March 12, 2026
The 2026 Oscar Deep Dive (with Fandango's Erik Davis)
Grab your popcorn and your most judgmental award-season Oscars pajamas. In this episode of Pop Culture Weekly, host Kyle McMahon is joined by Fandango’s Managing Editor and Rotten Tomatoes expert Erik Davis to dissect the absolute chaos that is the 2026 Academy Awards.From record-breaking nominations to the snubs that have "Film Twitter" in a collective meltdown, we’re breaking down who’s going to take home the gold and who’s just there for the gift bag.
In This Episode, We’re Obsessing Over:
- Genre-Defying Domination: How Ryan Coogler’s Sinners smashed records with 16 nominations and why the Academy is finally giving horror-adjacent films the love they deserve.
- The PTA "Due" Factor: Why Paul Thomas Anderson’s One Battle After Another might be the unstoppable force standing in Sinners’ way for Best Picture.
- The Best Actor Cage Match: Is it Michael B. Jordan’s year after his electrifying multi-character performance, or will the Academy finally hand the trophy to New York’s golden boy, Timothée Chalamet?
- Aunt Gladys vs. Prophidia: The Best Supporting Actress race is a literal horror show - in the best way possible - as Amy Madigan and Teyana Taylor go head-to-head.
- The Snubs That Stung: We pour one out for Wicked: For Good and Dune: Part Two, discussing why some of the year's biggest spectacles were left in the cold.
- The "Marketing Nerd" Perspective: Was Timothée Chalamet’s rogue campaign for Marty Supreme brilliant Gen Z bait or a case of fatal overexposure?
- Get Your Cheat Sheet: Head to Rotten Tomatoes for the ultimate downloadable Oscar ballot featuring critic and audience scores here!
- Binge the Noms: Catch the full "Best Picture" playlist over at Fandango at Home here!
If you dig the show, subscribe, rate, and share - and tell your friend who's always stealing your streaming passwords.
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WEBVTT
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In this episode of Pop Culture Weekly, Eric Davis and
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I dive into the Oscars twenty twenty six.
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Let's go.
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Welcome to pop Culture Weekly with Kyle McMahon from iHeartRadio
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your pop culture news, views, reviews and celebrity interviews on
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all the movies, TV, music and pop culture U Crab Weekly.
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Here's Kyle McMahon.
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No no, no, Hello, and welcome to pop Culture Weekly
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with Kyle McMahon. I of course am Kyle McMahon, and
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this is the show where we celebrate pop culture, question
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our life choices, and occasionally try to explain why we
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care so deeply about tiny golden statues handed out by
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people in tuxedos. And today those tiny golden statues are
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exactly what we're talking about, because the twenty twenty six
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Oscars are here. The Academy Awards, Hollywood's biggest night, the
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Internet's most chaotic night, and the one evening a year
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when phil Twitter, film critics, movie fans, and people who
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have only seen one movie since two thousand and seven
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all of a sudden become professional awards analysis. And honestly,
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I love it. The Oscars are still one of the
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last true pop culture events where the entire entertainment world
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kind of stops for a moment to celebrate movies, the performances,
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the surprises, the speeches that go on way too long,
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and of course the inevitable discourse afterwards. So today we
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are doing a full Oscars deep dive. Who might win,
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who should win, what films are dominating the conversation, and
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what surprises could still shake up Hollywood's biggest night. And
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to help break it all down, I'm joined by someone
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who literally lives and breathes this stuff. I am joined
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by Eric Davis. He's the managing editor at Fandango and
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contributor to Rotten Tomatoes.
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And if you.
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Follow movie news, awards, the and predictions are pretty much
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anything going on in the film world, you've probably seen
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Eric breaking it all down. We're going to talk about
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the biggest Oscar contenders this year, which films have the momentum,
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which categories could be total chaos, and whether there are
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any underdog.
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Movies that might sneak in and steal the night.
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So, if you're filling out an Oscar ballad, arguing with
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your friends or the Internet about Best Picture, or just
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want to sound extremely informed at your Oscars party, this
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conversation will absolutely help returning once again. Here he is
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Eric Davis. So joining me once again is my buddy
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Fandango and Rotten Tomatoes correspondent Eric Davis, and we're talking
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all about the twenty twenty five Oscars.
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Welcome back, Eric.
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Thank you for having me, of course, and.
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It's always a pleasure to talk to you.
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So we are diving in into the twenty five Oscars.
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I gotta know, what do you think in regards to
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the Oscars as a whole. Where did the Academy go
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this year? Was there any surprises for you? Was it
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kind of what you expected? What's your take?
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You know, I'm a big fan of where they went
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this year. To be honest with you, I think any
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year where we have sort of a record broken with
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nominations is a cool year and a year where you
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perk up a little bit, especially when that movie is
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a film like Sinners, which of course broke the record
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for nominations this year. What's sixteen. The previous record was fourteen,
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so it beat it by two.
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So it was a pretty pretty.
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Significant milestone that it crushed there. And you know why
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I like it is because you know, here Sinners is
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a fiercely original film. Yes, some people call it a
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horror movie, but I think it's genre defying. I think
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there's some horror in there. There's music in there, there's legacy,
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there's family, there's all sorts of different genres that you know,
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missmash in there. But I think it's just it's exactly
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the kind of film that you want to see break
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a record like that. Especially, you know, we're in a
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day and age where a lot of people sort of
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criticize movies for you know, remake sequels, reboots. We see
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a lot of those, and you know, I think audiences
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will complain, but you know, the audiences still want that stuff.
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That's why Ali would make them. But I think there's
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a desire for original storytelling as well. And so to
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see the two big films up there sinners, and even
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though One Battle after Another is an adaptation, Paul Thomas
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Anderson took a lot of liberties with that adaptation, so
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it still feels very original in its scope and its presentation.
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And so to see those two.
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Films really battling it out for the big wins this year,
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I think is a really great a great win for audiences,
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a great win for Hollywood, and it's and it's very
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exciting to see some really great filmmakers are in the
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mix this year. And that's what I'm excited about.
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Yeah, I love Ryan Coogler and and I love horror.
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And I know we're not completely claiming it as a horror,
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but i am because as a huge horror fan, I'm like, okay, wait,
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a horror at least adjacent film is like getting Oscar
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love is, like you know, as you know, rarely ever happened.
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So I'm like, yep, that's a horror, even though as
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you said.
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It is a genre defying film.
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But it's so completely and totally original, and like you said,
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I mean it really plays as a drama and an
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action and you know, music is so tightly integrated into it.
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And I am so excited for Ryan and so excited
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for Sinners that that's what I'm really, really really rooting for.
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It's just such an original movie and it was.
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So refreshing to see it, you know, especially like on
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the big score, you know, where I could go and
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just like sit and take it in on this eighty
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foot screen or whatever it is, and you know, it
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was just so different. I feel like and it was
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accessible too, you know. I mean I have friends that
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are not film buffs like you and I where we
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can nerd out about stuff. There was just like, oh,
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you know, who's in it and whatever. And the people
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that I went with loved it too. So it's like
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one of those films for me that talks to different people,
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you know what I'm saying exactly.
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I mean, look, this was a box office hit. Not
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only was it a box office hit, but it was
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also the best reviewed film of the year at Rotten Tomatoes.
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Not only that, it was also the audience's favorite film.
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Oh wow.
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So I mean, this film just really kind of caught
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lightning in a bottle.
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And you know, you mentioned.
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Horror at the Oscars historically sort of snubbed. This year,
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I think is probably one of the best years we've
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ever seen horror represented. And it's not just from Center
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and some of the folks from Sinners who are nominated,
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but you have get Moldel Toros Frankenstein in there with
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a bunch of nominations. You have Amy Madigan for Weapons
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in there, another original horror movie with a big nomination.
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She may win.
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She a lot of people predicting her to win. That award,
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so really great if you are a horror fan, and
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fans had been sort of nudging the Academy right for
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a few years now, being like you got to start
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recognizing horror, because I think definitely in the last ten years,
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we've seen this sort of resurgence, especially sort of with
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like you know, you know, these low budget horror movies
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doing really well at the box office, and I think
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that helped sort of, you know, the genre kind of expand,
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and it helped studios sort of take more chances on horror,
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and that's why we're seeing a lot of really great
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horror at the moment right now.
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I'm curious, on the rotten Tomato side, how rare is
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it for a audience score that high to match a
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critics score that high.
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Is that a rare thing?
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I definitely think it's it's rare. I mean it's something
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that we do see.
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You know, as we talked, you know, Pixars Hoppers came
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out past Larry Yeah, very high critical score, very high
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audience score both in the in the in the high nineties,
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and so you know, it's definitely something that happens occasionally.
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But for that to happen on a film, and then
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that film to go on and you know, and break
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these records at the Oscars. You know, that feels very
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rare to see it what it did there. And you know,
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and I think in any other year we're sitting here
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sort of similarly that we did with the year Oppenheimer
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came out being like, you know, this is Oppenheimer's year.
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They're just taking it. But Sinners unfortunately for that film
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has to contend with one battle after another. Both of
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those films could win individually.
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You know.
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It reminds me of the year where I believe it
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was Paul Thomas Anderson's Will Be Blood up against No
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Country for old Men, you know, and you have these
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two incredible films and one of them had to win.
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Of course, it was No Country. And so I think
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for those reasons, in my mind, I think it's sort
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of Paul Thomas Anderson is due, and I think the
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industry feels like he's due, and that's why I ultimately
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I am leaning in the one battle camp.
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Okay, before we get into what was nominated, was there
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any surprises for you that were not nominated this year?
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I think Wicked for Good was a surprise for me.
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You know that kind of got snubbed pretty much across
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the board when it came to the Oscars, and it
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was a big surprise. It was a film that showed
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up in a lot of other awards consideration. I personally
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really enjoyed the film. I thought, you know, the combination
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of the two films was such I think an extraordinary accomplishment,
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especially from the production side and the music side, and
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the performances. Ariana Grande was exceptionally strong in the second film,
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and she had been nominated, you know, in other award shows.
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So to see that film not show up, I was
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kind of surprised. But you know a lot of people
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ask me why didn't it show up? And you know,
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the first film was recognized, I think ten Oscar nominations,
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and you know, there could be a sense of the
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Academy saying, you know, we've recognized this film, We've recognized
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the achievement here. And because the second film wasn't as
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strong I think critic with critics or with audiences as
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the first film. The first film really is the fun
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portion of Wicked. I think for those reasons, it sort
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of slipped by voters this year unfortunately, So that would
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for me was probably the biggest snub.
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Yeah.
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I kind of thought that it would do a Lord
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of the Rings type of thing where you know, the
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first one, yeah you got nominations and all that, but
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the second one is.
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Where we're we'll really reward you.
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And it did not happen this year, which I think
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is interesting.
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So I agree with you there.
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Yeah, So we'll see when Dune Part three came out,
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because that was another one that Doom Part two I loved,
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and the snubs for Doom Part two like they hurt me,
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like personally hurt me. So I you know, we have
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a Dune Part three coming out later this year, and
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I'm curious to see if after that film comes out,
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if we do see something like a Lord of the
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Rings where doing part three is honored in that way.
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I hope. I hope so because I think what Didneva
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Leneuve has done with that trilogy has been you know, outstanding.
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Yeah, so jumping in, there's you know, so much we
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could get into.
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Where where do you want to start?
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I mean best Picture? Really the category?
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Yeah, that's you know, that's that's what I have read
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up on my screen right now, all great films.
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I was really happy to see F one get in there.
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I feel like F.
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One is sort of sort of like that Top Gun Maverick.
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Not only is it from the folks that did Top
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Gun Maverick, buts Maverick esque in the way it's it's delivered.
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And so it was good and the audience loved that
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film ninety seven percent verified hot it's actually the highest
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scored film of the Best Picture contenders by the audience.
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Oh wow, on Rod Tomatoes is F one, believe it
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or not, ninety seven percent.
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So I'm happy to see that in there.
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But all of these films are really really good, you know,
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multiple international titles are in there. What you like to
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see in sentimental value and the Secret Agent, really lovely
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film called Train Dreams from Netflix that's in there.
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I was actually sorry to interrupt. I was actually just
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going to ask you about that.
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One, because Train Dreams flew completely under my radar, like completely,
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