30,000 love the series and how it, you know, really deals with family and 104 00:08:30,199 --> 00:08:35,720 love and life in a very frank way. Was that important to you when 105 00:08:35,799 --> 00:08:41,080 you know when taking the role that it was so authentic, much more so 106 00:08:41,200 --> 00:08:46,279 than I feel like, you know a lot of media today. Yeah, 107 00:08:46,519 --> 00:08:50,320 I feel like, especially to be a trans person where we don't really get 108 00:08:50,320 --> 00:08:56,120 those opportunities to see love and family and friendships and career. So to have 109 00:08:56,320 --> 00:09:01,240 the four things, I feel like something I've never personally saying for a trans 110 00:09:01,320 --> 00:09:05,960 character. So that was really important for me, you know, and a 111 00:09:05,039 --> 00:09:09,039 day and age where trans wikes are being strict, I think it's important to 112 00:09:09,120 --> 00:09:15,000 see a trans person we love by all of those compartments and yet to have 113 00:09:15,120 --> 00:09:16,919 that family support, you know, as cool to see a common out story. 114 00:09:16,960 --> 00:09:20,679 But what happens after that, right, what happens as a person progressed 115 00:09:20,679 --> 00:09:26,039 and lives your life? And I think that's what we see Soul and their 116 00:09:26,120 --> 00:09:30,960 relationship with Miles, and I think it's really beautiful. Ohsome, and how 117 00:09:30,960 --> 00:09:35,720 about for utadd with Miles. Well, I've been lucky enough to know our 118 00:09:35,759 --> 00:09:41,240 showrunner as a dear friend for a long time and work with her on one 119 00:09:41,279 --> 00:09:45,080 day at time for years, Glory Keller on Kellt And so going into this, 120 00:09:45,240 --> 00:09:50,080 I knew that all of these stories we're going to go very deep. 121 00:09:50,399 --> 00:09:54,320 They would be incredibly authentic, they'd be real, they would be nuanced in 122 00:09:54,360 --> 00:09:58,200 a way that we haven't seen on television before, and that you know, 123 00:09:58,600 --> 00:10:05,240 they would be representation across the whole show, um in terms of you know, 124 00:10:05,320 --> 00:10:09,600 the characters, the actors, the writers, the producers, um. 125 00:10:09,679 --> 00:10:16,559 So that everything was was authentic and conversations would be had that haven't been had 126 00:10:16,600 --> 00:10:20,679 before. And so it was very easy for me to know and feel safe 127 00:10:20,679 --> 00:10:22,960 that all that was going to happen and that this was going to be really 128 00:10:22,960 --> 00:10:30,320 groundbreaking and uh and and great. And is that scary for you as an 129 00:10:30,399 --> 00:10:35,960 actor? I mean in um, in this you know, unfortunate climate for 130 00:10:35,000 --> 00:10:39,720 so many people. Um, you know, with the canceling and all that, 131 00:10:41,080 --> 00:10:45,120 did that ever cross your mind that, oh, this could be scary 132 00:10:45,159 --> 00:10:48,879 as as an actor? I mean, I will just say if if any 133 00:10:48,960 --> 00:10:54,000 of us would be canceled first the stories we're telling on this show, I'm 134 00:10:54,039 --> 00:10:58,559 okay being canceled by the people who would cancel that. I love that. 135 00:11:00,600 --> 00:11:05,120 And how about for you, sis? I mean, I'm just a trans 136 00:11:05,159 --> 00:11:11,519 person trying to express myself in an artistic way. So you know, it's 137 00:11:11,600 --> 00:11:16,039 it's rare for us and get this type of opportunity. So I'm just living 138 00:11:16,039 --> 00:11:18,919 in it and I'm so grateful for it, and you're doing an amazing job, 139 00:11:20,000 --> 00:11:22,799 both of you. Finally, iis, you know, do you feel 140 00:11:22,919 --> 00:11:28,919 responsibility because this is really a you know, groundbreaking role in so many ways. 141 00:11:30,000 --> 00:11:33,240 Does that ever? Are you ever like, uh, you know, 142 00:11:33,000 --> 00:11:39,200 nervous about that, or I think because of how I came into media fifteen 143 00:11:39,320 --> 00:11:43,360 sixteen years ago, I'm already used to kind of fill in that weight, 144 00:11:43,519 --> 00:11:48,360 that pressure on. So it's nothing new, and I always kind of just 145 00:11:48,559 --> 00:11:54,720 do everything knowing that it's someone young or who who may want to transition, 146 00:11:54,960 --> 00:11:58,720 or even people who may not have met someone before who was trans they're watching 147 00:11:58,759 --> 00:12:03,600 me. I kind of apply that today. I already that's awesome. Thank 148 00:12:03,639 --> 00:12:09,000 you both so much. I can't wait for everybody to see season two and 149 00:12:07,919 --> 00:12:11,919 h and beyond. Thank you, good to see you. Thank you you 150 00:12:13,000 --> 00:12:16,879 as well. Have a great day. Isis and Todd. Season two is 151 00:12:16,879 --> 00:12:20,600 really great. I love how creative the show is. Like every episode takes 152 00:12:20,639 --> 00:12:26,320 place and on a different holiday, and it all revolves around this family that 153 00:12:26,399 --> 00:12:31,879 very much reflects a lot of families today. So really good show. Let's 154 00:12:31,039 --> 00:12:37,679 keep it going. Mark and Delicado and Vincent Rodriguez the third. First of 155 00:12:37,720 --> 00:12:43,120 all, thank you both Mark and Vincent for speaking with me about with love. 156 00:12:43,240 --> 00:12:48,759 I really appreciate it. Sure and congratulate, thank you and congratulations on 157 00:12:48,799 --> 00:12:56,240 season two. It really is a special show that authentically I think captures family 158 00:12:56,440 --> 00:13:03,879 and life and relationships in a way that not many other shows do. Is 159 00:13:03,919 --> 00:13:09,320 that part of the appeal for you as actors, you know, doing these 160 00:13:09,399 --> 00:13:13,519 roles. Sure, I mean I think that you know, you hear actors 161 00:13:13,559 --> 00:13:16,120 talk about it all the time. It's kind of become like a cliche at 162 00:13:16,120 --> 00:13:20,799 this point of like, I need to make sure that it's authentic, and 163 00:13:20,840 --> 00:13:22,960 I need to be you know, and sometimes it can get a little actory 164 00:13:24,159 --> 00:13:28,799 for me. But but when you when you have a jumping off point of 165 00:13:28,840 --> 00:13:31,320 something that feels so real to you that you can actually and by real, 166 00:13:31,360 --> 00:13:37,200 I mean like relate to where you can see yourself in the you know, 167 00:13:39,080 --> 00:13:43,559 in this world, in this character, in these relationships. You know, 168 00:13:43,639 --> 00:13:48,080 for me personally as an actor, it's always very nice to have something written 169 00:13:48,080 --> 00:13:50,840 that you're going to work to do, but be able to pull from your 170 00:13:50,879 --> 00:13:54,559 own life and certain experience that you've had. And I think that a lot 171 00:13:54,600 --> 00:13:58,919 of the stuff that we deal with on with Love because we have such a 172 00:13:58,960 --> 00:14:05,799 big ensemble last you know, I think that everyone viewers and actors alike can 173 00:14:05,840 --> 00:14:09,279 relate to the situation in some way, whether they're you know, on the 174 00:14:09,320 --> 00:14:13,120 other side of it or or you know, in the situation that their characters 175 00:14:13,159 --> 00:14:18,360 in So yeah, I think that the more real it feels when it's jumping 176 00:14:18,360 --> 00:14:20,240 off the page, the more real it's going to feel when we're actually, 177 00:14:20,399 --> 00:14:24,639 you know, making it. I love that. And how about for you, 178 00:14:24,759 --> 00:14:28,559 Vincent Well, I think part of what makes this show feel so real 179 00:14:28,840 --> 00:14:33,559 and resonant with the audience that has found us is actually goes back to how 180 00:14:33,639 --> 00:14:37,759 Gloria Keller on Kelly, our creator, showrunner, and head writer, incepted 181 00:14:37,759 --> 00:14:41,960 the show. It was during the pandemic. She was turning on the TV 182 00:14:43,120 --> 00:14:48,360 and social media and she saw she saw nothing but pain and suffering and struggle 183 00:14:48,720 --> 00:14:54,480 with her friends and her family and like, you know, the people the 184 00:14:54,639 --> 00:14:56,799 community she belongs to, and she's like, where's the where's the love and 185 00:14:56,840 --> 00:15:01,639 the joy in the romance? You know, like that exists too, we 186 00:15:01,639 --> 00:15:05,840 should see something like that. And then she got this idea for With Love 187 00:15:05,200 --> 00:15:11,440 and so so With Love really represents what is already out there in the world, 188 00:15:11,600 --> 00:15:15,720 what is real and true, but now it's being told like through this 189 00:15:15,759 --> 00:15:20,480 authentic lens, highlighting a Latino family who does break the stereotypes. And we 190 00:15:20,759 --> 00:15:26,039 do that throughout the show in so many different refreshing ways, and I think 191 00:15:26,080 --> 00:15:31,879 it's a true testament to like how art can come from life like this show 192 00:15:31,320 --> 00:15:37,320 is. It was birthed to impact the world in a positive way, and 193 00:15:37,360 --> 00:15:41,240 now more than ever, we really need that. So thanks for saying that, 194 00:15:41,320 --> 00:15:43,639 Kyle, that that you recognize its authenticity, because we definitely feel that 195 00:15:43,679 --> 00:15:50,399 as a cast, and we definitely feel that authenticity with our characters, especially 196 00:15:50,440 --> 00:15:54,840 since Gloria embraces this kind of collaboration, you know, once we're on set, 197 00:15:56,159 --> 00:16:03,240 and that's that's definitely fueled the fun and the um and and the magic 198 00:16:03,399 --> 00:16:07,360 that we feel on the show. I love that. Thank you both so 199 00:16:07,440 --> 00:16:11,600 much. I can't wait for everybody to see season two of With Love. 200 00:16:11,720 --> 00:16:17,919 Thank you, Thanks Mark and Vincent. They have an awesome storyline this season 201 00:16:18,480 --> 00:16:25,519 that you don't want to miss. Next up, the parents, the matriarch 202 00:16:25,600 --> 00:16:32,240 and patriarch of the family, Constance, Marie and Benito Martinez. First of 203 00:16:32,279 --> 00:16:37,279 all, welcome and secondly, congratulations on season two of With Love. I'm 204 00:16:37,320 --> 00:16:42,480 really enjoying this series, and uh and I think it's so authentic and real 205 00:16:42,960 --> 00:16:48,279 in a way that so much other media is not today and um so I 206 00:16:48,320 --> 00:16:55,559 think it's a really important series as well as enjoyable. Thank you. That 207 00:16:55,679 --> 00:17:00,399 was wonderful. Thank you of course, so for you as actors, you 208 00:17:00,440 --> 00:17:06,920 know, I'm sure that that's part of the allure in doing it is having 209 00:17:07,079 --> 00:17:14,640 this series that is so you know, authentic and representative of so many people's 210 00:17:14,680 --> 00:17:19,039 lives out there. That is that true for you? Indeed, oh a 211 00:17:19,160 --> 00:17:25,000 thousand percent. One of the great things about this is not only is it 212 00:17:25,079 --> 00:17:30,799 written so well, where the conversations feel so true and so authentic and connected 213 00:17:30,920 --> 00:17:36,319 that it almost seems like there's no acting required if you are really into the 214 00:17:36,400 --> 00:17:40,759 character that you have. Benito and myself have had wonderful scenes together, but 215 00:17:41,599 --> 00:17:45,960 it focuses on the full human experience if it has so many, so much 216 00:17:47,000 --> 00:17:52,400 representation. We have so much diversity agewise, we have diversity, race wise, 217 00:17:52,519 --> 00:17:57,440 we have trans AAPI, Latin X community, African American, we have 218 00:17:57,599 --> 00:18:02,039 older, we have younger, we have middle aged. I mean, it's 219 00:18:02,200 --> 00:18:08,359 it's kind of like life, and it's accepting and treats all those different demographics 220 00:18:08,440 --> 00:18:15,200 and humans with respect and with love, and that is my favorite thing about 221 00:18:15,240 --> 00:18:18,920 this show. And with George, we have a blast. I mean, 222 00:18:18,000 --> 00:18:22,359 dude, it's just joke after joke and laugh after everybody can sing on the 223 00:18:22,359 --> 00:18:26,559 side, every actor can sing, and they all can dance, and she 224 00:18:26,839 --> 00:18:30,599 Conscience never stops dancing. Her and emerand her dance parties off to the side. 225 00:18:30,880 --> 00:18:36,400 Vinnie is like doing Broadway dancing. So off camera we're having a blast 226 00:18:36,480 --> 00:18:40,599 NonStop. But on camera, you know what's wonderful and just piggyback. What 227 00:18:40,680 --> 00:18:45,480 Conscience was saying is we we don't shy away from these difficult questions and the 228 00:18:45,519 --> 00:18:48,359 pain that is part of life. But we also, you know, embrace 229 00:18:48,400 --> 00:18:52,920 it with a hug, you know, and with honesty and with hard words 230 00:18:52,039 --> 00:18:56,680 sometimes. But it is based in love, and it is based in by 231 00:18:56,759 --> 00:19:02,519 me behind. It is based in reality as much as possible. It's a 232 00:19:02,640 --> 00:19:06,839 joy to come to work on this show. The words are there, the 233 00:19:06,920 --> 00:19:10,359 writing is there that the directors are there, the sets there, we all 234 00:19:10,400 --> 00:19:14,480 are dressed in beautiful wardrobe there. Oh yes, the sets are amazing. 235 00:19:15,680 --> 00:19:18,400 So I mean, it's it's it's just a winner all the way. And 236 00:19:18,599 --> 00:19:23,400 the product the final show is so damn good. I mean, I just 237 00:19:23,480 --> 00:19:26,200 I want the whole world to see it, because the more people to see 238 00:19:26,200 --> 00:19:29,240 the show, the more people will fall in love. With this show. 239 00:19:29,440 --> 00:19:32,640 It is that good. Well, I also have to say that if anybody 240 00:19:32,680 --> 00:19:36,960 wants to see the bad guy and the mom explore and redefine their sexuality, 241 00:19:37,160 --> 00:19:41,160 we're doing it over here with Love. You never see it anywhere else. 242 00:19:41,160 --> 00:19:45,599 Kim Contrell maybe once a while on Sex in the City, but we gott 243 00:19:45,599 --> 00:19:48,839 of here. We're holding it down with Love absolutely. And I got to 244 00:19:48,839 --> 00:19:52,960 say, you know, speaking all of the talent, that is one cast 245 00:19:52,000 --> 00:19:56,880 party that I would love to attend because with all of the talents of all 246 00:19:56,920 --> 00:20:00,319 of you, it's got to be a great time. Um. And and 247 00:20:00,480 --> 00:20:03,759 just you know, I'm almost at a time, but I just wanted to 248 00:20:03,839 --> 00:20:07,960 again, you know, thank you both. This this series is it's just 249 00:20:08,039 --> 00:20:12,720 done in such a way that you don't see uh and and family and life 250 00:20:12,799 --> 00:20:18,559 is complicated and um and you know, with Love is not afraid to uh 251 00:20:18,599 --> 00:20:23,039 to go there and explore those complications in a in a real way. So 252 00:20:23,079 --> 00:20:26,880 I think that's it's such a huge thing. Um. You know that the 253 00:20:26,960 --> 00:20:32,000 show brings to to culture. Hold on, Yeah, that's well said, 254 00:20:32,039 --> 00:20:34,319 man, Thank you. Yeah, and wean the world needs it right now. 255 00:20:34,519 --> 00:20:37,799 I really think we need more joy, more acceptance, and more love 256 00:20:38,039 --> 00:20:42,720 and you have it with love that I love that. Thank you both so 257 00:20:42,839 --> 00:20:48,359 much. I can't wait for everybody to see season two and beyond. Yes, 258 00:20:48,799 --> 00:20:53,680 season three. You got to do this otherwise it doesn't come. Sorry 259 00:20:53,720 --> 00:21:00,200 sorry, yeah, yeah yeah season three and I am by the way, 260 00:21:02,640 --> 00:21:06,759 thank you both so much. I really appreciate your time. Constance Marie and 261 00:21:06,799 --> 00:21:15,359 Benito Martinez love love love them. And now m Arold to be a Rome 262 00:21:15,480 --> 00:21:23,160 Flynn and Desmond Chiam who are really this series you know, basically revolves around 263 00:21:23,319 --> 00:21:27,160 them, So let's get right into it. Mrod to be a Rome Flynn 264 00:21:27,240 --> 00:21:34,880 and Desmond Chia. This series is so um unique in my opinion. It's 265 00:21:36,039 --> 00:21:41,720 very authentic and real and uh and deals with real issues in an authentic way, 266 00:21:41,799 --> 00:21:48,240 which I feel like so much UM media doesn't today. Is that part 267 00:21:48,240 --> 00:21:52,400 of the appeal for you as as actors when you are you know, um 268 00:21:52,440 --> 00:21:56,480 looking at a role like this like wow, this is this is happening, 269 00:21:56,640 --> 00:22:00,720 It's what it's what we need. It's to our community, nick Um. 270 00:22:00,759 --> 00:22:03,400 For me, my character more than anything is like it's she's dealing with the 271 00:22:03,440 --> 00:22:07,759 things that I am dealing with as a person with my girlfriends are dealing with 272 00:22:07,799 --> 00:22:11,880 as a person as well as yeahs as them. You know, we're constantly 273 00:22:11,880 --> 00:22:17,039 struggling with finding love, with our family's expectations, with societal expectations that we 274 00:22:17,119 --> 00:22:19,599 kind of forget, and you lose ourselves within all that. So it's like, 275 00:22:19,599 --> 00:22:22,400 how do you find your happiness? How do you really take time for 276 00:22:22,440 --> 00:22:26,240 yourself and navigate all the things you want and find your happy medium? So 277 00:22:26,279 --> 00:22:30,359 to me is like stuff that all women go through. And you know, 278 00:22:30,640 --> 00:22:34,319 I love that she's in a way a cocktail of emotions. She's starting from 279 00:22:34,400 --> 00:22:37,559 rock bottom in season two, but more than anything, I want to see 280 00:22:37,599 --> 00:22:41,160 her journey because I feel so many women are going to relate to and that 281 00:22:41,279 --> 00:22:45,200 is what what excites me most about my character. I love that. How 282 00:22:45,200 --> 00:22:53,160 about for you Romm, what was the question? Is it the authenticity of 283 00:22:53,200 --> 00:22:59,079 the series that has Oh? Yeah, I mean that's that's what I mean. 284 00:22:59,400 --> 00:23:00,799 I speak for myself, you know, strive for that personally, to 285 00:23:00,880 --> 00:23:07,000 try to find roles that um imitate life in a way where I feel are 286 00:23:07,000 --> 00:23:11,559 responsible to to portray that, you know, for the world, and this 287 00:23:11,640 --> 00:23:17,440 show is you know, kind of that in a nutshell. Um, the 288 00:23:17,559 --> 00:23:22,279 different characters, different gender is different representation everything, you know, the way 289 00:23:22,279 --> 00:23:26,880 that this show has been able to kind of put all these things together seamlessly. 290 00:23:26,720 --> 00:23:30,880 Um, it's really a treat for people. And you know, I'm 291 00:23:30,880 --> 00:23:33,440 excited for people to see season two. And how about for you, Desmond. 292 00:23:34,319 --> 00:23:36,960 I mean, yeah, I think that's one of the things that we 293 00:23:37,119 --> 00:23:41,000 lose when you when the moment you go into the concept of like genres right, 294 00:23:41,039 --> 00:23:44,440 like comedy, drama, and it like real life doesn't happen that way. 295 00:23:44,480 --> 00:23:47,279 And I think, um, Gloria has a really really good voice as 296 00:23:47,279 --> 00:23:51,559 far as for me, like trauma and drama come with a healthy, healthy 297 00:23:51,599 --> 00:23:55,039 evening of comedy. That that's how That's how like my family, that's that's 298 00:23:55,039 --> 00:23:56,640 the language you speaking. A lot of my friends we speak, you know, 299 00:23:59,400 --> 00:24:03,440 things that are horrible and terrible and tough funny also at the same time. 300 00:24:03,799 --> 00:24:07,519 And I think that's something that the show taps into really really really really 301 00:24:07,559 --> 00:24:10,319 well. I mean, these people they joke around, but it's about sometimes 302 00:24:10,319 --> 00:24:14,440 pretty serious like emotional stuff, and it's just how people talk. It's what 303 00:24:14,480 --> 00:24:18,160 emeralds it. It's how people speak. Um. And and that I think 304 00:24:18,359 --> 00:24:21,799 belies that not belizes, but undepends that sort of reality of the show and 305 00:24:22,079 --> 00:24:26,759 for me, very easy job the words from the page to say in them. 306 00:24:26,880 --> 00:24:30,240 It's it's it's easy to keep it consistent and real because of that. 307 00:24:32,400 --> 00:24:37,079 I love that Emerald for you. You know there, do you feel like 308 00:24:37,160 --> 00:24:41,920 as you're reading the script, like you're wanting to know what happens you know 309 00:24:41,599 --> 00:24:45,400 on the journey, like you know, now know what happens. I want 310 00:24:45,400 --> 00:24:49,319 to get to do whatever. See I mean some really nice fantasies. I 311 00:24:49,359 --> 00:24:52,559 mean I get to make out with both of these men. So yes, 312 00:24:52,680 --> 00:24:56,000 it's just tell me what why I get to shoot this? Please? Now 313 00:24:56,079 --> 00:25:02,279 today we know we know there was like one little, one little sequence with 314 00:25:02,559 --> 00:25:04,160 with with many many people involved that you were like, oh, yeah, 315 00:25:04,200 --> 00:25:10,519 we can do this will be funny. I love that. Thank you all 316 00:25:10,559 --> 00:25:12,200 so much for speaking with me. I really appreciate it, and I can't 317 00:25:12,240 --> 00:25:18,759 wait for everybody to see season two of With Love Ali. Thanks Cayled, 318 00:25:18,079 --> 00:25:27,079 have a great day. I'm around room and Desmond. Great actors, great 319 00:25:27,240 --> 00:25:33,279 cast, great show. I love how every episode of the show takes place 320 00:25:33,400 --> 00:25:38,000 on a different holiday. Really creative show. You gotta see it Amazon Prime 321 00:25:38,160 --> 00:25:45,319 Video out right now. So that is our show for this week. Next 322 00:25:45,319 --> 00:25:48,279 week I'll be sitting down with the cast of The Crowded Room having a little 323 00:25:48,279 --> 00:25:56,920 bit more in depth interviews and you know, yeah, the Crowded Room is 324 00:25:56,960 --> 00:26:03,799 out everywhere on Apple TV plus June ninth, With Love At Season two is 325 00:26:03,839 --> 00:26:08,240 out right now on as Amazon Prime Video. I Love You, I'll see 326 00:26:08,279 --> 00:26:12,240 you next week. We out Thank you for listening to pop Culture Weekly. 327 00:26:12,720 --> 00:26:25,119 Here all the latest at pop Culture Weekly dot com, Crowded Room and we 328 00:26:25,960 --> 00:26:37,960 love, we love in the Crowded Room with the Crowded Room, Love crowding 329 00:26:38,200 --> 00:26:48,400 with Love Room. Yeah,